WEEKLY E-NEWS

October 30, 2026

 

A&A NEWS

Julianna Martin ’26 Awarded Martin A. Dale ’53 Fellowship

A&A Practice of Art alumna Julianna “Jules” Martin ’26 has been awarded the Martin A. Dale ’53 Fellowship. 


The Dale Fellowship, created by 1953 Princeton alumnus Martin Dale, provides a $40,000 grant to spend a year on “an independent project of extraordinary merit that will widen the recipient’s experience of the world and significantly enhance the student’s personal growth and intellectual development.”


Drawing on her senior thesis Sites of Erosion, Martin is elaborating her experimental photography methods in her Dale project, “Slow Witness: A Photographic Journey Through the Tahoe Basin Watershed.” Beginning this summer, Martin is producing a collection of analog photographs from the watershed of the 120-mile-long Truckee River near her hometown of Truckee, California.


“My experimental photography methods center water as both subject and material agent,” Martin wrote in her Dale application essay. “I want to walk the river’s complete path with a camera, using water from each section to alter film and prints — letting the landscape write itself onto photographs through contact, erosion, and gradual marking.”


Professor Basile Baudez expects Martin's project to “transform how we think about the West, our impact on nature, and how the photographic medium can reveal new ways of seeing and understanding water and landscape.”


Julianna Martin '26's Dale Fellowship award

Thomas DaCosta Kaufmann Embarks on Lecture Tour in China

Professor Thomas DaCosta Kaufmann embarked on an extensive academic lecture tour across Southwest China over the fall break, focusing on global art discourse and methodology. At Chongqing’s Sichuan Institute of Fine Arts—one of China's premier art academies—he accepted an honorific appointment as Academic Advisor, a role involving active institutional collaboration. The ceremony also celebrated the publication of the 2025 Chinese translation of his landmark 2004 book, Toward a Geography of Art (艺术地理学). Following the ceremony, Kaufmann’s presentations anchored a rigorous problematization of historical methodologies. He delivered a keynote address, "From the Geography of Art to Global Art History," followed by an afternoon introductory lecture, "On Method in Art Geography." This second talk served as the catalyst for a collaborative Round Table Symposium on "Art, Science and Global Cultural Exchange," which featured presentations by five other distinguished professors and an engaging open discussion. His tour also featured a specialized lecture at Sichuan University in Chengdu, and culminated back in Chongqing at the International Teaching Exchange Forum, where he addressed the timely topic of "Change and Continuity in Art and Humanities Education in the Age of Artificial Intelligence."


Between his university commitments, Kaufmann dedicated time to exploring regional museums and cultural treasures, including the ancient Sanxingdui site and the breathtaking Dazu rock carvings. The trip drew vibrant engagement, bridging historical traditions with contemporary global perspectives. Reflecting on the tour, Kaufmann noted, "The discussions were very stimulating and high-level and I had a lot of good questions," adding "the sites were fabulous."

Photos courtesy of Thomas DaCosta Kaufmann

Cary Liu Examines the Priority of Time and Timeliness in the History of Chinese Architecture

By Changmook Song, A&A Graduate Student


Across two lectures this week, Dr. Cary Y. Liu, Princeton University Art Museum Curator of Asian Art, emeritus, examined the priority of time over space in premodern Chinese architectural practice. By laying out materials ranging from astronomical observations and ritual prescriptions to imperial building projects, he traced how Chinese architecture participated in a larger cosmological order of time.


The first lecture, “Measuring Time in the Practice of Chinese Architecture: Rulers and Calendars,” investigated the importance of time and timeliness in Chinese architectural practice. Dr. Liu began by explaining how nested cycles of time, including the sexagenary cycle, determined favorable moments for construction. These cycles and moments of convergence helped determine auspicious or inauspicious days for activities including construction. He then examined building rulers used to determine auspicious dimensions and the gnomon, which measured time and direction. Drawing on ancient texts and imperial building projects, he also showed how astronomical observations guided construction and connected architecture to the larger order of heaven, earth, and humans.


The following lecture, “Imprinting Time in the Practice of Chinese Architecture: Seals and Process,” shifted to understanding how time was embodied in construction. Dr. Liu used the seal as a metaphor for time, explaining how its individual elements were created in sequence but imprinted simultaneously through a single stamp. He then examined how building similarly followed a sequence of actions, each performed at an auspicious time determined through almanacs. Through these materials, he explained how the building process, like the act of stamping a seal, brought separate actions together into a unified whole.

