Titles for June:
June 6 .................... Navajo Code Talkers
June 13 .................. Injunuity
June 20 .................. The Oneida Speak
June 27 .................. Who Owns the Past?
NAVAJO CODE TALKERS
A documentary film shows the vital role a small group of Navajo Marines played in the Pacific during World War II. The story is told through 1940s archival footage of Navajo life as well as scenes of World War II. Featured are interviews with Navajo Chairman Peter MacDonald, artist and scholar Carl Gorman, and Taos artist R.C. Gorman. The film received a special Presidential commendation by Ronald Reagan in 1998.
This film is an eye-popping, mind-jolting mix of animation, music and real voices collected from interviews with Native Americans across the country to create a distinct view of modern America from a uniquely contemporary Native American perspective. Every word spoken is verbatim; every thought and opinion is real. Told through nine short films that cover such topics as language preservation, sacred site degradation, consumerism and the environment,
Injunuity is a thought-provoking collage of reflections on the Native American world, our shared past, our turbulent present and our undiscovered future.
This documentary blends traditional Oneida storytelling with modern media, providing a window to a world that no longer exists. In the 1930s, a group of elders from the Oneida Nation of Wisconsin participated in FDR's Works Progress Administration Writers Project and shared stories of their life on the farm. In numerous journals written in Oneida, the elders recall historical personal accounts of detrimental land-grabbing policies, and the devastating impact of small pox and boarding schools in this film which was nominated for two Emmys.
WHO OWNS THE PAST?
The final decades of the 20th century brought unprecedented changes for American Indians, especially in the areas of human rights and tribal sovereignty. In 1990, after a long struggle between Indian rights groups and the scientific establishment, the Native American Graves Repatriation and Protection Act was passed. For American Indians, this was perhaps the most important piece of civil and human rights legislation of this century. But a case tested these claims, and Who Owns the Past? focuses on the controversy that emerged with the Kennewick Man.
About 40 Years. 40 Films. 40 Weeks.
The Native American Public Broadcasting Consortium (NAPBC), later known as Native American Public Telecommunications (NAPT) and now Vision Maker Media, was founded in 1976 as part of a system-wide effort to empower minority voices in public broadcasting.
In these 40 years, our organization has created more than 500 films, awarded $11 million to independent producers and held hundreds of film-screening events across the nation. In celebration of Vision Maker Media's 40th anniversary, a collection of 40 films will be available for free streaming through Aug. 7, 2017. Each week a different film will be available on visionmakermedia.org and americanarchive.org.
About Vision Maker Media
Vision Maker Media is celebrating 40 years as your premier source for quality American Indian and Alaska Native educational and home videos. All aspects of our programs encourage the involvement of young people to learn more about careers in the media--to be the next generation of storytellers. Vision Maker Media envisions a world changed and healed by understanding Native stories and the public conversations they generate.
With funding from the Corporation for Public Broadcasting (CPB), Vision Maker Media's Public Media Content Fund awards support to projects with a Native American theme and significant Native involvement that ultimately benefits the entire public media community. Vision Maker Media, a nonprofit 501(c)(3) empowers and engages Native People to tell stories. For more information, www.visionmakermedia.org.
About The American Archive of Public Broadcasting
The American Archive of Public Broadcasting seeks to preserve and make accessible significant historical content created by public media, and to coordinate a national effort to save at-risk public media before its content is lost to posterity--