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A History of American Protest Music: When Nina Simone Sang What Everyone Was Thinking
"Mississippi Goddam" was an angry response to tragedy, in show tune form.
Nina Simone, 1966
Nina Simone, 1966. (Photo by David Redfern/Redferns) via Getty Images

Tom Maxwell | Longreads | April 2017

LONGREADS -  On June 12, 1963, in the early morning after president John F. Kennedy's Civil Rights address, activist Medgar Evers was shot in the back as he stood in the driveway of his Mississippi home. He was returning from a meeting with NAACP lawyers and officials, and carried an armload of T-shirts that read "Jim Crow Must Go." Evers was taken to a local hospital, where he died less than an hour after being admitted.
On September 15, 1963, four girls were killed when white supremacists planted more than a dozen sticks of dynamite beneath the side steps of the African-American 16th Street Baptist Church in Birmingham, Alabama. The children were preparing for a sermon titled "A Love That Forgives." According to one witness, their bodies flew across the basement "like rag dolls."
When she heard the news, jazz musician Nina Simone was paralyzed. "It was more than I could take," she remembered, "and I sat struck dumb in my den like St. Paul on the road to Damascus: all the truths that I had denied to myself for so long rose up and slapped my face. The bombing of the little girls in Alabama and the murder of Medgar Evers were like the final pieces of a jigsaw puzzle that made no sense until you had fitted the whole thing together. I suddenly realized what it was to be Black in America in 1963, but it wasn't an intellectual connection...it came as a rush of fury, hatred and determination. In church language, the Truth entered into me and I 'came through.'"
Simone's initial reaction was less than Christian. "I had it in mind to go out and kill someone," she remembered. "I tried to make a zip gun."
Andy, her husband and manager, intervened. "Nina," he said, "you can't kill anyone. You are a musician. Do what you do."
An hour later, Nina Simone had composed a song called "Mississippi Goddam." "It was my first civil rights song," she recalled, "and it erupted out of me quicker than I could write it down."
"Mississippi Goddam" became one of Nina Simone's most famous compositions. It redirected her career. Crisply honest, it is a pure expression of rage and an indictment of inequality. Stylistically, it leapfrogged the righteous, passive anthems that characterized protest music of the time. It was knowing, biting, and inciting.
It was a step Simone was reluctant to take. "Nightclubs were dirty, making records was dirty, popular music was dirty and to mix all that with politics seemed senseless and demeaning," she wrote in her autobiography  I Put a Spell On You. "And until songs like 'Mississippi Goddam' just burst out of me, I had musical problems as well. How can you take the memory of a man like Medgar Evers and reduce all that he was to three and a half minutes and a simple tune? That was the musical side of it I shied away from; I didn't like 'protest music' because a lot of it was so simple and unimaginative it stripped the dignity away from the people it was trying to celebrate. But the Alabama church bombing and the murder of Medgar Evers stopped that argument and with 'Mississippi Goddam,' I realized there was no turning back."
"'Mississippi Goddam'-that's using God's name in vain," said comedian and activist Dick Gregory. "She said it, talking about 'Mississippi, goddamn you.' We all  wanted to say it, but she said it. That's the difference that set her aside from the rest of them."
Shortly after the song's debut in New York, Nina Simone performed it to a mostly white audience at Carnegie Hall in March, 1964. It starts off at a clip. "The name of this tune is Mississippi God-DAMN," Simone declares to nervous laughter as the band vamps behind her, "...and I mean every word of it."
Alabama's got me so upset
Tennessee made me lose my rest
And everybody knows about Mississippi
Goddam
The arrangement is at apparent odds with the sentiment. It's a vaudeville tune, a clip from a musical review. It makes you see chorus boys, bright in the footlights, dancing in unison. But this is a dark message, delivered in a white envelope. Simone repeats the first verse more insistently, then asks for a witness in the middle eight.
Can't you see it
Can't you feel it
It's all in the air
I can't stand the pressure much longer
Somebody say a prayer
...then a recapitulation of the verse, to complete the standard AABA form.
What happens next is fascinating, and we need to discuss a little music theory to talk about it. Simone doesn't change key, but begins playing in the relative minor. Musically, it's like looking at the opposite side of the same coin: major chords (in this case A-flat, the song's key base) are generally considered bright and happy, while minor chords (F minor here) are understood to be more melancholy and sinister. Because A-flat and F minor reside in the same key, we understand them as being of a piece. They may have a different root, but share the same scale. Not only that, A-flat is the very note that changes an F chord from major to minor. Simone is demonstrating, tonally, that there are two very different stories to be told from the American perspective: one of majority and one of minority. Furthermore, the existence of one causes the desolation of the other.
"This is a show tune," Simone explains over the new minor vamp, "but the show hasn't been written for it yet." More tittering from the uncertain audience.
Then, a little over a century after president Lincoln issued the Emancipation Proclamation, Nina Simone slaps gradualism in the face and throws politeness out the window. "You don't have to live next to me," she sings. "Just give me my equality."
Yes you lied to me all these years
You told me to wash and clean my ears
And talk real fine just like a lady
And you'd stop calling me Sister Sadie
Oh but this whole country is full of lies
You're all gonna die and die like flies
I don't trust you any more
Keep on sayin' 'Go slow'
"Everyone knows about Mississippi," Simone sings as the song comes to a racing close. "Everyone knows about Alabama. Everyone knows about Mississippi. Goddamn."
Nina Simone: Mississippi Goddam
Nina Simone: Mississippi Goddam

