In this issue
Coffee//Kool Aid & the Tabernacle of (Re) Memory
Expressions from the Heart
Second Thursday Workshop
May Exhibition Preview
(Re) Visiting Wisdom & Hope
Favorite Links
Subscribe to CAC YouTube Channel
COVID-19 Update
The Collective's Gift Shop
Jubilee Quilt Circle
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Coffee//Kool Aid & the Tabernacle
of (Re) Memory continues through April 29
Friday, April 29, 6:30 to 8:30 p.m.
The JUJU shop in collaboration with Southern Android Productions will host a performance/education based ring shout exploring how the Ringshout has grown from post plantation/sharecropper life until the present.
The origins of the ring shout are usually assumed to be derived from African dance, and scholars usually point out the presence of melodic elements such as call-and-response singing and heterophony, as well as rhythmic elements such as tresillo and "hamboned" rhythm, and aesthetic elements such as counter-clockwise dancing and ecstasy, which makes ring shouts similar to ceremonies among people like the Igbos, Yorubas, Ibibios, Efiks, Bahumono and Bakongo.
Even though traditional methods of ritual, prayer and dance were often forbidden, the ancestors persevered and found a way to include the fundamental parts of ritual. Air, Earth, Fire, Water, N S E and W are represented through specific movements. As descendants of the continent it is imperative that we give reverence and honor the sacred traditions of our ancestors and explore expansive ways of continuing their implementation in the present.
Givens and his Southern Android Productions organization is a research-based creative arts initiative designed to collect and reinterpret cultural data relating to the migration histories, memories and material archives of African American urban settlers and their ancestral rural settlements.
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Writing contest offers prize money for juniors
Create art through the written word
Deadline to enter is April 25
“Expressions from the Heart,” an essay competition with prize money, is offering Houston area youth (ages 10 to 15 years) an opportunity to create art through the written word.
The competition, sponsored by the Community Artists’ Collective (CAC) and the Mary Holt Ashley Initiative (AI), is designed to encourage individual expressions of love and kindness, to expand the imagination, sharpen writing skills and to enjoy the artistic process of developing a visual picture into an art form.
Contestants are divided into two age groups, from 10 to 12 and from 13 to 15, and prize money ranges from $100 to $300. Additional recognition and certificates accompany the prize money. Contestants can choose from six essay topics--Love of Art, Love of Dance, Love of Music, Love of Sports, True Meaning of Love and Love of the Written Word (i.e., modern literature, poetry, biblical or ancient literature).
The fee to enter the competition is $25, and the deadline to submit the essay and payment is April 25. Winners will be announced May 6, and a virtual awards ceremony will be held May 13.
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Second Thursday Workshop
April 14, 2022
11 a.m. to 2 p.m.
Instructor Leslie Abrams will focus on making the cathedral window quilt technique. Reservations are encouraged. $20 suggested donation includes supplies.
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Preview for May:
The photography
of Brian Ellison and colleagues
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(Re) Visiting "Wisdom and Hope" exhibition...
Dr. John Biggers continues to inspire
By Liz Kim, Ph.D.
Earlier this year, the Community Artists' Collective hosted an Artist Coffee Talk featuring two of the artists in the Wisdom and Hope exhibition, which ran from January 21 to February 26. Hardy Allen and Daniel Tesfai (above with Kim) each gave presentations about their work, then answered questions from the audience members.
This event brought together the artists, the organizers and members of the community to discuss each of the artists' practices. One of the key themes running throughout the event was their relationship to Texas Southern University, where both of the artists had trained. Dr. John Biggers' influence became a point of connection through which the themes of wisdom and hope was examined by all those present.
Allen, who joined TSU in 1966, talked about how Dr. Biggers always told him "You know how you want your pictures to look," guiding him to develop his own measure of whether a work is complete. Allen's practice is largely based on the use of pencils, with the four works in the show made primarily with graphite and charcoal on paper. He uses both family photographs and his own as sources for his drawings. The works embody how he sees and interprets the photographs on the subject of his family lineage and his neighborhood in Houston.
Tesfai grew up in Eritrea and discussed how the art and culture of the historic city of Asmara became the foundation for his artistic practice. His family sent him to school in the United States when he was a teen, and he joined TSU in 1998. He explained how Christianity continues to be a key theme in his works because of his roots in Eritrea, where the harsh government censorship of the arts left religious subject matter as the main framework of Eritrean artists' expressions. He specializes in painting, using primarily acrylics, but he loves oil painting, which tends to get messy. Although he did not work directly with Dr. Biggers, Tesfai trained with Professor Harvey Johnson, who was a long-time collaborator with Dr. Biggers at TSU.
Both artists discussed their connections to ancestors, whether deeply personal, in Allen's case, and for Tesfai, learning about the history of the African diaspora in his training at TSU. One of the audience members was Dr. Alvia Wardlaw, the director and curator of TSU's University Museum, who asked both artists about their upcoming projects. Allen answered that a mural is in his future plans, and Tesfai wanted to evolve his practice to encompass sculpture. For both artists, wisdom was represented by the histories reflected in their works and hope by the young folks in their art and in the audience.
Overall, the event was a warm, intimate reflection on the themes of the exhibition in relation to the artists' practices and their connections to the community. Everyone lingered after the event to enjoy the variety of cakes, pastries and coffee prepared for the event and to further the conversations on the past and the future.
It was a celebratory event that gave those present a chance to connect deeply with the art and the artists of the exhibition.
Author Liz Kim, Ph.D., is a lecturer in Art History in the Department of Art, Communications & Theatre at Texas A&M University-Kingsville.
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Favorite links
from our Facebook postings
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Dear Community Artists' Collective visitors and supporters,
We continue to play close attention to the news and announcements surrounding the COVID - 19 outbreak.
The Collective asks that you continue to wear masks and practice social distancing when visiting our facility (and elsewhere as well). We also urge you to take advantage of the free vaccinations provided throughout the city for you and your loved ones' protection. We value your support and understanding during these extraordinary times.
Do all that you can to keep yourself and your family and friends safe and healthy by staying informed from a reputable source. Here is the link to the Centers for Disease Control and Prevention (cdc.gov).
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We’ve never won an Oscar,
an Emmy, a Tony or a Golden Globe,
but we have some pretty good stories to tell you on YouTube. Check out what we’re doing in the community to increase art education and appreciation and how we support many talented artists and crafts folks. Our videos include workshops, artist interviews and exhibition tours. We invite you to visit our channel and subscribe.
It’s free!
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Art and items for sale at The Collective
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Print Posters, Magnets, Postcards, gifts, more...
Featuring works by artists:
Leslie Abrams, Lee Ann Carrier,
Dominic Clay,
Ava Cosey, Carolyn Crump, Laura Fagbemi
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Join the Jubilee Quilt Circle
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Workshops and demonstrations are offered at The Collective,
4101 San Jacinto, Suite 116, on Thursdays
from 11 a.m. until 3 p.m. and Fridays from 1 to 3 p.m.
The Community Artists' Collective invites you to learn about and to
work on textiles, including quilting, knitting, crochet and embroidering.
Supplies provided. Suggested donation is $30 per month.
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Community Artists' Collective
713-523-1616
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