By recovering the temporal dimensions of architectural practice in China, Dr. Liu’s lectures offered a fresh framework for reconsidering the role of time as an integral component of premodern Chinese architectural traditions.

Cary Liu presents "The Priority of Time and Timeliness in the History of Chinese Architecture" (Photos/ Jonah Vimont)

A&A Welcomes Dunhuang Scholar Qingquan Zou for the Academic Year

Qingquan Zou, professor in the School of Arts and Humanities at the Guangzhou Academy of Fine Arts (Guangzhou, China), specializes in Buddhist art, particularly art from the Buddhist cave sites in Dunhuang. He will be spending the academic year in the Department researching the impact of Dunhuang art in the 20th-century, focusing on the multiple waves of artists who traveled to Dunhuang to copy and reproduce the murals, photographic expeditions (especially the Lo Archive photographs), and modern and contemporary transformations of Dunhuang art. He has also published widely on topics ranging from Han dynasty (206 BCE–220 CE) images of filial sons to donor portraits at Dunhuang and the movement of Chinese antiquities in the 20th century. He earned his Ph.D. in the History of Chinese Art from the Central Academy of Fine Arts in Beijing (2009). In addition, he plays the Chinese zither!

PUBLICATIONS

Professor Fatima Quraishi: Palimpsests Past and Present The Sufis and Sultans of the Maklī Necropolis, 1380–1660

Fatima Quraishi's book Palimpsests Past and Present The Sufis and Sultans of the Maklī Necropolis, 1380–1660 has just been released by The University of North Carolina Press.


Established in the late fourteenth century in what is now Sindh Province, Pakistan, the Maklī necropolis grew over three centuries to a site of more than seventy monumental tombs and mosques, and hundreds, if not thousands, of graves. Maklī’s distinctive architecture sheds light on the intersection of transregional artistic styles through its accretional building practices by generations of craftspeople. Over its long history, Maklī became a site layered with multiple meanings as regional elites and everyday Sufi devotees sought to be buried in the shadow of saints—and as the living visited the necropolis to enact devotions and duty.


In Palimpsests Past and Present, Fatima Quraishi uses rarely consulted archives in Pakistan alongside close analysis of Maklī’s built environment to understand the site as an artistic and architectural palimpsest, mutually established by elite patronage and humble devotions. At Maklī, the passage of time merges with changes in religion and society to reveal the vibrant lives and afterlives of tombs integral to the communal life of surrounding areas. By studying what has long been treated as an interstitial space between Central Asia and India, Quraishi speaks to wider explorations of borderlands of the premodern past.


Quraishi won the 2026 Edward Cameron Dimock, Jr. Prize in the Indian Humanities, granted by American Institute of Indian Studies (AIIS) for Palimpsests Past and Present. The committee praised the book's interdisciplinary depth and breadth, innovative and diverse methodology, and "deft intertwining of compelling close readings with a much larger, border-crossing and field-defining intervention into Indian and South Asian Studies."


Find it on the A&A Bookshelf

ANNOUNCEMENTS

Minor in the History of Art Open House

Join our Minor in the History of Art Open House and Make the ART museum your classroom!


Mon., Nov. 9, 4:30–5:30 pm


The Director of Undergraduate Studies and current A&A minors look forward to welcoming you!


History of Art Minor Open House

Call for Visual Resources Research Award Applications

Visual Resources Research Award, for late-stage undergraduates, doctoral students, recent doctorates, tenured and non-tenured faculty, and independent scholars, covers round-trip airfare (up to $1,500) and ground transportation to Princeton, as well as accommodation and meals for one week.


Visual Resources (VR) encourages applications from individuals whose interests, perspectives, and experiences align with Princeton’s commitment to building a diverse intellectual community, and who, through their research, will contribute to the diversity and excellence of Princeton’s academic community.


Please submit your application (the letter of interest with short project description and CV) to visres@princeton.edu.


VR Research Award: deadline November 1, 2026

Check Out Our Students’ Work at VIS Open Studios!

Photo/ Zohar Lavi-Hasson

Juniors and seniors in the Program in Visual Arts and Practice of Art Track in the Department of Art & Archaeology open their studios to the community. The student artists will be on hand to discuss with visitors their work and artistic processes in a wide range of media including photography, sculpture, painting, drawing, printmaking, graphic design, film, and animation.