"Mississippi Goddam" was included on the album  "Nina Simone In Concert," and released as a single, with the offending word bleeped out. "It may be the most topical selection in years," read the sleeve notes. "This outstanding message song, with the great 'SIMONE' feel and rhythm, makes this a @*?!!;; hot disc."
One box of promotional singles was returned from South Carolina with each record broken neatly in half. Most southern states banned the song.
"Nina Simone In Concert" contains another original composition, "Old Jim Crow." Jim Crow was a character originating in a blackface minstrel song from the 1820s, and was the name of the prevailing racial caste system in the South after slavery.
"Oh I'm a roarer on de fiddle, and down in old Virginny," goes the original lyric to "Jump Jim Crow" from 1828,
They say I play de skyentific like Massa Pagannini
Weel about and turn about and do jis so,
Eb'ry time I weel about and jump Jim Crow
"Old Jim Crow, what's wrong with you?" Nina Simone sings in her song.
It's not your name, it's the things you do
Old Jim Crow don't you know
It's all over now

Nina Simone - Old Jim Crow
Nina Simone - Old Jim Crow

There were many songs sung during the Selma to Montgomery Civil Rights March in early 1965, a year after Nina Simone's concert at Carnegie Hall. The marchers burst into "We Shall Overcome," the anthem of the Civil Rights movement, several times. (Folk music icon Pete Seeger had taken the old spiritual and replaced "I will" with "We shall" in the title, making it a more universal pean to perseverance and gradualism.) Two young supporters sang "Woke Up This Morning With My Mind Stayed on Freedom" after Dr. Martin Luther King Jr.'s remarks in Selma on the morning of the march. Along the route, white supremacists blasted "Bye, Bye Blackbird" from loudspeakers.
At the end of the march, in Montgomery Alabama on March 25, a concert was given. Ten thousand people gathered around so tightly that 57 of them fainted. Accompanied only by her guitarist, Nina Simone sang "Mississippi Goddam" on a stage made from empty coffin crates. After the performance, she was introduced to Martin Luther King.
"I'm not nonviolent!" she declared, sticking out her hand.
"That's okay, sister," Dr. King replied. "You don't have to be."
The terrible decade ground on. A tense interview with Down Beat in January, 1968 was interrupted when segregation came up. "What kind of thing are you doing?" asks husband and manager Andrew Stroud. "We're not interested in the race issue." Later that year, when Martin Luther King, Jr. was assassinated, Simone and her bassist Gene Taylor composed "Why? (The King of Love Is Dead)."
Nina Simone: Why (The King of Love Is Dead)
Nina Simone: Why (The King of Love Is Dead)

Nina Simone moved to Europe and Africa in the early 1970s. "I left this country because I didn't like this country," she told an interviewer. "I didn't like what it was doing to my people and I left." She was ever after associated with the Civil Rights movement, even though her ultimate conclusion was that political music was a professional liability. She told one interviewer that she regretting writing "Mississippi Goddam" because it hurt her career.
"There is no reason to sing those songs, nothing is happening," Simone told the interviewer in the 1980s. "There's no Civil Rights movement. Everybody's gone."
But there had been a reason to sing those songs, even when it was done at personal expense. "It was dangerous," she said about performing for the movement's marches and rallies. "We encountered many people who were after our hides. I was excited by it, though, because I felt more alive then than I do now because I was needed, could sing something to help my people, and that became the mainstay of my life, the most important thing."
On another level, Nina Simone, as a musician, understood the universality of being human. Music, after all, is our common emotional language. It does not know age, or race, or class, or gender. Though it informs each, it is available to all. Protest music, specifically, is nothing more than a complaint when such equality - a condition articulated by our founders, but not yet fully achieved - is violated.
"It's funny about music," she said at the end of the Down Beat interview. "Music is one of the ways by which you can know everything which is going on in the world. You can feel...through music...Whew...you can feel the vibrations of everybody in the world at any given moment. Through music you can become sad, joyful, loving, you can learn. You can learn mathematics, touch, pacing...Oh my God! Ooh...Wow...You can see colors through music. Anything! Anything human can be felt through music, which means that there is no limit to the creating that can be done with music. You can take the same phrase from any song and cut it up so many different ways - it's infinite. It's like God...you know?"
***

