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Q. When did art come into your life?
A. I spent my formative years on a ranch in Stinson Beach; my parents and the other couple who lived there were artists. Artmaking was considered an essential aspect of life and an avenue for authentic self-expression. Creativity was encouraged, and I dabbled in all art forms, from sculpture to printmaking. I attended the Bolinas-Stinson School and spent as much time as possible in the Art Shop. But it wasn’t until I entered high school that I took my first photography class and found the medium that spoke to me. Through photography, the world presents itself as a pattern I can use to express my point of view and highlight things I feel need to be noticed.
Q. Is there a particular work of art that is an inspiration to you?
A. I can’t say that a single piece of artwork inspired my current body of work. Still, it is highly influenced by Byzantine painting, particularly religious iconography and the application of gold to illustrate divine light. Its radiance is intended to embody the invisible while highlighting the devotion to the subject matter. I also aim to illuminate and elevate the imagery I photograph.
Q. How does coastal Marin or the Bay Area influence you as an artist?
A. The Bay Area started as the Wild West and remains that to this day. It is a place people can come to and find their true selves. There have been many gold rushes, and the region’s busts and booms create financial instability here, but it continues to draw people from all over the world who want to be free to be themselves, innovate, and pursue their dreams.
Q. Do you have any rituals related to your creative practice?
A. When one is engrossed in the process of creating artwork, they can completely lose themselves in the process and find themselves immersed in “The Flow.” There are few other ways to fully engage in the present moment for an extended period than creating a work of art. When I walk around with a camera in hand, I become hyper-focused. It pulls my attention away from my busy mind, and I notice details that can be easily overlooked. When working in the studio applying gold leaf to my photographic images, I often lose track of time. A good podcast is always good company.
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