November 2022 Newsletter

Center For
Independent
Documentary
Resources & Opportunities

ITVS OPEN CALL


ITVS Open Call for funding is now accepting applications. Open Call gives independent producers up to $350,000 to complete production for a standalone broadcast length documentary to air on public television. The documentary can be on any subject, viewpoint or style as long as it is in active production already, as evidenced via a ten to fifteen minute work in progress sample. Open Call is not a grant. You will receive funding in the form of a co-production agreement that assigns ITVS certain broadcast and streaming rights to your project during the term of the contract.


Deadline for applications is December 16th. Learn more and apply here.

[Image Description: ITVS logo]

CHICKEN & EGG PROJECT: HATCHED

Project: Hatched provides grants to support filmmakers from around the world who have premiered or have a confirmed world premiere of a short, medium, or feature-length documentary film taking place between April 2022 and March 2023. Filmmakers must have plans to strategize, build, and launch an impact campaign. The grant funds can be applied towards expenses related to project completion and impact strategy.


Applications will open on November 15th. Learn more here

[Image Description: Chicken & Egg Pictures logo]

CATAPULT RESEARCH GRANT


The Catapult Research Grant seeks to develop the voices of diverse filmmakers by providing five $10,000 grants plus six months of mentorship and professional development. The grant is open to US-based filmmakers only.


The grant can be used for a variety of needs for developing new nonfiction film ideas including: research, writing, travel, crew, identifying and gaining access to protagonists, and any preliminary production costs associated with shaping the artistic vision or capturing early footage.


Deadline for applications is November 14th. Learn more and apply here.

[Image Description: Catapult Film Fund logo]

STUDIO IX MOTHER PROJECT GRANT

Studio IX is now accepting applications for their Mother Project Grant for parents working on a documentary film project. Grantees will receive $1,000 to help cover the cost of childcare when you need to go on a shoot, focus on an edit, or anything else to advance your film. Grantees will also receive a complimentary 1 year Adobe Creative Cloud All Access subscription.


Deadline for applications is December 3rd. Learn more and apply here.

[Image Description: Studio IX logo]

PACIFIC ISLANDERS IN COMMUNICATIONS MEDIA FUND

The Media Fund is PIC's longest standing funding initiative, which provides funds for single non-fiction projects of half an hour or an hour in length about the indigenous Pacific Islander experience for two critical phases of production: Production and Post-production. Projects applying to the Media Fund must be intended for national public television broadcast, and therefore must be able to enter into a production agreement - this is not a typical grant. 


Deadline to apply is December 5th. Learn more here.

[Image Description: Pacific Islanders in Communications logo]

CID Film News & Updates

SUNDANCE INSTITUTE | SANDBOX FUND GRANTEES

The Sundance Institute and Sandbox Films have announced the 10 projects and filmmaking teams selected as the latest cohort of support by the Sundance Institute | Sandbox Fund. The 10 selected project teams will receive non-recoupable grants totaling $300,000. The filmmakers will also receive bespoke film support and join Sundance Institute’s year-round artist community, with meaningful opportunities to connect with Sundance’s network of alumni and creative advisors, as well as Sandbox Films’ roster of renowned scientists.


Grantees include the CID sponsored UNTITLED ANIMAL PROJECT, directed by Jessica Kingdon and produced by Jamie Gonçalves and Nathan Truesdell.


Untitled Animal Project explores contemporary global supply chains through the lens of the animal experience. Through multiple locations around the world, the film weaves the ways in which food industries affect various species – with a focus on exploring the elusive idea of animal sentience. 

[Image Description: Sundance Institute logo]

SUNDANCE INSTITUTE PRODUCERS INTENSIVE

Sundance Institute has announced the 12 fellows selected to participate in the second edition of the Sundance Institute Producers Intensive. The Producers Intensive is a collaboration between the Sundance Documentary Film and Feature Film Programs that reflects a long-standing commitment to increase support for independent producers. The Intensive provides creative, strategic and professional development support for early career fiction and nonfiction producers from traditionally underrepresented communities who are poised to take the next step in their filmmaking career. 


The fellows include CID sponsored filmmaker Debra Wilson with her film COACH EMILY. Find the full list of fellows here.