Tom Maxwell is a writer and musician. He likes how one informs the other.
Editor: Mark Armstrong; Fact-checker: Matthew Giles

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Georgetown Apologizes for 1838 Sale of 272 Slaves, Dedicates Buildings 
Sandra Green Thomas of New Orleans spoke at length about the 272 enslaved people, her ancestors and her Catholic faith

April 18, 2017 -  An apology from Georgetown and the Society of Jesus' Maryland Province for their roles in the 1838 sale of 272 enslaved individuals for the university's benefit took place today in the company of more than 100 descendants.
"Today the Society of Jesus, who helped to establish Georgetown University and whose leaders enslaved and mercilessly sold your ancestors, stands before you to say that we have greatly sinned," said Rev. Timothy Kesicki, S.J., president of the Jesuit Conference of Canada and the United States, during a morning Liturgy of Remembrance, Contrition, and Hope. "We pray with you today because we have greatly sinned and because we are profoundly sorry."
The university created the liturgy in partnership with members of the descendant community, the Archdiocese of Washington and the Society of Jesus in the United States.
The week also provided opportunities for members of the descendant community to connect with one another and with Jesuits through a private vigil on Monday night, a descendant-only dinner on Tuesday evening and tours of the Maryland plantation where their ancestors were enslaved.
Liturgy of Remembrance, Contrition and Hope
Liturgy of Remembrance, Contrition and Hope

(Note: Ms. Thomas' remarks begin at the 38 minute mark)

CATHOLIC FAITH

Sandra Green Thomas
Sandra Green Thomas (standing): Wm. & Charity Harris are the great grandparents of Sandra Green Thomas. Wm.'s parents' Betsy Ware & Samuel Harris, were two of the 272 people sold by Georgetown University to two Louisiana plantations in 1838.
Sandra Green Thomas, a descendant of the Harris and Ware families and president of the GU272 Descendants Association, spoke at length at the liturgy about the 272 enslaved people, her ancestors and her Catholic faith.
"The ability to transcend the realities of this life in this country has been a necessary tool in the survival kit of my people," she said. "For the 272, I believe that their Catholic faith enabled them to transcend.
"No matter how incongruous their existence was with the gospel of God's love and protection, they clung to their faith."

BUILDING DEDICATIONS

The university permanently named a building  Isaac Hawkins Hall - formerly known as Mulledy Hall and renamed as Freedom Hall in 2015 - in a courtyard ceremony next to the university's Dahlgren Chapel.
Hawkins was the first enslaved person listed in the 1838 sale document.
Anne Marie Becraft Hall, formerly known as McSherry Hall and renamed Remembrance Hall two years ago, is named for a free woman of color who established a school in the town of Georgetown for black girls.
Becraft later joined the Oblate Sisters of Providence, the oldest active Roman Catholic sisterhood in the Americas established by women of African descent.
Rev. Thomas Mulledy, S.J., and Rev. William McSherry, S.J., were two Jesuits at Georgetown who played significant roles in the 1838 sale.

ORIGINAL EVIL

"Slavery remains the original evil of our Republic - an evil that our university was complicit in - a sin that tore apart families," Georgetown President John J. DeGioia said during the liturgy, "that through great violence, denied and rejected the dignity and humanity of our fellow sisters and brothers. We lay this truth bare - in sorrowful apology and communal reckoning."
Rev. Robert Hussey, S.J., Provincial of the Maryland Province, and DeGioia met with descendants in the afternoon.
The liturgy and building dedications were recommendations of Georgetown's Working Group on Slavery, Memory, and Reconciliation in September 2016.
"Our work as a group was to help teardown the walls, the walls of mystery and silence and [the] unknown surrounding Georgetown's historical ties to the institution of slavery," said working group member Connor Maytnier (C'17) at the dedication.

A JOURNEY TOGETHER

Karran Harper Royal, a descendant of the Queen and Mahoney families, thanked Georgetown for its steps toward acknowledging its ties with slavery, particularly the students who took their concerns about the university's history to the administration in 2015.
"The actions of Georgetown students have placed all of us on a journey together toward honoring our enslaved ancestors by working toward healing and reconciliation," she said. "Our history has shown us that the vestiges of slavery are a continuum that began with the kidnapping of our people from our motherland to keeping them in bondage with the brutality of American chattle slavery, Jim Crow, segregation ... the school-to-prison pipeline and the over-incarceration of people of color."

