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Hello, troops,
We've been introduced to all of the choruses we'll be performing in the two works, and in most cases have made impressive starts. Now we'll get down to business to solidify each of them, adding more details like breath and style markings. I've given you a number of those, but by no means all: it's always best for you to get a solid grasp of the notes and rhythms before adding nuances. So we're heading into the hard work portion of the preparation process! Be sure to bring two sharp pencils and a huge dose of patience from now on. If we work solidly and carefully now, it will really pay off in the final weeks, allowing us to have fun with no stress.
By far the most difficult chorus in the Bach is #7, "fecit potentium," which begins on p.37. We began our term with that long and complex chorus, and by now it might feel like a distant memory at first. I expect us to be focused on that one until break, but if there are 5 minutes to spare we'll also revisit "Sicut locutus est," #11 on p.55. That one is so straightforward and simple that we sounded terrific sightreading it a month ago!
As has been our pattern, we'll make a comparison in the second part of the rehearsal by digging into the same text in the Rutter: #5, p.52. If memory serves, though this chorus is also the most complex chorus of its composition, we found it easier to grasp. It's rhythmically really fun. To me it feels like the rumble in West Side Story! And if time permits, before we go we'll review #2, p. 22, "Of a Rose, a Lovely Rose," sending us home graciously instead of in a fighting mood!
Please take care,
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