[Image Description: Sundance Institute logo]

DOC NYC'S 2022 DOCUMENTARY NEW LEADERS


DOC NYC’s Documentary New Leaders initiative honors individuals whose innovative approaches to distribution, sales, festivals, and marketing work toward a more inclusive and equitable documentary industry. The list of 11 recipients draws from 9 cities—including New York, Los Angeles, Chicago, Denver, Oakland, San Francisco, and others—and reflects the honorees’ broad range of experience, including roles in distribution, community engagement, exhibition, social impact, organizing, festival programming, and journalism.


The New Leaders include CID sponsored Ann Bennett (Prana Productions) and Amanda Upson (FWD-Doc). Find the full list of honorees here.

[Image Description: Dark blue text against a light blue background reads "Documentary Industry New Leaders. Co-presented by A&E."]

JERRY BROWN: THE DISRUPTER AT DOC NYC


JERRY BROWN: THE DISRUPTER, directed by Marina Zenovich, will have its New York premiere at DOC NYC on Sunday, November 13th at 7:15pm. Purchase tickets here.


The film, which looks at the life and career of two-time, four term Governor of California Jerry Brown, had its world premiere at the San Francisco International Film Festival's Doc Stories showcase.

[Image Description: Jerry Brown speaks to the camera.]

CISCO KID WORLD PREMIERE

CISCO KID, directed by Emily Kaye Allen, had its world premiere at the 26th Ji.hlava International Documentary Film Festival in the Opus Bonum competition section


Filmed across unfolding seasons, Eileen–a young, solitary maverick–forges a life among the discarded remnants and lingering memories of a desert ghost town in southern Utah. A queer slice of the contemporary American West, Cisco Kid is both a portrait of a person who has walked away from mainstream society, and a place that has been left behind by a changing world.


Ji.hlava Intl Doc Film Fest is a celebration of auteur documentary film, and has become one of the leading European documentary festivals and the largest event of its kind in Central and Eastern Europe. Opus Bonum is the central competition section, and this year included 16 feature films presented in world, international or European premieres.

[Image Description: Eileen, the protagonist of Cisco Kid, smokes a cigarette in a bath made from a steel oil drum, surrounded by desert brush. The festival title, Ji.hlava, is at the top of the image. The film title, Cisco Kid, is at the bottom of the image. ]

THE SECRET SONG WORLD PREMIERE


THE SECRET SONG, directed by Samantha Campbell, had an exuberant premiere at the Orlando Film Festival, where the filmmaking team was able to kick off its first phase of outreach, including offering free festival passes to local music teachers. Watch the new film trailer here and take a look at the recently-launched website.


The Secret Song is about a piece of recent history that we will never forget, the 2019-2020 school year, when the world was thrust into the pandemic and schools struggled to adapt. Legendary San Francisco music educator Doug Goodkin was retiring after 45 years of teaching and the film originally set out to chronicle his final year. Covid’s abrupt entrance into our lives greatly shifted the filmmaking and amplified a core theme -- the role of improvisation in navigating real-world challenges. The film shows, through a remarkable educator, how a sense of belonging helps us surmount hardships and adversity. The urgency and disarray that the pandemic thrust upon the subjects of this film elicited a kind of dynamism that all teachers must find and bring forth in any challenging situation.


Please follow the film’s updates here:

Facebook: @thesecretsongfilm

Instagram:@thesecretsongfilm

Twitter: @SecretSongFilm

Website

[Image Description: A poster for the film THE SECRET SONG with a photo of Doug Goodkin, wearing a black sweater and black newsboy cap, joyfully holding drumsticks in the air as he teaches a young student how to play an instrument.]

LIFT FEATURED IN THE NY TIMES


Filmed over ten years, LIFT shines a spotlight on the invisible story of homelessness through the eyes of a group of young homeless and home-insecure ballet dancers in New York City. 


After a successful world premiere at the Tribeca Film Festival where the film took home an Audience Award, LIFT screened at the Hamptons International Film Festival, and just won the first annual Shine Global “Children’s Resilience in Film Award” at a ceremony in Los Angeles. Last week, The New York Times published a feature story about Steven Melendez, Diana Byer, and the LIFT documentary: "A New Leader at New York Theater Ballet and a Call for New Audiences."


The LIFT team includes: Academy Award-nominated director David Petersen; producer Mary Recine (Joan Didion: The Center Will Not Hold); executive producers Sam Pollard (When the Levee Breaks) and Jannat Gargi (Summer of Soul). Misty Copeland is the film’s principal advisor.


Check out www.liftdocumentary.com or follow LIFT on Instagram @liftdocumentary.