UNDERSTANDING AND REBIRTH

Jessica Tilson, an Issac Hawkins descendant, presented DeGioia last summer with a jar of soil from the West Oak Plantation in Louisiana where her ancestors toiled.
During an afternoon Tree Ceremony and Libation Ritual for Ancestors the soil was spread over the roots of a white oak tree, chosen because the tree is indigenous to both Maryland and Louisiana.
"To me, for them to say they're sorry and then for them to publically announce what they did to my ancestors, I'm happy," Tilson said.
Members of the descendant and Georgetown communities read the names of the 272 men, women, and children sold in 1838.
White lilies, which appear on shield of the Oblate Sisters of Providence, were planted at the base of the tree to symbolize rebirth.
After the ceremony, Georgetown's Black Movements Dance Theatre performed.
"This is a moment for all of us to more deeply understand our history, and to envision a new future informed and shaped by our past and the values we uphold," DeGioia said at the building dedication....


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Kindred: My Search for Myself
by Sandra Starks McCollum, Guest  Columnist
Sandra McCollum
Sandra McCollum
NEW ORLEANS (April 4, 2017) - The 400th anniversary of the arrival of the first Africans in The United States will occur in 2019, marking a significant historic occasion for our Nation. We should be inspired to reexamine the description of the First Settlers to include the 23 Angolan Africans who were counted in the census of the first successful English settlement in North America. One year before The Mayflower arrived, and 113 years before the birth of George Washington, John Rolfe, widower of Pocahontas, confirmed the arrival of their ship on an official document in Jamestown Virginia. Though their arrival in 1619 was enmeshed in sinister purposes, they became a vibrant part of the prosperity of the early colonies. What wasn't noted, however, was that these urban Africans were accustomed to a more sophisticated environment than their surroundings in Jamestown. However, in only a few years, many of them owned land, had black and white servants, married whites and had children who were known as this Nation's first free people of color. Initially, the census documented them as Africans. The next generation was recorded as Mulatto, followed by free people of color in the subsequent generation. Within four generations, the U.S. Census records some of these same families as white.

1619 Ray Broady
1619 by artist Raymond Broady
When I began researching my family tree, I had no idea that the trail would lead me to 1619, and kinship with one of the first Africans to walk upon our land. Genealogy can be as arduous a task as it is a rewarding one. African Americans are faced with daunting roadblocks in their search for records to verify the life of their ancestors prior to the civil war. The lack of specific documentation of people who frequently were slaves often leads to a dead end trail. Slaves were habitually recorded on documents by sex and age(ex. Male age 35 or Female age 14) which makes it virtually impossible to identify these anonymous persons.

My DNA was analyzed four years ago. Prior to that time, I only knew my paternal grandfather's last name, which was different from my family name. DNA illuminated hidden genetic knowledge that had eluded my search for myself. Possibly, I would never have known my great grandfather's full name if I hadn't searched for him among relatives matched to my DNA. After locating his family by the last name and receiving confirmation from them, I was able to use genealogy to find a treasure trove of documents, pictures and narratives about my father's family.

My great grandfather never met his father. Though he lived only fifty miles away, with his new wife and daughters, my great, great grandfather didn't venture that short distance to see his only son. He didn't inquire about his son's well-being, or send toys or clothes or money or acknowledgements to a little boy who must have longed for his father. I would like to believe that he always intended to make that fifty mile journey, but he died when his son was ten years old without ever accomplishing that unspoken desire.

These peculiar details nagged at me especially since my father didn't meet his father, my great grandfather's son, until he was seventeen. He never really knew him. Perhaps there were two or three encounters where they talked politely. But they never embraced, or shared intimacies, or deep yearnings and expressions of love like my father did with us. When he died in 1996 at 88 years old, my father still longed for the love of his father. Because he was not raised by his biological mother, there was a further disconnect from relatives who may have loved him as much as we did. The absence of a mother consistently in his life gave him an additional circumstance he shared in common with his grandfather, as he as well was not reared by his mother.

My great grandfather's name was William, just like his father, my great, great grandfather, and just like his son, my grandfather. The tradition of three generations of Williams changed when my father was born into a family that only learned of his life posthumously. William II's, children wrote family narratives describing him as a most tender lovable man, quiet and contemplative. He was an exemplary father with high standards and a tolerant temperament. His children and grandchildren hesitated before acting, always eager to measure up to his standards of social courtesy, discourse and consideration. This characterization was an uncanny revelation to me as I had often used similar words to describe my father, his grandson, whom he never met.

