February First Friday


2012 Baltimore Ave.   I  Kansas City, MO 64108  I  816.474.1919   Thurs-Sat. 11 am-5 pm
First Friday Opening
February 5, 2016
6pm - 9 pm

The gallery will be CLOSED
February 14th  - March 3 rd
for NCECA Prep and Installation
My New Cells
paper, paint, glitter
33" x 33" framed

Dylan Mortimer


December 4, 2015 - February 13, 2016
Main Gallery

I am searching for a cure. For my body. For my mind. For my soul. For my spirit.
We fight against death, sickness, sin, fear, worry, and hopelessness. Sometimes in the midst of the fight we find surprising things, beauty, joy, peace, hope and sometimes we find a cure. Sometimes we get a glimpse of what we can't see. We can get a glimpse of what is real and true.
We are all born into this world as we are. I was born with a disease called cystic fibrosis, a severe degenerative disease that attacks many systems of the body, leaving an average lifespan in the mid-thirties. This is the first body of artwork where I have directly wrestled with this fight in the imagery. I am and have been in this fight my whole life. It is not my only fight. But it is a big one.
I want to share some of the fight. My own pain, loss and despair. I also want to share how my sorrow and pain have been transformed- like glitter sprinkled over phlegm, blood and tears. Is it a covering? A masking? A way of hiding? Is it a crutch? Maybe?
If we are broken, and a crutch helps us to walk, was it real? In many ways we were blind, and in many ways we now see. Yet we still only see in part. I want to see it all. I want to see the 95% many scientists claim we can't see. I want to see as many "God Particles" as I can. I want to fix my eyes on the unseen. I want to see what is real. Cure works as a noun and a verb. It is a reality that can be offered to us. And also an active state to step into. I want healing. I want a cure. I want to help cure.

KCUR 89.3
Laura Spencer
December 22, 2016


January 10, 2016
Cindy Hoedel

January 19, 2016

January 29, 2016

First Day of School, School for the Deaf, Kavule, Uganda, 2015
Hearts Kajjansi, Uganda, 2015
Boy at Fountain 1 Portland, Oregon, 2015

Gloria Baker Feinstein
The Heart is a Lonely Hunter
December 4, 2015 - February 13, 2016
Front  Gallery

Deep in the heart of Summer, sweet is life to me still,
But my heart is a lonely hunter that hunts on a lonely hill.
These photographs were made during the past couple of years in Missouri, Oregon, Louisiana, Kentucky, Minnesota and Uganda. I found myself in these various places because of home, family, vacation and work. 
Wherever I go, though, I am also there to photograph.
When I am dreaming at night I am photographing.  When I awake in the morning I am photographing. And so it goes all day long, day after day. I am simply compelled to study, frame and attempt to make sense of the world around me, whether I have a camera in hand or not. Photography is my constant companion and has been my life-long passion.
Like a hunter, my senses are fully engaged. I am looking, I am waiting, I am poised to press the shutter (real or imagined).
It is often a lonely task, but one that I willingly and happily take on. (Sometimes I wonder if I have a choice, though I have never once felt burdened.)
It is with a fierce sense of wonder and an open heart that I make my way through the world. These pictures are proof of my navigation - pieces of evidence scattered along the hillside from which I peer.

