Finally it was time for the Abbey. The burial site of over 3,300 people, the former monastery was forced to give way to a "royal peculiar" (a type of English church which answers directly to the monarchy) in 1559 and is still primarily a place of worship. Notably for the choir, memorial plaques and structures mark the interments of Blow, Clementi, Handel, Purcell, Stanford, Vaughan Williams, and even the great great grandfather of one of our choir member, Guy (John Lawrence)! My interest was piqued by the variety of the statues of the loved ones surrounding the dead: some direct their charges' attentions towards the beckoning hand of an angel, others fight off death itself scythe and all, and others yet simply cry. As if to indicate the acceptance of differing feelings surrounding death amongst the congregation. Imposing and official, there is room here and there for light hearted detail in the art and there seemed to even be a sort of self aware humour from the officials when having us practice our spoken "amens" (simultaneously crucial and irrelevant). |