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Roar Shack
 
 

Many see a flutterby when they look into this 

 

omniscience I see as a skinniness too densely drawn 

or a mystery unhinged by its own symmetry, a twinning 

I think of as a listener that thinks along 

with me, fused in a tweed, a red herringbone 

weave in the dazzling darkness 

and bleached afterness some see 

 

as a necklace of brilliants curved in gift. As if! 

 

A color visible only in ultraviolet 

light or a source beyond mathematics I think 

of as a second self, an underhum. Or thought. Till I saw 

innocence tortured by a force 

beyond kindness, an unconditional indifference 

 

or wick for wickedness that wanted trauma dolls. 

 

I tell this as a clock tells time but telling can't diminish it 

 

as clocks can't dwindle time. Am I still alive? 

Birds that sing behind a waterfall, horses kneeling 

Christmas Eve are what others see in what I see 

as us delivered up to this chill that searches me.

 

 

 

Copyright � 2013 by Alice Fulton. Used with permission of the author.  

About This Poem
"'Roar Shack' begins with a depiction of God or omniscience as an ink blot, a Rorschach that's configured in various ways, depending on who's looking into it. I used to feel that some entity was witnessing everything that happened, and this assumption of accompaniment ran so deep I didn't realize it existed until it was destroyed. The poem moves from a sense of hope to a hollowness created by trauma and witness: the numbness that follows an encounter with brutality--a 
brutality that suggests the absence of God."
 

--Alice Fulton

Most Recent Book by Fulton

(W. W. Norton & Company, 2005)

 

September 6, 2013

Alice Fulton's most recent book is Cascade Experiment (W. W. Norton & Company, 2005). She teaches at Cornell University. 
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