Hello, everyone,


This column will take a slightly different turn. You know that I rant on and on during rehearsals about the importance of consonants in clarifying rhythms in choral texts, making the words communicate more effectively. "If we didn't have words, we'd be a band" is my pre-recorded message.


True. I love words; my minor was in English. But lately I've realized that I have been failing to shine the light on vowels as the purveyors of beauty! We instinctively recognize a fine choir by its tone, which is only beautiful when all of the singers' vowels are unified. It's my goal to help us to achieve that goal, but It doesn't help much when I just call out hearing "i" pronounced "e" in Latin as the words fly by! In this column I hope to make you almost as obsessed as I am at recognizing vowel colors that don't fit. Here are some things I've heard in just the past few days:

  • Skull pronounced as "skoal" rather than "skuhl"
  • Culture pronounced as "coalture" rather than "cuhl-ture"


Now speak those two examples aloud and pay particular attention to what's happening to your mouth, especially your tongue and lips, as you compare them. I find that exercise fascinating. Those first examples are probably regionally based (the first speaker is from Wisconsin and the second was talking on the radio). The speakers are clear enough, and not doing any harmuntil they join a choir, where the aim is to unify all vowels!


Now try this example, which drives me absolutely crazy: pronouncing the pub "McMinamins" when the word is actually "McMenamins." Why do so many people do that, even radio announcers? It's because they don't really see the vowels in the word, and simply go by what they've heard incorrectly spoken! There's no "e" in the title at all! Now compare saying the two versions slowly aloud, paying attention to the difference inside your mouth. Your lips pull back in the real pronunciation. Huge.


Considering the common habit of adopting something you've heard, rather than the letters in the word, what about the widespread mistake of saying "Nordstrom's" when the store does not in fact have an apostrophe "s" after its name?


Maybe you're crying "picky, picky" at all of this, but unified vowel color is essential to a beautiful choral sound, and the more we pay attention to spelling, the greater our chance of unifying or sounding beautiful. Think of our singing a legato piece as a beautiful still lake; then picture that lake with chunks of wood floating in it. Those chucks are vowels that don't match.


What I'm now asking you to do is to just catch different pronunciations that you come across from day to day, and try them out in your mouths. The first assignment asks you to pay more attention, the second is to see how different versions FEEL in your mouth! You see, if everyone in choir heard and physically experienced every vowel the same, we wouldn't have to be reminded: some people actually aren't aware they're the ones who differ! That's not to say they need to be taken out behind the dumpster and shot, just that they need different ways of recognizing vowel color.


Of course I'm particularly sensitive to all of this because it's my life's work, but I really find it fascinating to catch different shades. OK, put another way, I'm obsessed.


End of lecture.


Next Tuesday we'll encounter the remaining movements we haven't yet seen:

  • Bach #12 Gloria Patri
  • Rutter #7 Gloria Patri

 

Take care, and stay healthy,

ANNOUNCEMENTS

Lead the Way with Board Service 

Get involved by joining FCO's board of directors. FCO is a nonprofit member organization with an annual budget close to $60,000. Board members oversee all aspects of FCO business, from grant writing and donor development to concert management and ticket sales. FCO's continued success depends on finding hard-working and passionate people to serve on the board. Next season's board members will be elected in April. If you are interested in helping to lead FCO, contact Bryan Gonzalez at bcgonzalez@juno.com

Rehearsal Resources

Check out these resources to help learn this term's music:

Rehearsal Rules

  • Regular rehearsals run 7:00–9:30pm
  • Stay home if you are sick or experiencing symptoms of COVID-19
  • Notify Bryan Gonzalez (503-851-5351) as soon as possible if you test positive for COVID-19

Member Roster & Key Contacts

You can now download the roster of this term's members. If you cannot open the file, download Adobe Acrobat Reader for free. Please use this information for choir business only such as arranging ride shares.

Solveig Holmquist

Conductor

503-851-4509

holmqus@wou.edu

Rebecca Payne

Membership Coordinator

503-789-4024

rebecca.payne4444@gmail.com

Jessica Coons

Soprano Section Leader

503-917-9309

livingonmiracles@gmail.com

Doris Clark

Alto Section Leader

503-910-4777

daclark46@msn.com

Bryan González

Tenor Section Leader

503-851-5351

bcgonzalez@juno.com

Phil Davis

Bass Section Leader

503-999-8200

gomapleleafs@comcast.net

Stay Alert

FCO uses text message alerts to provide important reminders and to share last-minute information. If you haven't received alerts this term, sign up now.

COVID-19

FCO no longer requires vaccination against COVID-19 or the use of masks. To protect the health and safety of everyone who interacts with our organization, please stay home if you feel unwell. Any member who tests positive for COVID-19 must report their diagnosis to FCO as soon as possible and may not participate in any FCO event until determined safe to do so according to public health recommendations or their healthcare provider. FCO will not disclose the identity of any member who tests positive but will notify all members of potential exposures.

FesitvalChorale.org

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