Tue., Nov. 17, 5:30–7 pm

185 Nassau Street


Open Studios November 17, 2026

DaIS AY26-27 Seed Grant Call

Data and Intelligent Systems (DaIS) is accepting proposals for AY26-27 seed grants, with a submission deadline of November 2, 2026.


Seed grants will fall into two budgetary buckets: $10,000-$30,000 and $30,000-$60,000. They will be granted in late January or early February 2027 and must be used by June 30, 2028.


The grants will be reviewed and awarded in the following categories:

  • Data-Driven Social Science: innovative approaches to the study of human behavior and society, including new methodologies, technical advances, or novel applications of existing methods
  • PICSciE: computational simulation, modeling, and analysis for scientific discovery and technology development through interdisciplinary research and collaboration
  • Large AI models: the use of large AI models to further research in academic disciplines in the humanities, social sciences, natural sciences and engineering
  • Natural and Artificial Minds: the intersection of cognitive science and artificial intelligence, including psychology, computer science, philosophy,neuroscience, linguistics, anthropology, and related disciplines
  • AI for Invention: AI-enabled applications for accelerating invention in engineering disciplines
  • AI Alignment and Safety: AI systems remaining consistent with human values and intentions    
  • Societal AI: the emergent real-world impacts and implications of AI in our social institutions


DaIS Seed Grant: deadline November 2, 2026

2026-27 Three Minute Thesis competition (3MT)

Hosted by the Princeton Graduate School, 3MT is an internationally recognized platform for graduate students to showcase their research and strengthen their ability to communicate with general audiences. Participants have just three minutes to communicate the stakes of their research using a single slide. Culminating in the finalists’ presentations on March 2, the competition will award up to $1,500 to this year’s winners. 


Training Sessions:


Why Your Research Matters: Communicating Beyond Your Discipline

Nov. 3, 12–1:30 pm


Public Speaking

Nov. 16, 12–1:30 pm


Co-sponsored by the Princeton Humanities Initiative, the Center on Science and Technology, and the School of Engineering.


2026-27 Three Minute Thesis competition (3MT)

Humanities and Beyond: Council Funding Information Session

Join Humanities Council Chair Esther Schor (English) for an overview of funding opportunities offered in 2026-27, including Magic Grants for Innovation, Humanities Project Grants, Team Teaching Grants, and more. Faculty who have received grants in the past will also share insights into crafting proposals, and Council staff will answer questions about the application process. Visit our funding website for more information on eligibility and deadlines.


Mon, Nov. 9, 12–1:15 pm

16 Joseph Henry House


Humanities Council Funding

Call for Center for Digital Humanities Transcribe Lab Fellows

The Center for Digital Humanities is pleased to announce the launch of Transcribe Lab, a collaborative space for converting digital images of handwritten, manuscript, historical or cultural heritage documents into machine-readable texts.


Princeton faculty from any discipline are invited to propose projects in any language(s) or script(s), regardless of the size of the corpus or collection. Graduate students may apply as a co-leads with a faculty member. The deadline is Sunday, November 15, 11:59 pm ET.


CDH Transcribe Lab Fellowship: deadline November 15, 2026

2027-28 PUL Special Collections Research Grants

Princeton University Library Special Collections Research Grants Program – Application deadline January 13, 2027


The Friends of the Princeton University Library Research Grants Program, funded by the Friends of PUL, is now accepting applications through noon on January 13, 2027, with grants of up to $6,000, plus travel expenses.


Applications are also being accepted for the “Will Noel Innovative Cultural Heritage Research Grant”– specifically for cultural heritage professionals to work with PUL’s Special and Distinctive Collections and the Library IT Digital Studio’s specialized photographic equipment to gain new insights into our collective past. 

 

Awarded to short-term research projects lasting between two and four weeks, the grants aim to promote scholarly use of the Library’s special collections. Research projects are focused on scholarly use of archives, manuscripts, rare books, and other rare and unique holdings of PUL.



Special Collections Research Grants: deadline January 13, 2027

A&A EVENTS

GRADUATE STUDENT CURATOR TALK & TOUR


Kit Brooks on Takeda Hideo’s Genpei: Defying Authority


Tue., Nov. 3, 4:30–6 pm

Princeton University Art Museum, A&A Suite, Room 369


Organized by A&A graduate students Habiba Hopson and Marlene Militz


Open to Graduate Students and Faculty


Refreshments provided

AI generated by Beate Fricke, showing Lonjas, Lakenhallen and Qaysariyyas (14th-15th century, partially reconstructed) and a detail of a portolan chart.

