In 1995, during the making of his TV series Triumph of the Nerds about the birth of the PC, Bob Cringely did a memorable hour-long interview with Steve Jobs.It was 10 years since Jobs had left Apple following a bruising struggle with John Sculley, the CEO he had brought into the company. At the time of the interview Jobs was running NeXT, the niche computer company he had founded after leaving Apple.During the interview, Jobs was at his charismatic best - witty, outspoken, visionary. In the end, only a part of the interview was used in the series and the rest was thought lost. But recently a VHS copy was found in the series director's garage. Now, cleaned up with modern technology, and put into context by Cringely, the entire interview will be screened in Landmark Theatres.In the interview Jobs talks about his pioneering days with Steve Wozniak, when they built a Blue Box and phoned the Pope; how they - "two guys who didn't know much" -- assembled the first Apple computer and went on to found the Apple company. "I was worth around a million dollars when I was 23, over 10 million dollars when I was 24 and over 100 million dollars when I was 25 - and it wasn't really important!" Jobs recalls the visits he made to Xerox Palo Alto Research Center and how it inspired the making of the Macintosh, the world's first modern PC, when he was "on a mission from God to save Apple." He talks frankly and sadly about his enforced departure from Apple and explains what he is doing at NeXT (which he would soon sell to Apple and whose software would then be at the heart of the first iMac's operating system). Finally in spell-binding terms, he offers his vision of a digital future - a world of wonderful products created by artists and poets.It is an interview that reveals the burning passion of Steve Jobs, a passion that would go on to give us the iMac, the iPod, the iPhone and the iPad. As a tribute to an amazing man, Landmark is proud to be screening Steve Jobs - the Lost Interview.

Master chronicler of post-War England, Terence Davies (The Long Day Closes, The House of Mirth) directs Rachel Weisz as a woman whose overpowering love threatens her well-being and alienates the men in her life. In a deeply vulnerable performance, Rachel Weisz plays Hester Collyer, the wife of an upper-class judge (Simon Russell Beale) and a free spirit trapped in a passionless marriage. Her encounter with Freddie Page (Tom Hiddleston), a troubled former Royal Air Force pilot, throws her life in turmoil, as their erotic relationship leaves her emotionally stranded and physically isolated. The film is an adaptation of British playwright Terence Rattigan's 1952 play, featuring one of the greatest roles for an actress in modern theatre. Through flashbacks, Mr. Davies creates memorable cinematic compositions against the backdrop of post-war England. His signature style includes beautiful tracking shots as well as the use of popular music of the day, and here Samuel Barber's majestic Opus for Violin and Orchestra. Besides his two acclaimed semi-autobiographical features Distant Voices, Still Lives and The Long Day Closes, Mr. Davies films include The House of Mirth, The Neon Bible, and his masterful nonfiction exploration of his native city, Liverpool, Of Time and the City.

Mickey Prohaska (Greg Kinnear) is a small-time insurance agent looking for a way to jump-start his business, reunite with his estranged wife (Lea Thompson) and escape the frigid Wisconsin weather. This self-proclaimed master of spin believes that salesmanship is about selling a story -- all he needs is a sucker willing to buy it. He hits pay dirt with a lonely retired farmer (Alan Arkin) who is sitting on something much bigger than an insurance commission. But Mickey's attempt to con the old man spins out of control when a nosy, unstable locksmith (Billy Crudup) with a volatile temper dramatically ups the stakes, trapping him in a madcap spiral of danger, deceit and double-crossing. Blending dark comedy and delirious Midwestern noir, THIN ICE reaches a breaking point that no one -- least of all Mickey Prohaska -- could ever see coming.

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 FOOTNOTE (Subtitled Hebrew) is the tale of a great rivalry between a father and son. Eliezer and Uriel Shkolnik are both eccentric professors, who have dedicated their lives to their work in Talmudic Studies. The father, Eliezer, is a stubborn purist who fears the establishment and has never been recognized for his work. While his son, Uriel, is an up-and-coming star in the field, who appears to feed on accolades, endlessly seeking recognition. Then one day, the tables turn. When Eliezer learns that he is to be awarded the Israel Prize, the most valuable honor for scholarship in the country, his vanity and desperate need for validation are exposed. His son Uriel, meanwhile, is thrilled to see his father's achievements finally recognized but, in a darkly funny twist, is forced to choose between the advancement of his own career and his father's. Will he sabotage his father's glory? FOOTNOTE is the story of insane academic competition, the dichotomy between admiration and envy for a role model, and the very complicated relationship between a father and son.

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