This wasn’t Hackman’s last film, and it was far from his own favorite, but it was his last great film. And for all the tales of on-set frustration and culture clash with director Wes Anderson, it’s a remarkably seamless work, anchored by yet another sensational Hackman performance as Royal Tenenbaum, the utterly untrustworthy, yet somehow incredibly charming scion of the troubled Tenenbaums. Some 20 years on, it remains one of Wes Anderson’s finest films.
Hackman’s huge presence dominates the movie in the best way and keeps it from being too precious. The whole affair is a hilarious, touching, brilliantly stylized, studiously soundtracked study of melancholy and redemption—a fitting send-off for Hackman, one of the great actors of his generation.
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