A&A LECTURE SERIES


“Vaults of Trade: Medieval Architectures of Exchange between Sea and City”


Thu., Nov. 12, 4:30–6 pm

Princeton University Art Museum, Tuttle Lecture Hall, Room 134


Beate Fricke

Institute of Art History, University of Bern


Vaults of Trade

Photo/ Zohar Lavi-Hasson

OPEN STUDIOS


Junior and Senior Practice of Art Majors and Visual Arts Minors Open Studios


Tue., Nov. 17, 5:30–7 pm

185 Nassau Street,

floors 1, 2 and 4


Free and open to the public; no tickets or registration required.


Open Studios

 

COSPONSORED EVENTS

LECTURE


“Right Here, Right Now: Figuring Interpretation at the Sassetti Chapel, Florence”


Thu., Nov. 5, 4:30–6:00 pm

219 Aaron Burr Hall


Caspar Pearson

The Warburg Institute


Cosponsored with the Program in Italian Studies and Committee for Renaissance and Early Modern Studies (CREMS)


Right Here, Right Now

SYMPOSIUM


“Seismographies: Alexander Kluge's Polymorphous Urgencies”


Nov. 5–6, 2026

Various campus locations


Hosted by the Department of German, Princeton University


Cosponsored with the Center for Digital Humanities; Committee for Film Studies; Department of Comparative Literature; Department of English; Department of Philosophy; Forum for the History of Political Thought at the University Center for Human Values; Princeton Humanities Initiative; Princeton University Humanities Council;

Program in Contemporary European Politics and Society; Program in European Cultural Studies; Program in Media and Modernity; Program in Political Philosophy


Seismographies

WORKSHOP


“Beware Cretans Bearing Gifts: Minoan Crete and the Cyclades in the Late Bronze Age Aegean”


Fri., Nov. 6, 12:30 pm

Scheide Caldwell House,

Room 103


Irene Nikolakopoulou

HLS Visiting Fellow, Fall 2026

Archaeological Museum of Heraklion


Respondent:

Samuel Holzman (A&A)


Co-sponsored with the Seeger Center for Hellenic Studies, Program in Archaeology, and Program in the Ancient World


Beware Cretans Bearing Gifts

EXHIBITION


Do Not Sit


Nov. 9–Nov. 20, 2026

185 Nassau St., Hagan Gallery


Samuel Elijah Lee '27

(Practice of Art)



Grace Kaneshiro '27


Opening:

Mon., Nov. 9, 5 pm


Do Not Sit

Map of Green Stream (Qingxitu), in: Zhou Yinghe, Ma Guangzu, Jingding Jiankang zhi (1269), [China], Jiaqing 6 (1801), juan 5..

LECTURE


“Cleansing Green Stream: City, Landscape, and Heritage in 13th Century Jiankang”


Wed., Nov. 11, 4 30 pm

219 Burr Hall


Catherine Stuer

Denison University


Cosponsored by the Tang Center for East Asian Art and the East Asian Studies Program


Cleansing Green Stream

LECTURE


“The New Shield of Achilles: Homeric Heroes and Komnenian Ideals in the Illustrations of the Marciana Iliad”


Tue., Nov. 17, 4:30 pm

Scheide Caldwell House, Room 103


Carlo Berardi

Mary Seeger O’Boyle Postdoctoral Fellow, 26-27

Princeton University


Respondent:

Charlie Barber (A&A)


Cosponsored with the Seeger Center for Hellenic Studies and the Index of Medieval Art


New Shield of Achilles

INDEX OF MEDIEVAL ART CONFERENCE


“Thinking with Medieval Images”


Sat., Nov. 21

Louis A. Simpson International Building, Room A71


Susan Boynton

Columbia University


Gregory Bryda

Barnard College ·


Seeta Chaganti

University of California, Davis


Denva Gallant

Rice University


Andrew Griebeler

Duke University


Sherry C.M. Lindquist

Western Illinois University


Alexandra Montero Peters

Northwestern University


Elizabeth Morrison

Getty Museum


Thinking with Medieval Images

 

OTHER EVENTS OF INTEREST

Jaune Quick-to-See Smith, What is an American?, 2003. Princeton University Art Museum. Promised gift of Dr. Ferris Olin. Photo: Joseph Hu

CLOSING SOON!


