March 2, 2026

DOUGLASS' WOMEN

Jewell Parker Rhodes

Simon & Schuster

2/10/26

HIstorical Fiction

Paperback, 356 pages

"...Jewell Parker Rhodes takes us someplace we never knew existed. With insight and depth we get into the lives of these three historical people, Douglass, Douglass, and Assing, only to realize that they are as contemporary as we are. Well done!"

—Whoopi Goldberg


Frederick Douglass, the renowned abolitionist, was one of the most famous men of his century, and he was a man who cherished freedom in both his personal life and his work. In this ambitious work of historical fiction, Douglass' passions come vividly to life in the form of two women: Anna Murray Douglass and Ottilie Assing.


Anna Douglass, a free woman of color, was Douglass' wife of forty-four years, bore him five children, and provided him with a secure, loving home while he traveled the world with his message. Along the way, Douglass satisfied his intellectual needs in the company of Ottilie Assing, a white woman of German-Jewish descent, who would become his mistress for decades to come. Hurt by his infidelity, Anna rejected her husband's notion that only literacy freed the mind. For her, familial love rivaled intellectual pursuits. Ottilie was raised by parents who embraced the ideal of free love, but found herself entrapped in an unfulfilling love triangle with America's most famous self-taught slave for nearly three decades.


Rhodes vividly resurrects these two extraordinary women from history, portraying the life they led together under the same roof of the Douglass home. Here, fiery emotions of passion, jealousy, and resentment churn as the women discover an uneasy solidarity in shared love for an exceptional and powerful man. ph.

Dear Readers,



Douglass’ Women is an imaginative rendering of two women in Frederick Douglass’s life — his wife, Anna Murray Douglass, and his mistress of twenty-eight years, Ottilie Assing. While Douglass has justifiably been famous for over a century, Aanna and Ottilie have been obscured by a history that diminished their significance. I wanted to ask: What might it have felt like to live as the Black wife or the white mistress of Frederick Douglass? “Who was Anna? Who was Ottilie?”


As a novelist, “was” becomes “is.” I had to re-imagine two very different women, shaping

the raw materials of history into living characters. My goal was not to rewrite fact, but to

illuminate emotional possibilities — to encourage empathy and curiosity in readers.

My research revealed Anna as a free Black woman from Maryland who helped finance

Douglass’s escape, sewed his disguise, and maintained their home and children

through years of travel and danger. Illiterate in a culture where literacy symbolized

liberation, she fascinated me. I imagined her silence as an assertion that caregiving,

labor, and survival were their own forms of power — a quiet resistance to being

measured by her husband’s intellectual standards.


Ottilie Assing was a surprise to me. A German intellectual deeply engaged in abolitionist

and suffragist causes, she translated Douglass’s work and championed his message

abroad. Brilliant and idealistic, she saw herself as his intellectual equal and remained

bound to him by romantic conviction. Her written voice — letters, journals, essays —

contrasted with Anna’s oral storytelling, reflecting the different traditions shaping their

identities.


The absence of Anna and Ottilie from Douglass’s own accounts compelled me to write. I

wanted to lift the veil that shrouded these two women in history. Now, more than two

decades after its original publication, this reissued edition reflects the enduring cultural

relevance of examining overlooked voices and re-centering the stories history leaves

untold.


I hope Douglass’ Women sparks discussion about love, power, identity, and historical

memory. Ultimately, this novel is my tribute to two women whose lives were entwined

with a man who helped change a nation — and whose own influence deserves to be

remembered.


Warmly,


Jewell Parker Rhodes

Book Club Menu

Food, for Anna Douglass, always meant love. Tending the garden, making preserves, baking biscuits, stewing greens, and braising meat were all examples of her womanly skills and beauty.


In Douglass’ Women, Anna rejects reading and writing when she discovers that her husband is no great Frederick Douglass. Anna, ashamed of her illiteracy and excluded from her husband’s intellectual world, refuses to read until her children learn to value her domestic skills. Feeding the body is akin to feeding the spirit, and many times, Anna fed Frederick so that he could carry on his freedom fighting. She fed her children, too, making small banquets infused with all the care, love, and kindness in her heart.


Cooking is a celebration of self. It is a gift to one’s family and community. It is a talent that ensures survival. Anna, newly fallen in love with the slave Frederick, packs him a dinner. Chicken and biscuits. Banana pie. The pie is rich, exotic, and sweetened with bananas from the tropics. It is no ordinary berry, pumpkin, or apple pie. Banana pie, with its crisp crust and melt-in-the-mouth filling, conjures dreams of sensuality. Banana pie is Anna’s way of saying, “Oh, see what my womanly hands can do. See the depth of passion in my heart."


-Jewell Parker Rhodes

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