The AAPC Newsletter, April 2025, Issue 18


Sanctuary of Strength:

The Story of Saint Patrick’s Catholic Church

and the

African American Community



A Message from Dr. Chiquita T. Tuttle,

Coordinator, African American Pastoral Center

In the heart of West Oakland, where history whispers through the streets, stands Saint Patrick’s Catholic Church at 1023 Peralta St. at 10th Street. Its towering presence has been a beacon of faith, resilience, and unity since its founding in 1878 by Rev. J.B. McNally, who served as its pastor for 35 years until his passing in 1913.

 

Historically it had an associated school, initially known as St. Joseph's Institute, that was dedicated December 30, 1883 2.  St. Joseph's Institute was a convent and school for girls conducted by the Sisters of St. Joseph as well as a school for boys conducted by the Christian Brothers on 10th Street between Campbell and Peralta. It was associated with the nearby St. Patrick Catholic Church. There have been at least two different buildings that have served as the church over the years. 

 

The 1884 directory and 1887 directory list it as the St. Patrick's Parish Christian Brothers School and St. Patrick's Parish Convent Schools (called St. Joseph's Institute). The 1898 directory lists it as the St. Patrick's School for Boys and St. Patrick's School for Girls. The 1935 directory lists it as St. Patrick's School. The 1941 directory lists it as St. Patrick's Catholic School. The 1951 Sanborn labels the single remaining building as St. Joseph's Parochial School. At some point the present building became St. Martin de Porres School, St. Patrick Campus, but that has been closed for some time.


The African American community has played a vital role in shaping Saint Patrick’s Catholic Church in Oakland, California. Their contributions extend beyond worship, deeply enriching the church’s cultural, spiritual, and social fabric. Their presence and contributions have helped Saint Patrick’s Catholic Church remain a welcoming and spiritually enriching place for all.

 

Father Clarence Howard, an African American, was ordained as a member of the Society of the Divine Word in 1937 at Bay St. Louis, Mississippi and served as the Pastor of Saint Patrick’s parish from 1964 to 1977. The Hall at the parish is named in his honor.  He was very instrumental in the development of a 66-unit apartment unit established for the seniors in the West Oakland Community. He served as the Vicar of Black Catholics, was on the editorial board of the Catholic Voice and the State of California Advisory Compensatory Education Committee. The National Black Clergy Caucus honored him for the years he served as a priest.


The result of the African American presence enriches the community in the following ways:


1.   Faith & Worship – African American parishioners have brought their unique traditions, music, and expressions of faith to the church, making services more vibrant and inclusive. This is what Sister Thea Bowman spoke to at the USCCB conference in 1989, being authentically black and catholic.


2.   Community Leadership – Many African American Catholics have taken on leadership roles within the church, helping to guide its mission and outreach efforts. They include generations of long-time parishioners like Mr. Jim Edgar, Ms. Mary Loggins, Ms. Linda Leroy, Ms. Marilyn Adkinson, Ms. Barbara Lafitte Oluwole, Ms. Mary Washington, Ms. Rosario Billingsley, Mr. Leroy Weary, Mr. Grant Ute, Ms. Denise Gums (RIP), Ms. Yvonne Chin, Ms. Dorothy Irvin, Mr. Timothy Gholston, Ms.  Jackie Mallory to mention a few.  


3.   Social Justice & Advocacy – The community has been instrumental in promoting racial justice and equality within the church and the broader Catholic community.


4.   Cultural Enrichment – Through gospel music, storytelling, and historical preservation, African American Catholics have infused the church with a rich cultural heritage that reflects their resilience, hope and faith.


5.   Community Support & Outreach – The church has served as a sanctuary for African American Catholics in Oakland, offering programs that address social issues, provide education, and support families in need.



The African American community brings a dynamic cultural presence to Saint Patrick’s Catholic Church, enriching its traditions, music, and fellowship in profound ways.


Music & Worship


Music has played a transformative role in shaping the worship experience at Saint Patrick’s Catholic Church, especially through the contributions of the African American community.


One of the most visible contributions is through music. The incorporation of gospel music and the passionate singing of hymns have added a deep, soulful energy to worship services. The rhythm, call-and-response style, and emotive power of gospel elevate the spiritual experience for all parishioners.



Storytelling & Oral Tradition


African American Catholics have maintained the tradition of oral storytelling, preserving history through personal testimonies, shared experiences, and historical reflections. These stories help connect generations and remind parishioners of the faith and perseverance that have guided the community through challenges.

