Press Release
June 12, 2023
For Immediate Release
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Press Contact:
Gail Wein - (646) 484-9691
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Due to positive COVID-19 tests in the production staff, the remaining dates of Sono Fest! at Soapbox Gallery have been canceled.
This includes tonight's concert (June 12) with the Momenta Quartet, the concerts June 13-18 and the "Coda" concert with tenor Mark Padmore on June 23.
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Canceled: Soapbox Gallery presents Sono Fest! June 6-18 & 23, curated by Ethan Iverson | |
Program descriptions written by curator Ethan Iverson
All concerts are at Soapbox Gallery (636 Dean St., Brooklyn, NY)
Live-stream and in-person tickets available here
There are two hour-long concerts every night at 7:30 and 9 pm EDT, more like jazz practice than classical convention. We expect to turn the room over (there are only 60 seats) so most of those who are performing formally notated works will probably play the same program twice (a comparatively rare opportunity to enjoy such a liberating sequence).
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Canceled: Sono Fest! June 6-18 & 23 | |
Monday, June 12: Momenta Quartet
The Momenta Quartet (Emilie-Anne Gendron, Alex Shiozaki, Stephanie Griffin, Michael Haas) has recently released a wonderful recording of Alvin Singleton quartets. I have interviewed Singleton and regard him as one of the true living masters, with the four string quartets being a major contribution to this hallowed form. Momenta will play Singleton’s quartets no. 2 “Secret Desire to Be Black” and no. 4 “Hallelujah Anyhow” at Soapbox, alongside Meredith Monk’s lovely “String Songs.”
Program:
Alvin Singleton Quartet no. 2 “Secret Desire to Be Black”
Meredith Monk String Songs
Alvin Singleton Quartet no. 4 “Hallelujah Anyhow”
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Tuesday, June 13: Judith Berkson
Judith Berkson: singer, pianist, composer, cantor. My first exposure to Judith was at a rare NYC concert by the late Joe Maneri, an epic event that lives in my mind as one of the finest avant-garde jazz gigs I’ve ever seen. Judith has diverse capabilities. She creates electronic re-toolings of Robert Schumann; her solo ECM album Oylam is hypnotic; when she unleashes her full cantorial vocal style, the hair on the back of my neck stands up.
Program:
Berkson electroacoustic pieces
Schubert lieder
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Wednesday, June 14: Pianist Marta Sánchez
Marta Sánchez has a bright future. I have written liner notes for two of her records and dig David Murray’s current quartet with Marta in a heavily-featured role. Her intricate and contrapuntal jazz compositions are in the modern style, but, crucially, they are also informed by the long musical lineage of her native country, Spain.
Program:
Marta Sánchez new etudes for prepared piano
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Thursday, June 15: Pianist Aaron Diehl
Aaron Diehl has grown into being not just a pianist of the first rank but an ambassador across several disciplines. Aaron swings Gershwin with the symphony, he smartly updates James P. Johnson and John Lewis for the modern taste, he casually deals out correct Bach at a recital, and rages into atonality with Tyshawn Sorey at the club. One of a kind.
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Friday, June 16: Composer Scott Wollschleger
Scott Wollschleger possesses an ear for fresh notes, and delivers them in a slow and almost terrifying manner: Morton Feldman meets Thelonious Monk meets H.P. Lovecraft. His pianist is the stellar Karl Larson, who will supply mostly solo Wollschleger for the first set, with Miranda Cuckson joining on viola for one piece. In the second set, Miranda will play a Wollschleger violin premiere; other solo and chamber music will include Miranda, Larson, John Popham and Kevin Sims.
