For M.G. The Movie
For M.G.: The Movie (1991) presented at the Watermill Center, Water Mill, NY.  Photo: Barbara Dufty

Dear TBDC Family & Friends,
We are still celebrating our Memorial Day Weekend performances on the beautiful grounds of The Watermill Center in Water Mill, New York. Thank you to our local audiences for joining us on Long Island for this special engagement.

If you are in the Chicago area, join us on June 4 for Roof Piece (1971), which will be performed on the rooftops surrounding Art Circle Drive at the Block Museum of Art on the campus of Northwestern University. The performances are free, so join us at 12:00pm and 3:00pm, and for a post-show conversation at 4:00pm. We love performing Roof Piece and we are eager to share it with the Chicago community!

We turn our attention to Philadelphia where the Pennsylvania Ballet will premiere the restaging of Trisha Brown's O zlozony / O composite (2004) June 9-12. The work has been restaged by TBDC alum Neal Beasley with assistance from current dancer Tara Lorenzen and Associate Artistic Director Carolyn Lucas. This project marks the first occasion that an American ballet company will perform Trisha's work. We send warm wishes to the Pennsylvania Ballet dancers.

Our annual Summer Intensive is quickly filling! This year's program features two weeks of study. In the first week, participants will work deeply on Trisha's Newark (Niweweorce)(1987), known for its partnering and forceful dancing. In the second week, we will turn towards Trisha's improvisational and compositional strategies, looking at repertory selections from forty years of making. Visit our Education site for more information, and we hope you can join us in the studio.     
With gratitude,
Diane Madden & Carolyn Lucas
Associate Artistic Directors
Thank you for your support!
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Northwestern University,
The Block Museum of Art
Evanston, Illinois
Roof Piece (1971)
June 4, 2016 - 12:00pm & 3:00pm
Post-Show Discussion - 4:00pm

Venice Biennale 
Venice, Italy
Repertory Performance
June 25, 2016 - 10:00pm
Planes (1968)
Opal Loop (1980)
Locus (1975)
For M.G.: The Movie (1991)

Bard College
Annandale-on-Hudson, NY
TBDC Company Residency
September 5-11

Read more about all upcoming TBDC on our Season Calendar.
Roof Piece (1971) Photo: Kevin Vast.

Featuring TBDC dancer Marc Crousillat

Saturday, June 18, 2:00-4:00 taught by Marc Crousillat
Gibney Dance Center, 280 Broadway, New York City
(Entrance on 53A Chambers Street) 
Beginning with a warm-up to integrate the breath and full dimension of the body, movement exercises will focus on undoing places of tension and holding. Mapping the joints of the body will be emphasized to enable clear and efficient movement. The class will develop into learning a phrase of movement that encompasses quick qualitative shifts and complex points of initiation. 
For more information, please visit Gibney Dance Center.

Instructor Biography 
Marc Crousillat is currently working with Trisha Brown Dance Company, John Jasperse, and Netta Yerushalmy. He makes films with his sister, Stephanie, and dances which have been shown at Open Performance, 5×7 Space at HyLo Labs, FringeArts Philly, and Center for Performance Research as an artist-in-residence at Chez Bushwick. He is from New Jersey and received a BFA in Dance from The University of the Arts in Philadelphia ('13).
Photos: Ted Alcorn, Lee Gumbs

Our summer program is filling quickly.
Reserve your spot and join us in the studios this summer!

WEEK I: July 18-22
WEEK II: July 25-29

WEEK I: JULY 18-22 - Fee: $280
Baryshnikov Arts Center: 450 West 37th Street, NYC
12:00pm-2:00pm - Technique Class with Diane Madden, Associate Artistic Director
2:30pm-6:00pm - Workshop with TBDC dancer Tara Lorenzen on Trisha Brown's iconic Newark (Niweweorce) (1987), known for its forceful partnering and Trisha's elusive movement

WEEK II: July 25-29 - Fee: $280 New York City Center: 131 West 55th Street, NYC  
12:00pm-2:00pm - Technique Class with Instuctor TBD. 
2:30pm-6:00pm - Workshop taught by Diane Madden, TBDC Associate Artistic Director, focusing on Trisha Brown's improvisational and compositional tools spanning forty years of choreographic process

All participants must be 18 or older. Participants must take the full day (no partial days). Participants registering for Week 1 and Week 2 will pay a discounted rate of $520. Space is limited, reserve your spot today!

Click here for a registration form. Visit www.trishabrowncompany.org and click on Education or contact education@trishabrowncompany.org for more information.    
Newark (Niweweorce) (1987) Photo: Stephanie Berger
This June's premiere O zlozony / O composite in Philadelphia
marks the first time an American ballet company
performs a work by Trisha Brown

O zlozony / O composite (2004) Photo: Julieta Cervantes
The Pennsylvania Ballet premiere of Trisha Brown's O zlozony / O composite (2004)
June 9-12, 2016 -- Times vary | Tickets
Merriam Theatre: 250 South Broad Street, Philadelphia, PA 19102.
The Pennsylvania Ballet will premiere Brown's work within an evening entitled Balanchine and Beyond. Additional works on the program include George Balanchine's The Four Temperaments and Hans Van Manen's Adagio Hammerklavier,

In the Trisha Brown: In the New Body Blog, you will find recent contributions by TBDC alum Neal Beasley. Beasley has been leading the restaging process, accompanied by TBDC dancer Tara Lorenzen and Associate Artistic Director Carolyn Lucas. Read all about the restaging process, as well a recap of the recent Nuts and Bolts discussion which included TBDC alums Lisa Kraus and Stephen Petronio, here.

Teaching O zlozony / O composite to these dancers has reminded me exactly how much trust is required in creative partnerships, perhaps nowhere quite like in the quiet of a dance studio.
-Neal Beasley 
Photos: Johanna Austin

Over two semesters, TBDC has been leading technique and repertory classes for students at Bard College. This is one component of the College's two-year partnership with TBDC, which also included annual full-Company residencies, performances, masterclasses, and special events.

This spring, TBDC alum Leah Morrison taught selections of Trisha's work for performance in the Spring Faculty Concert, including Accumulation with Talking plus Cutbacks (1979) for four dancers, the Running Solo from For M.G.: The Movie (1991) turned into a duet, and an interpretation of Set and Reset/Reset for the full ensemble. Set and Reset/Reset uses the movement material and composition principles of Set and Reset (1983) to create a new, wholly original work while featuring the driving score by Laurie Anderson and costumes and lighting inspired by Robert Rauschenberg and Beverly Emmons' original designs.  
Photos: China Jorrin
The collection at the  Moderna Museet aims at examining the relationship between objects and the human body in the works of minimalist artists and choreographers who emerged between the late 1950s and the early 1970s in North America and Europe, including Simone Forti, Robert Morris, Donald Judd and Trisha Brown.
Moderna Museet, Stockholm: 12 March - 12 June, 2016 - Closing this month!

Study with the Best
A profile of Vicky Shick, TBDC alumma and adjunct professor at Hunter College Dance Program (New York, NY), in which she discusses how Trisha Brown greatly influenced her life and work. The video can be seen here.

Trisha Brown Dance Company |  marketing@trishabrowncompany.org

341 W 38th Street, Suite 801
New York, NY 10018