The Africans have an expression that if you cannot call the names of your ancestors for seven generations you do not know who you are. Through William II, my great grandfather, I can call the names of my ancestors for more than seven generations from Ireland to Louisiana. Through my paternal great grandfather's mother's ancestry, I can trace our lineage back to the first ship of 23 African captives who disembarked upon these shores in 1619. Margaret Cornish, my thirteenth great grandmother arrived in Jamestown, Virginia from Luanda, Angola in Africa after a series of harrowing experiences which read more like an adventure saga than reality.

More than one novel has been written about the intriguing life of Margaret Cornish. Poignant details are evident in documentation found among numerous civil records. Margaret is credited as being the first woman of African descent to pay tithes/ taxes in this country and to own her own home in 1668-69 Lawnes County Parish, one year after slavery was legalized in Virginia.

Margaret was captured by Portuguese invading the Bantu speaking nation of Ndongo on the Kwanza River in Angola. At the time, the Ndongo Kingdom was a thriving area of about a quarter of a million people who were farmers, craftsmen, and cattle herders and had a number of political divisions. They had traded with Africans south of them for iron, steel and salt and with Europeans for guns and cloth for over a century.

It could be argued that Margaret was lucky when she was captured by Portuguese slavers in Luanda, Angola, escaping an unknown fate in a brutal war between the Ndongo and the Portuguese. She was chained aboard a Portuguese slave ship headed for a life which would be shortened by excruciating toil in Spanish silver mines in Mexico, when she was miraculously rescued by English Pirates and subsequently taken to Jamestown, Virginia as one of 23 prisoners exchanged for food. This all transpired before Margaret was 10 years old.

In 1990, historian Engel Sluiter of the University of Berkeley in California unraveled the intricacies of the voyage of the first Africans upon our shores. The White Lion, and its companion ship, the Treasurer, were in a dispute with a Portuguese slave ship, the San Juan Bautista, on its way to Veracruz, Mexico with 350 Africans aboard. The Angolans had first been captured as prisoners of war and sold to Portuguese slavers. Subduing the Portuguese slaver in an act of piracy, each English vessel seized 20 to 30 Africans and eventually docked in Jamestown within four days of each other. Now the property of the English, The White Lion carried no definitive documents of identity for the Angolans.

Contrary to common belief, there were no traces of savagery marring the refinement of these Angolans. They were urban people who had interacted with Europeans for decades. They spoke a common language and many were literate. Some were probably second and third generation Christians as the kingdom of Ndongo had converted to Christianity in 1490. In their own milieu, the Europeans had noted that they dearly loved and valued their children and their families. Luanda, Angola had traded with and lived among Europeans since the 1400s when Prince Henry the Navigator had traversed the waters off the coast of Africa. Their rulers had even sent emissaries to Portugal on several occasions.

When the White Lion landed in Jamestown, slavery had not fully burrowed its malevolent claws into the hearts of the English colonizers. These Africans became indentured servants as the laws of slavery had not been fully codified in the English colony of Virginia in 1619.

Within three years of their arrival, the Powatan Indians killed 347 of the Jamestown colonists, in what is called The Great Massacre in 1622. Margaret was listed by name on the 1625 census which was compiled after The Great Massacre. One quarter of the English population of Jamestown was slaughtered, but in another surreal episode, once again Margaret was unharmed.

She married John Gowen, (multiple spellings) a fellow shipmate and child captive aboard the slave ship The White Lion. By 1635 they had a child named Mihill or (Michael). At the time, Margaret was indentured in the household of Lieutenant Robert Sheppard and John Gowen was employed in another household. Robert Sweat, (pronounced Sweet), a young Englishman, was also a servant in Lt. Sheppard's household.

By October 17,1640, an entry is listed in The James City Court: " Whereas Robert Sweat hath begotten with child a Negro woman servant belonging to Lt. Robert Sheppard, the court hath therefore ordered that the said negro woman shall be whipt at the whipping post and said Sweat shall tomorrow in the forenoon do public penance for his offence at James City Church in the time of divine service according to the laws of England in the case provided."{Virginia Council and General Court Records 1640-1641,in Virginia Magazine of History" vol.II,p.281}. This was a general law against fornication that applied to all members of the colony.

The Negro servant referenced in the court entry is Margaret. It is interesting to note that it is written in multiple historical narratives that Margaret fell in love with Robert Sweat. There is no reference to him loving her, although they eventually marry and have at least four children. But this does not take place before Margaret is involved in another scandal.