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Program: Set 1
Scott Wollschleger
Tiny Oblivion
Music Without Metaphor
Brontal No. 2
Brontal No. 6
Brontal No. 11
Brontal No. 12
Secret Machine No. 4
Secret Machine No. 6
Karl Larson, piano
Soft Aberration No. 2
Karl Larson, piano &
Miranda Cuckson, viola
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Program: Set 2
Lost Anthems (NYC premiere)
Karl Larson, piano &
Miranda Cuckson, viola
Fish of the sea (NYC premiere)
Kevin Sims, percussion
Secret Machine No. 7 (World premiere)
Miranda Cuckson, violin
Brontal Symmetry
Cuckson, violin; Larson, piano; John Popham, cello
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Saturday, June 17: Pianist Han Chen
Han Chen is a major virtuoso and has carved out a vital place in the NYC scene. When Thomas Adès gave a master class at New England Conservatory several years ago, I canceled my own NEC students in order to go check it out. Chen played Adès’s “Traced Overhead” and the composer told him, “You play it better than me.” The whole Naxos recital of Adès by Chen is marvelous. At Soapbox, Chen will play “Traced Overhead” alongside further masterpieces by Berg, Corigliano, and Ravel.
Program:
Alban Berg Piano Sonata Op. 1
John Corigliano Etude-Fantasy
Thomas Adès Traced Overhead
Maurice Ravel Gaspard de la nuit
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Sunday, June 18: Composer Robert Cuckson (first set)
Robert Cuckson is another great NYC composer who lives a bit below the radar. When Miranda told me her dad was really good I demanded aural evidence, and, of course, Miranda was right. His style features long form structures that unfold in an unforced manner, high on lyricism and swept with chromaticism. For Father’s Day, Miranda will join a cast of elite chamber musicians including Haodong Wu, David Ordovsky, and Blair McMillen for a set of flute, violin, viola, and piano music.
Program:
Robert Cuckson
Objets de vertu
Haodong Wu, piano
Lines from Vergil
Wu, piano; David Ordovsky, flute
The Ballad of Camden Town
Ordovsky, flute
Boat of Ra
Miranda Cuckson, violin; Blair McMillen, piano
Six Piano Pieces
McMillen, piano
Fantasia on a Song by Delius
Miranda Cuckson, viola; Blair McMillen, piano
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Sunday, June 18: Pianist Ethan Iverson (second set)
To conclude the festival I will play a solo set of surprises, undoubtedly influenced by all the sounds I’ve taken in from the previous two weeks. Dancer Reggie Parker also plans to make an appearance….
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"Coda" Concert
Friday, June 23: Tenor Mark Padmore
with Ethan Iverson, piano and poet Sarah Deming
Mark Padmore is visiting America to join the summer session of Marlboro Music under Mitsuko Uchida. On his way there, Padmore will be stopping by Soapbox to give his Songs of the Earth program, featuring lieder from Britten, Schubert, Ives, and many others, alongside poetry from Mary Oliver, Lawerence Durrell, Philip Larkin, and many others. Sarah Deming will recite the poetry and I will play the piano. We performed this program last season and it was a hit with audiences; it also an extremely rare opportunity to hear Padmore in such an intimate space.
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Billy Collins As if to demonstrate an
eclipse
Franz Schubert Im Abendrot
Mary Oliver Mysteries, Yes
Gustav Mahler Ich atmet’ einen
linden Duft
Kathleen Jamie Perfect Day
Aaron Copland Nature, the
Gentlest Mother
Hanns Eisler Sprinkling of Gardens
Robin Robertson Keys to the Door
Gabriel Fauré Prison
Philip Larkin Going, going
Reynaldo Hahn Chanson d’automne
Tansy Davies Destroying Beauty
Seamus Heaney Clearances
Benjamin Britten The auld Aik
Charles Ives The Cage
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Rainer Maria Rilke The Panther
Rebecca Clarke The Tiger
D H Lawrence The Snake
Sally Beamish O Hoopoe
Wallace Stevens Thirteen Ways of Looking at a Blackbird
Charles Ives Housatonic at
Stockbridge
Franz Schubert Die Mutter Erde
Hayden Carruth Essay
Ralph Vaughan Williams Nocturne
Mary Oliver When Death Comes
Gustav Holst Betelgeuse
Thomas Hardy To Meet or Otherwise
Franz Schubert Frühlingsglaube
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Program descriptions written by curator Ethan Iverson | | | | |