[Image Description: a photo from the Hamptons International Film Festival where Misty Copeland and film subject Steven Melendez participated. In the photo (from left to right): director David Petersen, principal advisor Misty Copland, New York Theatre Ballet artistic director Steven Melendez, producer Mary Recine, and executive producer Jannat Gargi.]

CLARISSA'S BATTLE AND REBOUND SCREENINGS


CLARISSA'S BATTLE was selected for the Virginia Film Festival and will be screened on Friday, November 4 with the filmmakers and featured participant Clarissa Doutherd in attendance. The film is also screening at Centre Film Festival in Philipsburg, PA.


Clarissa's Battle kicked off its Impact Campaign with a screening at the Grassroots Assembly for Child Care and Early Education in Albuquerque New Mexico on September 23, with over 150 organizers and activists including the film's heroine Clarissa Doutherd and filmmaker Tamara Perkins. Partnerships with local and national Early Childhood Education organizers, funders, and networks such as The Child Care for Every Family Network, Early Childhood Funders Collaborative, Raising Child Care Fund, and Community Change Action are fueling the screenings and actions happening across the country.


REBOUND will be included in the Oakland Museum of California's (OMCA) Hella Feminist Exhibit with a screening and talk with filmmakers and film participants scheduled for Sunday, December 11 at 2pm. The film will also be featured in San Francisco Public Library's 2022 One City One Book Program on Tuesday, Nov 15 at 7pm. 


Both Clarissa's Battle and Rebound are available for Education and Impact via GOOD DOCS. Follow the films @ClarissasBattleFilm and @ReboundWomen.

[Image Description: A poster for the film CLARISSA'S BATTLE: GROWTH OF A MOVEMENT. At the top are two film festival laurels and text reads "An Apple of Discord Production". A watercolor painting shows Clarissa marching in front of a government building a sign that reads "Invest In Child Care". A young girl joins her with a sign that reads "Childcare 4 All".]

MAMA HAS A MUSTACHE SCREENINGS


MAMA HAS A MUSTACHE, a short, animated documentary about kids and gender identity, recently screened at the Hamptons International Film Festival, the Mill Valley Film Festival, and will screen at the San Francisco Transgender Film Festival later this month. Director Sally Rubin also presented the film as a keynote/plenary session at the EDGY: Dimensions of Gender conference at the Skirball Center in Los Angeles. The film will be screening in classrooms around LA as part of LGBTQ history month. Visit the website for further updates.

[Image Description: Director Sally Rubin visits Jefferson Elementary's 3rd grade.]

GROUNDWORKS BROADCAST ON PBS


Toasterlab's documentary GROUNDWORKS is being broadcast nationally on Public Television stations and online through November 29. Check local listings throughout the month for airings. If you're in the Oakland area, there will also be a special screening of the film at the Oakland Museum of California as part of Friday Nights at OMCA on Friday, November 18, 2022. At 6 pm, join the filmmakers in the James Moore Theater for a screening and a short musical offering and panel discussion about the film. DJ Teao Sense will be playing in the Amphitheater from 6 to 8 pm. Make sure to stop by Oakland Public Library’s Bike Library to grab a free book, sign up for a library card, and join for Storytime in the OMCA Garden starting at 5:30 pm. This event is free. More here.


Groundworks introduces viewers to four diverse Native performers who come together in a collaborative performance on Alcatraz Island, on San Francisco’s first official Indigenous People’s Day. The collaborators bring to life the history of Indigenous people’s connection to the land, as well as the contemporary outcry for restoration of Native people’s rights and relationship to land. Through moving oral history and stunning traditional dance, the film documents how Native groups and traditions relate to each other geographically and culturally as they collaborate on land reclamation advocacy.

[Image Description: Kanyon Sayers-Roods, Tazbah Chavez, Ras K'Dee, and Bernadette Smith, the cast of the Groundworks documentary, stand in a line looking to the left of the image while performing Groundworks on Alcatraz Island on Indigenous People's Day 2018.]

FWD-DOC RECEIVES DIVERSIFY TV BEHIND THE SCENES IMPACT AWARD

Director and producer Lindsey Dryden, co-founder of FWD-Doc, accepted the MIPCOM Cannes Diversify TV Behind the Scenes Impact Award on behalf of FWD-Doc and its over 600 members.


The Behind the Scenes Impact Award recognizes a person or team whose influence, actions, determination and/or vision behind the scenes – from early stage, final production or anywhere along the process – stands as an inspiration to all television creators and audiences worldwide to support and champion diversity and inclusion in the workplace and/or across a single, or multiple, projects. Read more here.

