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Susan Weil was an early proponent of the blueprint technique, creating vivid blue silhouettes that merge the human figure with abstraction. Though often overshadowed in the historical record, she introduced this method into her collaborations with her then-husband Robert Rauschenberg, an influence for which she has gotten little credit. Weil sustained her practice through the challenges of early motherhood and single life, supported by a community of artists.
Susan Weil's first survey exhibition in New York, About Time, is currently on view through August 9th at the Shirley Fiterman Art Center. The exhibition includes over 50 works, spanning her career from 1949 to 2025, and is the first solo institutional presentation of Weil's work in New York City.
You can read Natalie Prizel's review of the show for the Brooklyn Rail at the link below.
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