On March 31,1641, in a suit launched by John Gowen ,..... "whereas the said Negro having a young child of a negro woman belonging to Lt. Robert Sheppard which he desired should be made a Christian and be taught and exercised in the Church of England, by reason where of he, the said negro did for his said child purchase its freedom from Lt. Sheppard."

Five year old Mihill ( Michael) was taken away from Margaret. There is no written documentation recording a future relationship between Margaret and her son. Mihill( Michael) was indentured in the home of Christopher Stafford as a servant. He remained in the household of the Stafford family until he was eighteen years old.

Margaret's children are among the first free people of color in this Nation. Her Sweat and Gowen descendants number in the thousands. It is also suggested in historical documentation, that anyone in this country with the last name Gowen or Goin or a derivative thereof is a descendant of John Gowen or Mihill( Michael) Gowen.

I am extremely grateful and fortunate to have located Margaret Cornish. I want to believe that her blood still flows through my veins as my DNA shows 2% Africa Southeastern Bantu and 3% Africa South-Central Hunters and Gathers, both of which are indigenous to Angola. The real irony is that for eight or more generations which preceded my father, all of Margaret's descendants in my line, were documented as white. Additionally, the majority of the hundreds of my white DNA cousins who descend from Margaret Cornish share one or both of the same ethnic traits indigenous to Angola, Africa also present in my DNA. Margaret Cornish's presence is mightily still among us.

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Sandra McCollum is a part of the Hurricane Katrina New Orleans Diaspora. She currently lives in Chicago, Ill but New Orleans will always be her home. She may be reached via email at [email protected].

NOTES

  1. Recent research has corrected the actual place of landing of The White Lion from Jamestown to Point Comfort, Virginia, 30 miles south of Jamestown. Today, Point Comfort is Fort Monroe, in Hampton, Virginia.
  2. Africa South-Central Hunters and Gathers are considered the well spring of human populations around the world. These groups are gathering increasing interest from researchers because of their genetic diversity, ancient origins and unique cultural traditions.
  3. Africa Southeastern Bantu became powerful over time. They engaged in sophisticated networks of trade and commerce and developed powerful armies. Part of their inheritance from this region is a deep resilience. At least 39% of people with this DNA component also have Africa South- Central Hunters and Gatherers.
  4. Over 1 million Slaves were sent from Angola to the new world.

Editor's note:  Sandra McCollum traced her DNA through Ancestry.com




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ESSENCE names Melanie Campbell to inaugural #Woke100 list of women...   
Honors women who are blazing trails for equal rights and inclusion for Black people in America 
Melanie Campbell_WOKE100
Join the #Woke100 conversation on Twitter.
"For the first time ever, ESSENCE honors the women who are blazing trails for equal rights and inclusion for Black people in America." (Essence.com 4/17/17)

NEW ORLEANS - ESSENCE Magazine announced yesterday that Melanie L. Campbell, President of the National Coalition on Black Civic Participation (NCBCP) and Convener of the Black Women's Roundtable (BWR), is one of the 100 women in their inaugural #Woke100 list, which "honors Black women activists, artists, politicians, educators, organizers, journalists and creators who are working to achieve equality for people of color."

Melanie and the other members of the ESSENCE #WOKE100 will be featured in the magazine's May 2017 issue, which will be on newsstands April 21st. ESSENCE highlights a dynamic and diverse group of Black women leaders that includes producer Shondra Rhimes; White House correspondent April Ryan; journalist and news host Joy-Ann-Reid; Circle of Mothers Founder, Sybrina Fulton; three of the leaders of the Women's March on Washington-Tamika Mallory, Carmen Perez and Janaye Ingram; labor leader Carmen Berkley; and others.

"It is truly an honor and humbling to be recognized among so many women of distinction," said Ms. Campbell about her selection by ESSENCE Magazine. "I am most delighted that through this recognition, the work the Black Women's Roundtable undertakes on behalf of Black women and girls' is being so duly recognized as well. I want to thank ESSENCE for this acknowledgement."

For more information about the ESSENCE #WOKE100 list, go to: http://www.essence.com/woke100

TUNE IN TO NEWSONE NOW W/ROLAND MARTIN TOMORROW
ON WEDNESDAY, APRIL 19TH, 7 AM - 8 AM (EST)
 MELANIE AND OTHER  #SISTARS WILL BE FEATURED ON SEGMENT 
ON THE RELEASE OF ESSENCE MAGAZINE'S #WOKE100!!