[Image Description: Lindsey Dryden stands smiling and holds the MIPCOM Cannes Diversify TV Behind The Scenes Impact Award. Behind her is a large screen with the text "MIPCOM Cannes Diversify TV Awards 2022. ]

HUMAN SHIELD CROWDFUNDING CAMPAIGN


HUMAN SHIELD, a feature documentary on abortion clinic escorts - volunteers that walk patients from their cars to the clinic front doors - just launched a crowdfunding campaign on Seed&Spark. The film team is raising money to continue production and finish filming. Learn more about the film and its crowdfunding campaign here. Join the growing community of supporters!

[Image Description: Two abortion clinic escorts stand outside in their rainbow colored vests. One escort, standing in the forefront, holds a large rainbow colored umbrella.]

SALLY IN THE SAN FRANCISCO CHRONICLE


On 10/31 (Halloween!) The San Francisco Chronicle published a front page article about Sally Gearhart and the CID-sponsored documentary-in-progress, SALLY, about her life. The author, Ryan Kost, interviewed over a dozen people from Sally’s life, as well as director Deborah Craig and some folks from the film crew too. The article took a deep dive into Sally’s many accomplishments and also explore her “erasure” from the Oscar-winning film Milk (2008) and her later decades on women’s land in Northern California. Read the the article here. If you can’t get past the paywall, please feel free to reach out to Deborah at dcraig@lmi.net for a PDF. 

[Image Description: Director Deborah Craig is smiling and holding the San Francisco Chronicle article that features her film SALLY.]

JULIA VINOGRAD WORK SAMPLE SCREENING


Director Ken Paul Rosenthal presented a work sample of his in-progress feature documentary, JULIA VINOGRAD: BETWEEN SPIRIT AND STONE to a full house at the annual San Francisco Lit Crawl. Watch his recent interview about the film and reading of three Julia Vinograd poems on Berkeley Community Media TV, here.

[Image Description: A black and white photo of Julia Vinograd standing in the front of a crowd of people. Her eyes are closed and head is upturned as she blows bubbles towards the sky. Text in a typewriter font reads "Julia Vinograd: Between Spirit and Stone"]

PREMIERE OF RECIPROCITY PROJECT SEASON ONE


Join the free online premiere of RECIPROCITY PROJECT SEASON ONE on 11/17 at 7:00pm ET! Watch all seven episodes and hear from Reciprocity Project filmmakers and community partners Brianna Smith (Passamaquoddy), Jeremy Dennis (Shinnecock), Malia Akutagawa (Kanaka Maoli), Alisha Carlson (Gwich’in), Lauren Stevens (Passamaquoddy), and Reciprocity Project series producer Adam Mazo. Reciprocity Project embraces Indigenous value systems that have bolstered communities since the beginning of time and invites learning from time-honored and current Indigenous ways of being. Register here.

[Image Description: A compilation of images from seven short films. First image on the left contains a Gwich’in drum mallet in a night sky surrounded by sparks. Second image is of a Cherokee man sitting on wooden steps, carving a traditional mask out of wood. Third image is of a Wayuu Iipuana woman and her niece in traditional clothing standing on sand with a tree behind them. Fourth image is of the fingers of a Passamaquoddy person with sketches of markings about to be tattooed. Fifth image is of a Passamaquoddy man and woman standing on rocks at the ocean greeting the dawn. Sixth image is of a Shinnecock woman standing in front of a row of corn. Seventh image is of a Native Hawaiian person holding a Hoʻokupu (gift offering).]

SEE MEMORY JOINS NEW DAY FILMS

CID filmmaker Viviane Silvera's 2016 film SEE MEMORY has joined New Day Films for educational distribution. Find the film on New Day Film's website here. See Memory will be acquired by Duke University's Archive of Documentary Arts and available on Kanopy through New Day Films.

[Image Description: New Day Films logo"]

ENDURING DEMOCRACY AT THE UNITED NATIONS FILM FESTIVAL


ENDURING DEMOCRACY: THE MONTEREY PETITION, produced and directed by David C. Schendel screened at The United Nations Film Festival at Stanford in October.


In a dusty filing cabinet in Monterey, CA, a 1938 film is discovered that depicted a joyous Japanese-American community just before their lives are destroyed. Along with this remarkable never-before-seen film was a trove of signed petitions demanding the restoration of civil rights to those same Americans. Enduring Democracy explores the motivations of individuals who financed hate campaigns as well as the daring women who spearheaded the carefully thought-out response.

