CHICAGO, IL (February 20, 2024) –The pioneering Chicago-based classical music label Cedille Records announces its second Zell Family Foundation-sponsored Emerging Artist Competition designed to augment its mission of supporting Chicago’s finest classical music artists. Applications for the Emerging Artist Competition will be available on February 15, 2024, with the competition’s live rounds taking place May 17-18, 2025. The competition is open to individual musicians (instrumental and vocal) and ensembles of up to six people that reside in or are originally from the Chicago metro area. The winner will get to record their featured debut album on Cedille Records.
James Ginsburg founded Cedille Records in 1989 with the vision of making classical recordings featuring outstanding Chicago-area musicians; to this day, Cedille continues to fulfill its mission of recording original programs developed by artists, including Jennifer Koh, Rachel Barton Pine, Eighth Blackbird, the Pacifica Quartet, Third Coast Percussion, Will Liverman, and Anthony McGill. Their recordings are regularly honored with the highest accolades, including GRAMMY® awards — to date Cedille has received 33 GRAMMY® nominations and 8 awards.
The first competition’s winner, saxophonist Julian Velasco, released his debut album, As We Are, on Cedille in August 2022 to critical acclaim. The Chicago Tribune wrote: “As We Are is a bird’s-eye view of Velasco’s range, both as an infectiously joyous interpreter of new music and a monster improviser.” Velasco has premiered over 50 new works, collaborating and performing with a wide range of artists including Ron Carter, Billy Childs, Jimmy Cobb, Annika Socolofsky, Christian McBride, Rufus Reid, PRISM Quartet, Zhou Tian, Rodney Whitaker, and the Bang on a Can All-Stars. In addition to his solo career, he is also soprano saxophonist of ~Nois saxophone quartet. Of the opportunity to release a fully funded album on the illustrious label, Velasco said: “It's an investment in [my] future and it's an investment in the future of [my] career, but also, the future of [my] artistic presence . . . I couldn't be more grateful.”
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