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Dillard University, InspireNOLA Charter Schools, Overcoming Racism and The Alliance for Diversity & Excellence will host the Rest In Power Book Tour with Sybrina Fulton and Tracy Martin 
Fulton Flyer
For more information contact Kevin Barnes at [email protected]

Kevin Barnes, Jr.
Senior Manager of Community Engagement and Special Projects
F: (504) 227-3099
O: (504) 227-3087
C: (504) 439-1413
[email protected]
www.inspirenolacharterschools.org




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About InspireNOLA
Jamar McKneely
Jamar McKneely
InspireNOLA is a charter group that manages Alice M. Harte Charter School, Andrew H. Wilson Charter School, and Edna Karr High School. The mission of InspireNOLA Charter Schools is to transform and inspire an educational movement.


Jamar McKneely is chief executive officer and co-founder of InspireNOLA. He spent seven years as a teacher and assistant principal at Edna Karr High School before becoming principal of Alice Harte Charter School.


To find out more information about InspireNOLA and its schools, visit www.inspirenolacharterschools.org


OUR SCHOOLS
InspireNOLA - Our Schools



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Newswire Service
Vincent T. Sylvain
Vincent T. Sylvain, Publisher
The New Orleans Agenda  newsletter is the leading local alternative for information on New Orleans and the Gulf Coast Region.  A provider of turnkey Web-Based Internet Marketing Services, we specialize in servicing community and faith-based entities, corporate, governmental and professional organizations, as well as arts & cultural events.

We have access to thousands of permission-based email addresses, thus providing us the unique ability to gain direct access to a targeted audience through the use of automated and coordinated email campaigns and social media.

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Through a partnership with NOLA Beez, we are part of an online collaboration of ethnic media organizations featuring hyperlocal news content covering the Greater New Orleans Metropolitan Area.  A project of New America Media, the NAM Digital Divide Initiative aims to assist ethnic media in improving coverage of their communities through citizen journalism and online multimedia development.  

This partnership includes the publications of Louisiana Weekly, El Tiempo New Orleans, Jambalaya News, Louisiana Data News Weekly, Ngoc Lan: The Vietnamese American Association, New Orleans Agenda.com, New Orleans East.com, and NOLA.TV.

The New Orleans Agenda  newsletter has received more than  10 Million Page Views!   Let us introduce you to our audience.



                                           
                               
Contact | Vincent Sylvain | 504-232-3499 |[email protected] 
Contributing Writers

Featured:

2015 B.A.D.G.E. Financial Planner
Kemberley Washington, CPA 
KemCents Thursday Money Tips

Kemberley Washington, CPA is a former IRS agent and currently works as a professor at Dillard University. She  is the co-founder of the B.A.D.G.E.® plan and she is also the author of "T he Ten Commandments to a Financial Healing ." Kemberley started the B.A.D.G.E.® plan in 2013.

Learn more at Kemberley.com



Marc Morial - President & CEO, National Urban League
Marc H. Morial, President & CEO, Nat'l Urban League 
To Be Equal 

To Be Equal is a syndicated weekly column by National Urban League President Marc H. Morial. Each week's topic focuses on issues affecting both African American's and the nation as a whole. Started in 1963 by CEO Whitney M. Young, Jr., as " The Voice of Black America," the column was immediately picked up by major newspapers and radio stations across the country. 

Learn more at NUL.org


Leslie Jacobs, Vice Chair of the New Orleans Business Alliance
Leslie Jacobs 
Educate Now!

Leslie Jacobs is an insurance executive who has been engaged in education reform for over twenty years. A native of New Orleans, she began as a business partner to an elementary school, served as an elected member of the New Orleans School Board, followed by a twelve year government appointed position on the Louisiana Board of Elementary and Secondary Education (BESE).

Learn more at EducateNow.net


James F. Thomas
James F. Thomas, M.S., Fitness Instructor
What the Fit Fridays

James Thomas serves as Head Trainer for K2 Body Sculpting LLC.  Thomas is an American College of Sports Medicine  Certified Exercise Physiologist (ACSM EP-C), a StrongFirst Kettlebell Instructor (SFGII). and BLS certified.   He 
writes a reoccurring general health and fitness article geared towards helpful tips on leading and living a healthier lifestyle.

Learn more at  Body Sculpting


Guest Columnists

Lloyd Dennis Jamar McKneely
Kristina Kay Robinson
CeLilliann Green, Esq.
Dr. Andre Perry
Taylor Sylvain
Dr. Walter Kimbrough
William Quigley, Esq. Dr. Christopher Williams
Sandra A. McCollum
Timothy David Ray, Esq.
Dr. Beverly Wright


Constituent Outreach

Mayor Mitchell Landrieu Congressman Cedric Richmond
Councilmember Jared Brossett State Senator Wesley Bishop
State Senator Troy Carter
State Senator Jean-Paul "JP" Morrell



Sylvain Solutions
Public Relations

Sylvain Solutions / Policamp, Inc. is a full-service alternative media and public relations consulting entity headed by Vincent Sylvain practicing in the areas of community outreach, political consulting, corporate communications, and special events.

