Photo by Kellen McCluskey

Thursday, January 12

Join Us for Saturday's Art Reception

The golden brown feathers of a perky cedar waxwing rendered in colored pencil behind dark, lacy cedar needles dotted with tiny blue berries. The peeling bark of a river birch tree, drawn in precise and nuanced shades of graphite. A study of common milkweed, from buds to flowers to bursting seedpods, captured in colored pencil and watercolor. Land as Teacher, Healer, Sustainer, an exhibit of exquisitely crafted botanical art by members of the Botanical Art League of the Eastern Shore, is on view in the Arboretum gallery through February 24.


The show is more than a showcase of the artists' talent, however. It's also a celebration of the plants that sustained the native peoples of the Chesapeake region for centuries before the arrival of Europeans. Inspired by the Indigenous Peoples' Perspective Project, a collaboration between the Arboretum and the Washington College Food Initiative, the artists focused their work on 21 native plants used by indigenous peoples of the Chesapeake for food, crafts, and medicine. The project aims at honoring their traditions and teaching about how their lives were intricately tied to the land and to the plants that grow here.


All are invited to a reception Saturday from 2 to 4 p.m. to meet the artists and learn more about the project. Please join us!


Image: Anna Harding, "Eastern Red Cedar with a Cedar Waxwing," colored pencil, 12" x 12"

Natural Dyeing: Winter Edition is this Weekend!

This year, writer and grower Caitlin Fisher will lead three all-levels workshops on creating and working with natural dyes. Join her Sunday for Natural Dyeing: Winter Edition. You'll take an outdoors tour of the Arboretum to learn about plants that are useful for dyeing and then warm up in the classroom to cover the basics and practice dyeing a totebag in cheery golden hues with recycled sawdust from native Osage orange trees. Click here to register for Sunday's program.


Caitlin will also lead Natural Dyeing: Summer Solar Edition on July 30 and Natural Dyeing: Kitchen Compost Edition on November 5.

Entries for the 2023 Juried Art Show will be accepted through next Thursday, January 19. Click here to learn more.

Nature Notes

For Margaret Carter

"I see raccoon tracks," she calls out. My daughter and I are in a no-man's land, a transition zone triangled between schoolyard, farm, and old railroad tracks. The kind of place people go when they have border collies who need to run and no farm of their own.


While she explores, I study the ground for evidence of changing land use. A wire fence trampled by deer, a shed sunk in mud almost up to its corrugated metal roof. Part of a small footbridge.


"It's green here because the ground's so wet!" she announces, moving away from the bank of the small stream. The mud sucks at her rain boots, pulls her in. A lesson in floodplains with no lecture needed.


We are explorers only in winter, when chiggers and ticks lie beneath the surface and poison ivy's green leaves have yet to unfurl. By summer only the deer will push through this tangled undergrowth in search of shelter and a place to rest.


The air is warm for January, at least 50 degrees. My daughter has already fallen in once, the dogs besting her by several unsuccessful leaps. I am without pity. "Let's keep walking." We move to higher ground, a grassy trail pockmarked with ochre toadstools, worm casts, and the footprints of cross-country runners.


The path loops back, a field of winter wheat to our right, the old tracks just ahead. Like the land, we are in transition, moving into a new year. I've left my camera in the car and pause instead to take a mental picture. Right here, right now, perfectly imperfect.


Jenny Houghton

Assistant Director

Start Crafting for Yarnstorming 2023!

Do you love yarn crafting AND trees? If so, you're the perfect candidate to participate in Yarnstorming! For the fourth year running, we're partnering with the Fiber Arts Center of the Eastern Shore and inviting local knitters and crocheters to help create an exciting exhibit that brings color and whimsy to the trees around the Visitor's Center.


Also known as yarn bombing, guerrilla knitting, kniffiti, urban knitting, and graffiti knitting, yarnstorming is an art that employs knitted or crocheted yarn to add temporary beauty in a fun and surprising way. The exhibit will be on view March 5 through April 2, with a reception on Sunday, March 12.


Click here for details and to view last year's Yarnstorming story map, and contact Jenny Houghton at jhoughton@adkinsarboretum.org to participate.

