For Immediate Release

June 14, 2023

FRANKIE AND THE WITCH FINGERS 

RETURN WITH NEW ALBUM DATA DOOM, 

DUE SEPTEMBER 1, 2023, VIA GREENWAY RECORDs

& THE REVERBERATION APPRECIATION SOCIETY

SHARE FIRST SINGLE “MILD DAVIS” 

WITH OFFICIAL VIDEO – WATCH

ANNOUNCE U.S. TOUR DATES WITH 

BIGGEST HEADLINE SHOWS YET, 

INCLUDING BROOKLYN’S WARSAW 

AND LOS ANGELES’ THE TROUBADOUR 

LOS ANGELES PSYCH-PUNK JUGGERNAUTS 

UNVEIL WILDEST, WIDEST-RANGING COLLECTION YET

Download Hi-Res Image // Photo Credit: James Duran 

Los Angeles psych-punk quartet Frankie and the Witch Fingers have returned with their seventh studio album Data Doom, due September 1 via Greenway Records / The Reverberation Appreciation Society. To ring in the announcement, the band has shared album highlight “Mild Davis” with a mind-bending animated music video. Inspired by Miles Davis’ early-70s electric work, the track’s dizzying 7/4 meter winds through chunky riffs, commanding vocals and proggy synths before crash-landing in a minefield of angular guitar harmonies. 

“It’s very different from anything we’ve done in the past,” the band’s Dylan Sizemore said in a new interview with SPIN Magazine. “We wanted the first statement from the album to be something new and fresh.”

Though they’re currently in the midst of a massive trek across Europe, the band has also announced an extensive run of headline U.S. tour dates for this fall, which include performances at such esteemed venues as Warsaw in Brooklyn and The Troubadour in Los Angeles. See below for the full list of currently-announced dates. 

WATCH THE “MILD DAVIS” VIDEO

HEAR THE TRACK

PRE-ORDER DATA DOOM

Through six progressively expansive albums, innumerable live dates on an ever-expanding list of continents, and performances with the likes of Thee Oh Sees, Ty Segall, Cheap Trick, ZZ Top and more (to say nothing of their impressive headline dates), Frankie and the Witch Fingers have earned their throngs of global fans with their ecstatically wild live shows and layered, visionary recordings. With Data Doom, the band is poised to welcome even more uninitiated into the fold – it’s their most eclectic work yet, while remaining undeniably cohesive, and they’re supporting it with the biggest headline shows they’ve ever played. 

Over the past decade, Frankie and the Witch Fingers have operated as an outright force of nature, offering up a revelatory form of psych-rock that hits on both a primal and ecstatically mind-bending level. In the making of their new album Data Doom, the Los Angeles-based four-piece forged a sublimely galvanizing sound informed by their love of Afrobeat and proto-punk—a potent vessel for their frenetic meditations on technological change run rampant, encroaching fascism, and corrosive systems of power. Animated by the explosive energy they’ve brought to the stage in sharing bills with such eclectic acts as Ty Segall and ZZ Top, the result is a major leap forward for one of the most adventurous and forward-thinking bands working today. 

Rooted in the cerebral yet viscerally commanding songwriting of co-founders Dylan Sizemore (vocals, guitar) and Josh Menashe (lead guitar, synth), Data Doom marks the first Frankie and the Witch Fingers album created with bassist Nikki “Pickle” Smith (formerly of Death Valley Girls) and drummer Nick Aguilar (previously a touring drummer for punk legend Mike Watt). In crafting their most rhythmically complex work to date, the band drew heavily from each new member’s distinct sensibilities: Smith tapped into her extensive background in West African drumming (an art form she first discovered thanks to her music-instructor parents), while Aguilar leaned into formative influences like longtime Fela Kuti drummer Tony Allen. Self-produced by the DIY-minded band and recorded direct to tape by Menashe, Data Doom ultimately took shape through countless sessions in their Southeast L.A. rehearsal space, with Frankie and the Witch Fingers allowing themselves unlimited time to explore their most magnificently strange impulses.

Once again showcasing the expansive and fantastically eccentric musicality of past efforts like 2020’s Monsters Eating People Eating Monsters..., Data Doom encompasses nine high-wattage songs constructed with both dizzying intricacy and unfettered imagination. On “Mild Davis,” for instance, the band shares a gloriously spaced-out track inspired by a piece from Miles Davis’s early-’70s electric period, cycling through a vast whirlwind of rhythms and textures and wildly spellbinding guitar parts. “We worked on that for two weeks straight, puzzle-piecing together different parts into one very weird and stream-of-consciousness song that’s mostly in a 7/4 time signature,” Menashe recalls. Meanwhile, Sizemore’s lyrics shift between savagely despairing the state of the world and resolutely dreaming of a brighter future. “I wrote ‘Mild Davis' in a moment of feeling pessimistic about what technology is doing to our society, especially as AI is creeping to the forefront more and more,” says Sizemore. “But then the bridge comes from a more optimistic perspective, where it’s questioning whether we could reboot the whole system and start all over.”