Gloria Baker Feinstein
December 2015


Target Series: War Baby, Mother and Child, Play Time

Ada Koch
love, loss and violence
January 1 - February 13, 2016
Back Gallery

Artist Statement
Since the tragic bombing of the Boston Marathon race, I began a series of paintings that express my fear about my children going to war. I started this work with the challenge of depicting love, violence and loss in a credible, affecting, and even beautiful way knowing that loss from violence affects so many of us personally, as mothers, fathers, siblings, lovers, relations, and friends. The work contains many layers, both in the process and in the depicted layers of time passing.  Several pieces incorporate famous art about war as a backdrop to contemporary life scenes with an often startling mix of violence, blood and playfulness. Blood is a source of life, but its visible release depicts death, often violent and disturbing. War and violence are shown as targeting our young and vulnerable, the circles yet another symbol of how fighting and upheaval return again and again throughout history to take those we love. As I work in my studio isolated with my thoughts and materials, I am obsessed with those who have died in wars throughout history and I question "What is the Nature of mankind? And what responsibility do I have to that Nature?" I choose to incorporate and refer to art history, common symbols, and famous images dedicated to glorify, to chastise, to vilify, to explore our inextricable relationship with war and violence. Through these works, I share fears, questions and very personal emotions.
Artist Bio
Raised in Delaware, Ada Koch won scholarships to the Delaware Art Museum before studying in Washington DC and Chicago.  Studies with David de Rousseau of the KC Art Institute preceded her exhibitions and awards in US and Italian galleries.  She has been invited regularly to the Biennale show in Florence, Italy and was just invited to the premiere of the Effetto in Merido, Mexico as part of the United Nations Dialogue Among Civilizations.  She teaches at the Nelson-Atkins Museum of Art, Holy Name School in Kansas City, KS and as a guest teacher throughout the US, including fun spots such as the Arizona Sonora Desert Museum in Tucson, AZ.  As a board member of the KC Artists Coalition, she was founder of Open Studios, and is active in promoting the local art scene in the KC community. She has painted on Channel 41's Art Attack show in August of 2013, been reviewed favorably in local papers and magazines, and published her first book of her work "La Piazza: Praising Architecture and A Balanced Life."   Her art is in corporate collections such as the Stowers Institute, JD Reece Company, Rockhurst High School in KC and the Rock School of Dance Education in Philadelphia, PA.  Her work can be found in private collections around the world including New Mexico, Paris, Germany, and Switzerland. 
As for her work, Ada says "While in art museums, I have always preferred the artist's sketch rather than the 'finished work'.  A sketch provides the freedom and movement that shows the artist's true style." Her work provides numerous layers and media but maintains the freedom, fluidity, and fresh playfulness of the sketch.


Coverage by Emily Welsh of the  Mothers in Charge Fundraiser
January 14, 2016

Alphabet (Word Search)

Charlie Paynter
A to Z and More
January 1 - February 13, 2016
Opie Gallery

I retired in 2008 after working over 50 years at the Kansas City Star and I began making sculptures from my vast (over 6000) collection of bottle openers.   In the past I had a shows of these three-dimensional sculptures made of bottle openers and two-dimensional wall pieces from bottle openers, wire, and found and recycled objects that I got from friends and found at thrift stores. These wall pieces had evolved a long way from the little bottle opener characters I started with.
I like to challenge myself to see if I can do something new and different. My challenge was to create something smaller than I had ever made. I still use found and recycled objects in my work. And I use lots of wire. An art critic said that I use the wire to draw with. I hadn't thought of it that way, but I think it is true.
I created these new works of "A to Z and More" using the letters of the alphabet as my starting point.. The scale of this series is smaller than I have done before.
My hope is that people like it.
I am totally enjoying my life as an artist

~ Charlie Paynter
March 16 - 19, 2016

Conference Exhibitions Debut on March 4, 2016

National Student Juried Exhibition
Emerging Artists Exhibition
Shapers of the Field: NCECA Honors and Fellows

The 50th Anniversary Conference of the National Council on Education for the Ceramic Arts will explore the personal, social and aesthetic forces that animate creative work with elemental materials, methods and ideas in the midst of the information age. Kansas City, Missouri, the geographical epicenter of the continental US, is an urban nexus of fountains, bebop and technological innovation. Its horizon connects farmland with cultural complexity. An amalgam of global traditions and local vision, the region's legacy of great art institutions, patrons, artists and educators has long held an important role in the development of North American ceramic arts. Makers, Mentors and Milestones will highlight issues of contemporary practice, celebrate the impact of influential figures and movements that have shaped the field, and create opportunity to envision collectively what lies ahead.

Kansas City: NCECA 50th Annual Conference
50th Anniversary Conference of NCECA
Kansas City, Missouri

(page 5)