 

 

Liturgical Celebrations & Traditions


Many African American feasts and traditions have been integrated into the church’s calendar, including observances of saints such as St. Martin de Porres, the patron saint of social justice. Additionally, the church has honored Black Catholic History Month in November, highlighting the contributions of Black Catholics across history



Community Gatherings & Events


Saint Patrick’s Catholic Church has hosted community celebrations that recognize African American heritage, such as Juneteenth services, Black History Month commemorations, and cultural retreats. These events foster connections among parishioners while celebrating the strength and faith of the Black Catholic community.



Social Justice & Empowerment


The church has often been a hub for civil rights advocacy, hosting forums and discussions on racial justice, economic empowerment, and social change. African American parishioners have played a crucial role in pushing for greater representation, leadership, and inclusion within the Catholic Church at large.


Through music, storytelling, historical recognition, and activism, African American Catholics have helped shape Saint Patrick’s into a welcoming, dynamic, and spiritually enriching space for all.

 

 

The History of Gospel Music


The Birth of Gospel Music


By the early 20th century, gospel music began to take shape as a distinct genre. Influenced by blues and jazz, pioneers like Thomas A. Dorsey—often called the "Father of Gospel Music"—introduced gospel compositions that combined heartfelt lyrics with uplifting melodies.


Modern Gospel & Contemporary Worship


From the 1970s onward, gospel music evolved further, incorporating elements of R&B, soul, and hip-hop. Artists like Kirk Franklin and Yolanda Adams introduced contemporary gospel, making it accessible to younger audiences while maintaining its spiritual essence.


Impact on Worship


Gospel music remains a cornerstone of worship, fostering community, healing, and spiritual connection. Its call-and-response style, passionate delivery, and uplifting themes continue to inspire congregations worldwide.


The Golden Age (1940s–1960s)


During this period, gospel music gained widespread popularity. Artists like Mahalia Jackson and groups such as The Soul Stirrers brought gospel into mainstream awareness. Gospel choirs became central to worship, filling churches with powerful harmonies and emotional depth.


1. Gospel Influence in Worship

African American Catholics have brought gospel music into the liturgy, infusing services with emotional depth, communal participation, and rhythmic vitality. Gospel hymns such as "Amazing Grace" or "Swing Low, Sweet Chariot" resonate deeply within the congregation, encouraging worshippers to connect spiritually through song.

 

2. Choirs & Musical Leadership

The church has seen vibrant African American choirs emerge, bringing harmonies that uplift and inspire. Choir directors, musicians, and soloists have played an essential role in maintaining the tradition of musical excellence, ensuring that each service carries the weight and joy of faith expressed through melody.


3. Call-and-Response Tradition

A distinctive feature of African American musical heritage is call-and-response singing—where the congregation actively engages in the music, responding to a leader’s phrases with affirmations or echoes. This interactive style fosters community and strengthens the collective worship experience.


4. Influence on Church Events

Music has extended beyond Sunday services and into church celebrations, such as Black History Month observances, Juneteenth gatherings, and social justice events. These occasions showcase the depth and power of African American spiritual music, reinforcing themes of hope, perseverance, and freedom.


5. A Vehicle for Faith & Healing

Music serves as a bridge between tradition, faith, and healing, offering a space for expression, comfort, and renewal. For many African American Catholics, songs are not just melodies but testimonies—stories of struggle, triumph, and unwavering belief.


Would you like to explore a particular aspect in more detail? Perhaps the role of individual musicians or the evolution of church music over time?


Modern Gospel & Contemporary Worship

From the 1970s onward, gospel music evolved further, incorporating elements of R&B, soul, and hip-hop. Artists like Kirk Franklin and Yolanda Adams introduced contemporary gospel, making it accessible to younger audiences while maintaining its spiritual essence.


Impact on Worship

Gospel music remains a cornerstone of worship, fostering community, healing, and spiritual connection. Its call-and-response style, passionate delivery, and uplifting themes continue to inspire African American congregations worldwide.