EXHIBITION


“What Is an American?”:

Artists Reflect


Now–Nov 1, 2026

Princeton University Art Museum


Jun Nakamura, Curator


"What Is an American?"

LECTURE


“Bernini’s Bronzes Project: Technical Studies and Their Implications for Art History”


Wed., Nov. 4, 12–1:15 pm

Prospect House, Odo Room


Evonne Levy

University of Toronto


Committee on Renaissance and Early Modern Studies; Program in Italian Studies


Bernini’s Bronzes Project

LECTURE


“Prima Donnas: Asta Nielsen and Urban Gad’s Autofictional Cinema”


Thu., Nov. 5, 6 pm

Institute of Fine Arts, New York University, 1 East 78th Street

NYC


Bridget Alsdorf (A&A)


RSVP Required


Prima Donnas

LECTURE


“Traveling Craftsmen of Ancient Greece”


Thu., Nov. 5, 7:30 pm

The National Arts Club,

15 Gramercy Park South, NYC


Samuel Holzman (A&A)


Traveling Craftsmen

ARTIST TALK


Jane Irish


Thu., Nov. 5, 5:30–6:30 pm

Princeton University Art Museum, Grand Hall


Introduced by Alexandra Foradas, curator of modern and contemporary art


Cosponsored by the Student Advisory Board of the Princeton University Art Museum


Jane Irish

OPEN HOUSE


Special Collections Fall Open House


Thu. Nov. 5, 6 pm

Firestone LIbrary


Unique, after-hours opportunity to visit the Special Collections Reading Room and learn about items recently added to Princeton’s collection.


Special Collections Fall Open House

IN THE CLASSROOM

ART 100

"An Introduction to the History of Art: Meanings in the Visual Arts"

Team-taught by Professor John Sigmier with most of the A&A Faculty!

In ART 100 this week, Executive Director of the Tang Center for East Asian Art Dora Ching presented one of the world’s richest Buddhist sites, the magnificent Dunhuang caves. Situated at the crossroads of the northern and southern routes of the ancient silk routes in western China, the site at Dunhuang comprises more than 500 richly decorated cave temples constructed between the fourth and fourteenth centuries. The sculptures, murals, portable paintings, and manuscripts they contain continue to inspire countless research questions.

Dora Ching presents the Dunhuang Caves in ART 100 (Photos/ Kirstin Ohrt)

ART 207/ HLS 207 / CLA 207 / ARC 211

"Greek Architecture"

ART 504/ HLS 534 / CLA 536 / ARC 565

"Studies in Greek Architecture: Public Spaces"

Professor Samuel Holzman

Students of Professor Samuel Holzman's two courses on Greek architecture have a new appreciation for the craft of marble carving — having tried their own hands at it this week!


The clinking of hammer on chisel on marble could be heard at the entrance to A&A and the Marquand Library as everyone took a turn. They were joined by Christos Tsoumplekas, a sculptor from Crete and the husband of Irene Nikolakopoulou, who is a visiting fellow at the Seeger Center. Students approached the task with varying degrees of force and speed but all took away a clear sense of how challenging and artform it is.

Top row: Professor Sam Holzman illustrates the technique to students in ART 207 (Photos/ Kirstin Ohrt); middle row: Sculptor Christos Tsoumplekas tries his hand (Photos/ Jennifer Loessy); bottom: the extravagant toolkit (Photo/ Kelly Lake)

ART 551 / ARC 557

"From Above: European Maps and Architectural Plans before Aerial Observation"

Professor Basile Baudez

Professor Basile Baudez welcomed A&A alumna Professor Leslie Geddes *14, now faculty at Tulane University, back to campus to discuss the rendering (or lack thereof) of water in historical maps. Together, the class examined 15th- to 19th-century manuscript and printed maps in Princeton University Library’s Special Collections to compare representation techniques of waterways and coastlines. The students discovered that these historic works primarily elided practical maritime data in favor of neat, tidy territory renderings. As Geddes cleverly put it, these maps were designed "for indoor cats," bypassing the rugged, tactical information a seafarer would actually need.