Photo by Kellen McCluskey

Nature Sketchers

As you walk the Arboretum grounds in January, you will find an abundance of flora and fauna that are inspiring subjects for sketching. The native trees, grasses, and perennials are now in their simplest, least colorful, and most dormant state. But underground, there is unseen activity as rhizomes and roots soak in the nutrients broken down from last year's leaves and prepare for another growing season.


My focus this month is the stark beauty of the Arboretum in winter. Andrew Wyeth said, "I prefer winter and fall, when you feel the bone structure of the landscape—the loneliness of it, the dead feeling of winter. Something waits beneath it; the whole story doesn't show."


Standing at the back door of the Visitor's Center, face the South Meadow and turn right on the South Meadow Loop. Veer right at the Native Bee House and into the woods. As you descend to the bottomland along the Blockston Branch, take a good look at the forest. The view is clear, the understory is mostly leafless, and the bones of the landscape are revealed. This flowing winter landscape of gently rolling hills and dales, studded with bare tree trunks and laced with creeks and ephemeral ponds, is subtle, beautiful, and poetic.


Yet even in the most drab season, there are evergreen plants visible right now on the forest floor. Let's find something to sketch!


At the first bridge over Blockston Branch, stop to observe the floodplain. Amid the leaf litter, you will find the scattered green heart-shaped leaves of golden groundsel (Packera aurea), also called ragwort. As the weather warms, more leaves will join them and form ground-hugging rosettes from which grow stems about a foot and a half tall, topped with clusters of small yellow daisy-like flowers. In April and May, the spring woodlands in the flood plain will simply glow with golden groundsel flowing like rivulets of gold.


Look carefully at the water’s edge in the sunniest, dampest spots of the floodplain. You may find, poking through the muck and leaves, the pointed green leaf tips of sprouting eastern skunk cabbage (Symplocarpus foetidus). We will revisit this fascinating plant to see it blooming in February.


Continue straight over the bridge on the Upland Walk. As you reach slightly higher ground, look to your right and left in the leaf litter. If you spy clusters of green, oval-shaped puckered leaves with a pointed tip, about 3 inches long, you will have discovered the cranefly orchid (Tipularia discolor). In fall and winter, this orchid sends up its leaves to take advantage of the sunlight while there is no leaf canopy and makes chlorophyll to nourish itself. Gently turn over the leaf to see its rich purple underside. These leaves will fade and disappear in spring, and in July–August a single stem will emerge and bloom with delicate flowers that resemble craneflies.


As you walk, look for two evergreen ferns scattered throughout the upland woods. Ebony spleenwort (Asplenium platyneuron) is a narrow arching fern with a dark red-brown rachis (stem). Christmas fern (Polystichum acrostichoides) is a fuller, leathery clumping fern.


Another evergreen woodland perennial found along the Upland Walk is striped wintergreen, or pipsissewa (Chimaphila maculate). Bearing leathery lance-shaped leaves 1–3 inches long, dark green with a white stripe, these striking little plants stand no more than 6 inches tall and are easy to find. The leaf edges have widely spaced teeth, and the stems tend to be deep red to burgundy with two pairs of smaller leaves at their base and a whorl of three larger leaves at the top of the plant. In June through August, 1-inch nodding white, waxy flowers bloom on a tall stem that grows from the center of the leaf whorl. The flowers are pollinated by insects, then set seeds that are dispersed by the wind.


Even more evergreen plants are just waiting to be discovered in the understory of the winter woods, including partridge berry, ground pine, and a variety of bright green mosses. Keep looking and observing. What else can you find to sketch? 


Words and drawing of striped wintergreen by Diane DuBois Mullaly

Fine artist/Maryland Master Naturalist

MARK YOUR CALENDAR

Climate Circle: A Community of Purpose

Wednesday, January 18


Collage at Adkins Arboretum!

Sundays, January 22, February 5 & 12


Winter Forest School

begins Tuesday, February 7


Understanding Animal Venom

Tuesday, February 7


Valentine Partner Forest Bathing

Saturday, February 11

Introduction to Essential Oils & Aromatherapy

Saturday, February 11


Geocaching 101

Saturday, February 18


Rooted Wisdom: Nature's Role in the Underground Railroad Walking Tour

Sunday, February 19


Pear Watercolor Study with Lee D'Zmura

Friday, February 24

THE GARDEN ELECTRIC!

Philadelphia Flower

Show bus trip

Monday, March 6


Register today!

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