 

 

Links and References

·     3.https://www.musicalflora.com/gospel/history-gospel-music-from-spirituals-modern-praise

·     4.https://www.myworshipfm.com/post/the-evolution-of-gospel-music-from-traditional-to-contemporary-sounds

·     We are the Church A History of the Diocese of Oakland, Jeffrey M. Burns and Mary Carmen Batiza


Plaque Dedicated to Fr. Clarence Howard

"Father Clarence Howard was born in Rocky Mount, North Carolina January 3, 1907. He was Ordained to the priesthood as a member of the Society of the Divine Word on May 6, 1937 at the Divine Word Seminary at Bay St. Louis, Mississippi. Father Howard has been Associate Pastor of Immaculate Heart of Mary Church in Lafayette, Louisiana and was the Editor of St. Augustine's Messenger. Father Howard did vocational work while residing at St. Augustine's Seminary at Bay St. Louis. He became the Assistant Prefect of the Minor Seminarians at that institution in 1949 and a member of its faculty. The following year he was appointed the Assistant Rector and later became the Assistant Provincial of the Southern Province of the Society of the Divine Word. Father Howard did missionary work in New Guinea and later was on the faculty of the Divine Word Seminary in Riverside, California. He has been the Pastor of St. Benedict the Moor Church in Duson, Louisiana and also Pastor of St. Martin de Porres Church in Scott, Louisiana. Father Howard was appointed Pastor of St. Patrick's Parish in Oakland, California and is a member of the Oakland Economic Development Council and the West Oakland Planning Committee. Father is also on the editorial board of the Catholic Voice and the State of California Advisory Compensatory Education Commission. Father Howard is responsible for a 66 unit apartment house he established for senior citizens. Father Howard is presently the Vicar of Black Catholics in the Diocese of Oakland, California. He was honored by the national Black Catholic Clergy Caucus for the years he has served in the priesthood at a Solemn Mass presided over by the Apostolic Delegate on November 5, 1975."


School Presentations

This month features Bishop O'Dowd Religious Studies Classes (Ms. Molleen N. Dupree-Dominquez, M. Div) and the Second Annual Carondelet/De LaSalle Black Student Union Summit events. Appreciation to Dr. Will Dunford, Ms. Suzette Gums, and Mr. Derrick Boone for supporting and facilitating the BSU event.  


Presentations on the African Americans who currently have causes open for sainthood - The Saintly 7 - and the work of the African American Pastoral Center were featured. This is the second year presenting to Ms. Dominguez's classes and the first opportunity to present at Carondelet and De La Salle.  


We look forward to continuing our collaboration and building a partnership focusing on the ministry of the AAPC and our young black students in our schools.


Photos of the two events are highlighted below.  


Congratulations to Saint David of Wales!

Saint David of Wales has proudly been designated as the second Father Augustus Tolton Ambassador elementary school. A heartfelt thanks goes out to co-principals, Ms. Mariflor Medrano and Mr. Brian Swanson, for providing the opportunity to introduce the students to the inspiring stories of the Saintly Seven—candidates whose causes for canonization have been opened. Each student chose one of the seven candidates to research and share their stories, demonstrating great dedication to understanding the lives of these remarkable individuals. Their artistic creations and thorough research are featured below.



Special appreciation is also extended to the faculty for their invaluable support and guidance in helping the students learn more about the Saintly Seven. Previously, Saint Leo the Great was honored as the first elementary school selected as a Father Augustus Tolton Ambassador site, with the strong backing of principal, Ms. Sonya Simril.


Special Thanks to Fr. Ken Hamilton

Appreciation and gratitude go out to Fr. Ken Hamilton for supporting the Saint Patrick community with wonderful homilies and spiritual guidance. Fr. Ken is a Divine Word Missionary (or “SVD”), PhD a Roman Catholic community of over 7,000 men--Brothers and priests—working in around 70 countries throughout the world. They also work with their two sister communities: the Sister Servants of the Holy Spirit (active and contemplative). He was also ordained to the presbyterate in December of 1982. He has ministered since then around the country, particularly in the US South and West.

News and Events Around The Diocese


St. Columba Church

Catch up on news and events at St. Columba HERE


St. Benedict Church

Catch up on news and events at St. Benedict HERE


St. Louie Bertrand Church

Catch up on news and events at St. Louie Bertrand HERE


St. Patrick Church

Catch up on news and events at St. Patrick HERE


Links of Interest From the AAPC


Black Catholic Messenger: The Voice of US Black Catholics


Black Catholic Messenger Calendar, Black Catholic Events Around the Country


Parishes In Action, A ministry of the Diocese of Oakland

Email Dr. Tuttle to share updates, events and stories of interest
Donate HERE Today and Support the African American Pastoral Council
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Previous Newsletters

Issue 17

Issue 16

Issue 15

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Issue 13

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Issue 11

Issue 10

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Issue 2

Issue 1


African American Pastoral Center

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