Professor Leslie Geddes *14 (smiling top left) examines objects in princeton University Library's Special Collections with Professor Basile Baudez and students of his ART 551 course (Photos/ Kirstin Ohrt)

 

OTHER EVENTS OF INTEREST

EXHIBITION


Site


Nov. 10–Jan. 16, 2027

Lewis Arts Complex, Hurley Gallery


Carlos Agredano, artist


Open to the public daily 10 am–8 pm


Site

CONVERSATION


“Chinese Experimental Architecture Or French Poststructuralist Theory”


Wed., Nov. 11, 5 pm

School of Architecture,

Room N107


Ruo Jia in Conversation with Eduardo Cadava,

Beatriz Colomina, and Spyros Papapetros

(School of Architecture)


Hosted by the Program in Media and Modernity


Chinese Experimental Architecture

READING GROUP


“Converging and Diverging: Recalibrating the Photographic”


Maya Hayda (A&A) and Molly Brandt (School of Architecture), organizers


“Warring Visions”

Wed., Nov. 11, 5–7 pm

School of Architecture, Room N104


Converging and Diverging details

MEDIEVAL STUDIES SEMINAR SERIES


“Open Access in Art History and Medieval Studies: Views from the Editor’s and Author’s Desk”


Thu., Nov. 12, 12–1:15 pm

105 Chancellor Green


Beate Fricke

Institute of Art History, University of Bern


Hosted by the Program in Medieval Studies


Open Access Seminar

WORKSHOP


"The Art and Science of Egg as a Binding Medium in Historical Paints"


Part 1:

Thu., Nov. 12, 3:30–5 pm


Part 2:

Fri., Nov. 13, 1–5 pm


Laporte Family Creativity Lab, Princeton University Art Museum


*Drop in anytime during the four-hour window


Bart Devolder

Princeton University Art Museum


Vivian Feng

CST Assistant Director


Attendance at Part 1 is mandatory before Part 2


Open to the University Community


Egg Tempera workshop

Takeda Hideo 武田 秀雄, The Final Illness of Taira Kiyomori (Taira Kiyomori no byōshi 平清盛病死), from the series Genpei 源平, 1985. Princeton University Art Museum. Museum purchase, Mary Trumbull Adams Art Fund. © Takeda Hideo.

POP-UP TALK


Curator Kit Brooks


Fri., Nov. 13, 2–3 pm

Princeton University Art Museum, Grand Hall


Hosted by the Princeton University Art Museum


Kit Brooks talk

WORKSHOP


Earth City Building Workshop


Sat., Nov. 14, 1–4:30 pm

Kathleen Compton Sherrerd Creativity Lab


Inspired by the School of Architecture's Earth Shed exhibition, on view through Dec. 4


Cosponsored by the Princeton University Art Museum and the School of Architecture.


Earth City Building Workshop

CURATOR TALK


"A Tale of Two Textiles: Exchange and Conflict in Eighteenth-Century South India"


Mon., Nov. 16, 4:30–5:30 pm

Princeton University Art Museum, Grand Hall


John Guy

Metropolitan Museum of Art


Hosted by the Princeton University Art Museum


Tale of Two Textiles

CONVERSATION


“The Archival Exhibition”


Tue., Nov. 17, 5 pm

School of Architecture, Room N107


Mark Wasiuta

Columbia University


in Conversation with

Elizabeth Diller

(School of Architecture)


Hosted by the Program in Media and Modernity


The Archival Exhibition

Joyce J. Scott, War, What Is It Good For, Absolutely Nothin, Say It Again, 2022. Courtesy Mobilia Gallery. © The Joyce J. Scott Art Trust and Archives, Courtesy Mobilia Gallery / TALP. Photo: Michael Koryta

CONVERSATION


Artist Joyce J. Scott and Curator Joanne Hyppolite


Thu., Nov. 19, 5:30–6:30 pm

Princeton University Art Museum, Grand Hall


Hosted by the Princeton University Art Museum


Joyce J. Scott

EXHIBITION


Earth Shed


Now—Dec. 4, 2026

School of Architecture,

North Gallery


Earth Shed

Annemarie Heinrich (1912–2005; born Darmstadt, Germany; died Buenos Aires, Argentina; active Buenos Aires, and Santiago, Chile), Autorretrato con hijos (Self-portrait with children), 1947. Gelatin silver print; 21 × 17.5 cm. Museum purchase, Fowler McCormick, Class of 1921, Fund (2022-103)

EXHIBITION


What Photographs Look Like


Now–Dec. 6, 2026

Princeton University Art Museum


What Photographs Look Like

EXHIBITION


The Art of Japanese Publishing


Now–Dec. 6, 2026

Ellen and Leonard Milberg Gallery, Firestone Library


Curated by Nicole Fabricand-Person ’76 *01, Japanese Art Specialist, Marquand Library of Art & Archaeology and Holly Hatheway, Director, Marquand Library of Art & Archaeology