The Internet has fundamentally changed the way we do business with our customers. As such, 21st Century promotion requires a balance of e-technology with the art of persuasion.  Using years of Web experience; the latest best-practice approaches; a responsive support system; and a proven database; market share is optimized. 

We implement creative customized communication campaigns designed to impact our clients' specific goals. We have a history which is unmatched and unparalleled; while diverse in our experience we specialize in the following areas:

- Internet Marketing / Web Development
- Media Relations
- Political Campaign
- Public Policy
- Entertainment Promotion & Special Events
- Earned/Free Media Placement

Expert Solutions for Your Communication Needs!

 
Like us on Facebook     Follow us on Twitter     View our profile on LinkedIn
           
Please visit our friends!
Liberty Bank - Lowest Rates Visa
Liberty Bank - apply online
Stephanie Jordan  
"Lady Jazz!"

"Every so often a new voice stands up and proclaims itself, but few do so with such supreme depth and understated soul."
- Ted Panken, Jazz at Lincoln Center Playbill

Stephanie Jordan - Jazz Live Hyatt Official Poster
Audix Microphones
Jazz Vocalist Stephanie Jordan is a proud user of Audix Microphones!

 Available for  Bookings:
Vincent Sylvain
504-232-3499
[email protected]

Learn more...

Hyatt Regency New Orleans
Proud Sponsor of People United for Armstrong Park's 
Jazz in the Park concert series!


Entergy New Orleans

The National Urban League

The mission of the National Urban League movement is to enable African Americans to secure economic self-reliance, parity, power and civil rights.

NUL Empowering Communities


NUL - From the President's Desk
Marc H. Morial, President & CEO




Metro Service Group

EXCELLENCE          INNOVATION          RESPONSIVENESS

Metro Service Group, located in New Orleans, Louisiana is a multi-faceted corporation with specific expertise and certifications in the areas of Environmental  Services, Construction/Demolition  and Disaster Response and Recovery.  Metro Service Group is a licensed Contractor, certified in Building Construction; Heavy Construction; Highway, Street and Bridge Construction; Municipal and Public Works Construction and Solid Waste Management.




Acrew
Acrew_jump

Acrew is the only "resume-less" job market place that connects employers and job seekers through brief first impression videos.

Click here to visit Acrew.co
It's happening in NEW ORLEANS EAST!

NOLAEast.com

Welcome to the eastern half of New Orleans, where families come to settle down and spread their wings. 

NOLAeast.com
Rodney & Etter, LLC

Rodney & Etter - Updated Address 2015


Rodney and Etter_Canal_Street


Rodney & Etter, LLC is a law firm comprised of a diverse group of lawyers with backgrounds in business, government, and science.  We practice in New Orleans and in Houston, and are recognized by peers and legal organizations across the United States for our outstanding record of successful settlements and litigation.

RodneyLaw.com
Daughters of Charity Health Centers

Daughters of Charity - Quit Smoking


Daughters of Charity Services of New Orleans offers primary and preventive health services that address the needs of the total individual - body, mind, and spirit.

Our nine health centers are conveniently located in Bywater, Carrollton, Kenner, Louisa, Metairie, New Orleans East, Prytania, Gentilly, Gretna and we provide care for chronic illnesses such as asthma, cardiovascular disease, diabetes, and depression. Women's health, behavioral/mental health, dental, optometry, pharmacy, podiatry and Women, Infants and Children (WIC) services are also available at select health centers.




Signs Now

Signs Now New Orleans

Explore exciting graphics ideas from Signs Now that will help your business stand out from the rest - from signs and banners to digital signage and trade show displays.

SignsNow.com/neworleans
AARP Louisiana

AARP - Real Possibilities
Focusing on your Expectations!

VPJR
VPJR - Fruits



Clean the Crescent_1
Pick It Up New Orleans!
An Anti-Litter Campaign by 
The New Orleans Agenda and Metro Service Group


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New America Media is the country's first and largest national collaboration and advocate of 3,000 ethnic news organizations. Over 57 million ethnic adults connect to each other, to home countries and to America through 3000+ ethnic media outlets, the fastest growing sector of American journalism.

The New Orleans Agenda Newsletter
Phone: 504-232-3499 | Email: [email protected] 
Website: SylvainSolutions.com

Opinions expressed are not necessarily the views of The New Orleans Agenda,  POLICAMP, Inc. , or Vincent Sylvain unless explicitly stated.
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