After opening on the epic majesty of “Empire,” Data Doom launches into the first song the band’s new lineup wrote together: “Burn Me Down,” an irresistibly jittery track that perfectly encapsulates the album’s transcendent collision of blistering riffs and polyrhythmic grooves. On “Electricide,” Frankie and the Witch Fingers unleash the LP’s most unabashedly punk offering, a bombastic rallying cry built on Aguilar’s breakneck drumming. One of several songs featuring Menashe on sax, “Syster System” slips into a hypnotically fluid tempo as Frankie and the Witch Fingers muse on the possibilities of partnership culture (a concept introduced by futurist Riane Eisler in her seminal book The Chalice and the Blade). “Riane Eisler talks about how our society has a very masculine energy that manifests as the need to exert power, which she refers to as dominator culture,” Sizemore explains. “The alternative to that is partnership culture, which has a feminine energy that’s more symbiotic with nature. The idea behind ‘Syster System’ is that if we could bring that energy into technology, it could help make everything more harmonious.” And on “Political Cannibalism,” Data Doom closes out with a dance-ready anti-anthem stacked with so many loopy details, such as a warped and otherworldly guitar part Menashe spontaneously composed in an attic in France.

To create the cover art for Data Doom, Frankie and the Witch Fingers reached out to Italian illustrator Carlo Schievano and UK-based graphic designer Jordan Warren, who then joined forces in assembling an elaborate mixed-media piece. Not only an echo of the album’s endlessly immersive quality, Data Doom’s visual component reflects the band’s devotion to unbridled collaboration in all aspects of the creative process. “There was no pressure and no real time constraint for this record, and because of that the creativity flowed in a very free way that probably wouldn’t have happened if we’d been on the clock in a studio,” says Sizemore. “It showed us that the more we take the time to communicate and share our ideas with each other, the more it feeds our creative energy and helps us to make something we’re all really excited about.”

FRANKIE AND THE WITCH FINGERS 

DATA DOOM 

(Greenway Records) 

Release date: September 1, 2023 

TRACKLIST 

Empire 

Burn Me Down 

Electricide 

Syster System 

Weird Dog 

Doom Boom 

Futurephobic 

Mild Davis 

Political Cannibalism 

FRANKIE AND THE WITCH FINGERS 

LIVE 2023 

JUNE 

15 - Patterns - Brighton, UK 

16 - Jimmy’s - Liverpool, UK 

17 - Projekts MCR Skatepark - Manchester, UK 

18 - The Cluny - Manchester, UK 

19 - Stereo - Glasgow, UK 

20 - Hare & Hounds - Birmingham, UK 

21 - Oslo - London, UK 

23 - Milla Club - Munich, DE 

24 - Astra - Berlin, DE

25 - L’Aéronef - Lille, FR 

26 - La Source - Brussels, BE 

29 - La Sirène - La Rochelle, FR 

JULY 

1 - Upload - Barcelona, ES 

2 - Wurlitzer Ballroom - Madrid, ES

3 - Lata de Bombillas - Zaragoza, ES

5 - Petit Bain - Paris, FR 

6 - Sonic - Lyon, FR 

7 - Pointu Fest - Six-Fours-les-Plage, FR

12 - Relâche Fest (free show) - Bordeaux, FR

14 - Rock Im Daal Fest - Idar Oberstein, DE

15 - Valkhof Fest (free show) - Nijmegen, NL

29 - Binic Folks Blues Fest - Binic, FR 

AUGUST 

8 - Palp Festival - Martigny, CH 

11 - Sonic Blast Fest - Vila Praia De Âncora, PT 25 - Purple City Music Fest - Edmonton, CAN 

SEPTEMBER 

9 - The Usual Place - Las Vegas, NV ** 10 - Valley Bar - Phoenix, AZ ** 

11 - Love Buzz - El Paso, TX ** 

14 - Parish - Austin, TX ** 

15 - Andy's Bar - Denton, TX ** 

16 - Continental Club - Houston, TX **

17 - Gasa Gasa - New Orleans, LA **

19 - JJs Bohemia - Chattanooga, TN

20 - The Blue Room - Nashville, TN #

21 - Terminal West - Atlanta, GA # 

22 - Grey Eagle - Asheville, NC # 

23 - Pour House - Charleston, SC # 

25 - Black Cat - Washington, DC # 

26 - Crystal Ballroom - Somerville, MA ~

27 - Sala Rossa - Montreal, QC ~ 

28 - Space Ballroom - Hamden, CT ~

29 - First Unitarian Church - Philadelphia, PA ~

30 - Warsaw - Brooklyn, NY ~ 

OCTOBER 

2 - Grog Shop - Cleveland, OH # 

3 - Bottom Lounge - Chicago, IL #

4 - Miramar Theatre - Milwaukee, WI # 

6 - Hi-Dive - Denver, CO # 

7 - Hi-Dive - Denver, CO # 

8 - Sister Bar - Albuquerque, NM # 

27 - Quartyard - San Diego, CA @ 

28 - Troubadour - Los Angeles, CA@ ** 

29 - Rickshaw Stop (Psyched! Fest) - San Francisco, CA @

31 - Rev Hall - Portland, OR @ 

NOVEMBER 

1 - Tractor Tavern - Seattle, WA @ 

3 - Catalyst Atrium - Santa Cruz, CA @ 

4 - SLO Brew - San Luis Obispo, CA @ 



** w/ Spoon Benders 

# w/ Wine Lips 

~ w/ Iguana Death Cult 

@ w/ MONSTERWATCH 

# # # 

CONNECT WITH FRANKIE AND THE WITCH FINGERS 

WEBSITE | FACEBOOK | INSTAGRAM | BANDCAMP 

# # # 

Press Contacts:

Zack Kraimer

zack@bighassle.com

Kenzie Davis

kenzie@bighassle.com