The Art of Japanese Publishing

James Welling, Fragment of a gold leaf wreath, 2020, laser print with oil paint. Courtesy of the artist and Regen Projects. © James Welling

EXHIBITION


James Welling: Cento


Now—Dec. 12, 2026

Fairfield University,

1073 North Benson Road

Fairfield, CT


James Welling: Cento

Takeda Hideo 武田 秀雄, The Final Illness of Taira Kiyomori (Taira Kiyomori no byōshi 平清盛病死), from the series Genpei 源平, 1985. Princeton University Art Museum. Museum purchase, Mary Trumbull Adams Art Fund. © Takeda Hideo.

EXHIBITION


Takeda Hideo’s Genpei: Defying Authority


Now–Jan. 3, 2027

Princeton University Art Museum


Takeda Hideo’s Genpei

Joyce J. Scott, Fairy Tale, from the series Graphic Novel (detail), 2019–20. Courtesy Goya Contemporary & Goya-Girl Press. © Joyce J. Scott

Art@Bainbridge

EXHIBITION


Joyce J. Scott: Declarations


Now–Jan. 10, 2027

Princeton University Art Museum

Bainbridge House


Joyce J. Scott: Declarations

EXHIBITION


Basquiat, the Blue Ribbon Paintings, and the Art of Reproduction


Now–Jan. 31, 2027

Princeton University Art Museum


Basquiat

EXHIBITION


“Real and Remembered”: Princetonians Caught Between Study and Revolution


Now–Apr. 30, 2027

Seeley G. Mudd Manuscript Library, 65 Olden Street


“Real and Remembered”

EXHIBITION


Fractured Skies


Now–Jun. 13, 2027

MoMA


By artist Nilima Sheikh


Recommended by Professor Fatima Quraishi


Fractured Skies

Zizipho Poswa (born 1979, Mthatha, South Africa; active Cape Town, South Africa), uNa’kaMzingisi (Mzingisi’s Mother), 2024. Glazed earthenware, 134.6 × 50.8 × 58.4 cm. Princeton University Art Museum © Zizipho Poswa. Image courtesy Southern Guild (2025-123)

EXHIBITION


Clay Has Memory: Creative Lineages from Africa


Now–Jul. 3, 2027

Princeton University Art Museum


Clay Has Memory: Creative Lineages from Africa

Aili Vint, Composition squared II, 1977. Gouache on paper. Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union. (c) 2026 Artists Rights Society (ARS), New York / EAU, Tallinn

EXHIBITION


The Beast of Joy: Women Artists from Soviet Republics


Now–Jul. 18, 2027

Zimmerli Art Museum

71 Hamilton Street New Brunswick, NJ, 08901


Free admission


The Beast of Joy

 

Articles of Interest

How Astronomers and Art Historians Are Working Together to Identify the Inspiration Behind Famous Works of Art

By Michael Ray Taylor | Smithsonian Magazine | November 2026


Scientists Contest Dating of Van Gogh’s “The Starry Night”

By Anna Lee | Hyperallergic | 10/23/2026


Time capsule of Pompeii: Ancient cupboard provides glimpse into life before Vesuvius erupted

Reuters | The Jerusalem Post | 10/30/2026


In Postwar Rural France, Alexander Calder Found Respite from Pressures of Fame and a Chance to Dream Big

By Devorah Lauter | ARTnews | 10/30/2026


MoMA, Centre Pompidou, and M+ Will Treat Their Holdings as One Collection in Unprecedented Alliance

By Sarah Douglas | ARTnews | 10/29/2026


Natural varnish may protect 37,000-year-old Chauvet Cave art, UV scans show

by Dario Radley | Archaeology News | 10/29/2026


She Painted the First Known Self-Portrait of an Artist at Work—and Signed It—Nearly 500 Years Ago. Who Was Catharina van Hemessen?

By Meilan Solly | Smithsonian Magazine | 10/21/2026

 

Through the A&A Lens

A&A's Visual Resources helped make International Archaeology Day especially vibrant at the Princeton Public Library! (Photos/ Katherine Ferencs)


Contributions to and/or sponsorship of any event does not constitute departmental or institutional endorsement of the specific program, speakers or views presented.

 

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