[Image Description: A poster for the film "Enduring Democracy: The Monterey Petition" with black and white photos of Japanese Americans scattered across a backdrop of aging brown paper. On a large luggage tag is the film's title "Enduring Democracy: The Monterey Petition". Below that is the logo for the Japanese American Citizens League of the Monterey Peninsula.]

TONY FOSTER UPDATE


After an eight day, 100 mile canoe trip on the Canyonlands section of the Green River, principal photography has wrapped for TONY FOSTER: PAINTING AT THE EDGE, a film produced and directed by David C. Schendel.

Tony has now painted the entire Green River from Headwaters in Wyoming to the confluence with the Colorado in Utah. He will be exhibiting the paintings in May at The Whitney Western Museum in Cody, WY. The show with then travel to NYC and around the United States. The filmmakers hope to have the documentary finished by late 2023.

[Image Description: Tony Foster sits painting a picturesque landscape.]

JONATHAN SKURNIK AT THE EDGY DIMENSIONS OF GENDER CONFERENCE


Jonathan Skurnik of the YOUTH AND GENDER MEDIA PROJECT was overjoyed to be back for the third time at the EDGY Dimensions of Gender conference, hosted by Penny Lane, one of the largest foster care agencies in California. Penny Land was the agency that placed Johanna, from Jonathan’s film BECOMING JOHANNA, with a loving and accepting family. This time, Jonathan screened his film CREATING GENDER INCLUSIVE SCHOOLS to a packed room, followed by engaging discussions and personal reflection activities around youth and gender.

[Image Description: Filmmaker Jonathan Skurnik leads a workshop for conference attendees.]

THE ESSENCE OF ESSAOUIRA AT FESTIVALS


THE ESSENCE OF ESSAOUIRA, a short film by David H. Wells, screened in October at the SENE Film Festival and at the New Haven Documentary Film Festival.


Walk the spice-scented lanes, tour the markets in the medina (old town) and watch fishermen at work in the busy commercial fishing port of Essaouira, (essa-weera, or es-sweera in Arabic) a city on Morocco’s Atlantic coast protected by 18th-century seafront ramparts. The film was captured, edited and output on an Apple iPhone 11Pro.

CID Film Of The Month

[Image Description: A black and white photo looking out of an airplane window at a starry night. Another plane flies by in the distance through fluffy clouds.]

"UNTITLED BIAFRA WAR DOCUMENTARY"

Directed and produced by Adaeze Elechi


Eze Eluchie, a child survivor of the 1967-1970 Nigerian Civil War and its genocide, is going in search of forgotten Biafran children who were airlifted for their safety and never returned to their families. Using word of mouth, social media, untapped archival records and media, and DNA (with the help of scientists at UC Berkeley’s Forensic Project), Eze is determined to reunite families that have been separated for more than 50 years and offer them closure.


The war was one of the most visible events in the late 1960s. As the world watched it drag on, global religious groups, international governments, and humanitarian organizations banded together to carry out what became the second largest airlift operation since the Berlin airlift of 1947. More than 5,000 malnourished children were whisked away to Gabon, Ivory Coast, and São Tomé for rehabilitation and safety. After the war, most children were repatriated to their families. But, according to Eze’s research, not all were returned. These “nameless” children eventually became uncertain numbers that the world (including Nigeria) eventually forgot. But not Eze.


In this feature-length documentary film, we will have exclusive access to journey alongside Eze as he embarks on a unique mission to identify those who were taken, those who were returned, and most importantly, those whose fates remain mysteries. Over the course of this film, he will attempt to reconnect a surviving left-behind child (now an adult) with their family in Nigeria.



“We cannot forget them,” Eze says. “Forgetting is like an act of murder.” To Eze, remembering is an act of healing.


Read more and contribute to the film here.

Featured Resource Of The Month

[Image Description: FWD-Doc logo]

Accessibility Practices and Resources

FWD-Doc has compiled a list of recommended practices, guides and resources for ASL and captioning services, audio descriptions, and general accessibility.


Find these excellent resources here.

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We are grateful for the generous support of the Massachusetts Cultural Council, a state agency, and the Boston Cultural Council, a local agency which is funded by the Mass Cultural Council, and administered by the Mayor's Office of Arts and Culture.
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