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SEPTEMBER 2023 NEWSLETTER

General Submissions Run through September 30


Our submissions period opened on September 1 and will close at the end of the month. In 2024, The Kenyon Review will feature three themed sections: Extinction, Writing from Rural Spaces, and Literary Curiosities. We also reserve substantial space in the coming year’s issues for unthemed work. Unsolicited submissions keep the journal relevant and fresh, and as always, we charge no fee. Submit today!

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Announcing the Fall 2023 Issue


The Fall 2023 issue of The Kenyon Review includes the winner and runners-up for the Patricia Grodd Poetry Prize for Young Writers, selected by Ruth Awad, and a Food-themed folio, with poetry by sam sax, Inga Lea Schmidt, and Holy Zhou; fiction by Rebecca Ackermann, Elvis Bego, and Douglas Silver; nonfiction by Katie Culligan and Erica N. Cardwell; and much more. Luminous Gender Vessel, a folio guest-edited by Gabrielle Calvocoressi and Melissa Faliveno, features work by Krys Malcolm Belc, KB Brookins, Alexis Pauline Gumbs, Catherine Kim, and many others. The cover art is by Joanna Anos. 


Read the issue online, order a copy, or subscribe!

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Developmental Editing Fellowship Applications Open September 15


We’re pleased to offer, for the second time, our Developmental Editing Fellowship for Emerging Writers. Participation in the program involves one-on-one mentorship by an experienced editor on the KR team over a period of four months. Fellows can expect to have monthly hour-long conversations with a Developmental Editor, who will provide feedback and suggestions on a poetry, nonfiction, or fiction book draft. Applications open this Friday, September 15, and run through November 1. 


See our website for more information, including testimonials from the inaugural Developmental Editing Fellows.

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Welcome to Geramee Hensley and Danilo John Thomas


The Kenyon Review is pleased to welcome to its team two new members! Both began work in late May of this year, Danilo John Thomas as assistant managing editor and Geramee Hensley as social media manager.


While originally from the KR's own state of Ohio, Geramee Hensley joins us remotely each week from Arizona, where they recently graduated from the MFA program at the University of Arizona. Hensley has an intimate familiarity with the world of both literary journals and writing workshops, which will serve them well in the new role spreading the word about our publications and programming. Their writing has received support from the Tin House Summer Workshop and appeared in Button Poetry, Poets.org, Indiana Review, The Journal, The Margins, The Recluse, and elsewhere. They serve as Poetry Editor at Tinderbox Poetry Journal and have received numerous awards, most recently a 2022 Academy of American Poets Prize and Booth Journal's Beyond the Margins contest prize.


Danilo John Thomas supports our print production, web design, and more, all while keeping up with his duties as Managing Editor and Prose Editor for Reno-based book publisher Baobab Press. He is the author of the chapbooks The Hand Implements (The Cupboard Pamphlet, 2017) and Murk (AB Gorham, 2012). His writing has won the New Delta Review Gibbs Prize in flash fiction; has been a finalist for the Autumn House Rising Writers Award, the Steel Toe Open Book Award in Fiction, the IHLR Book Prize; and appears in The Fourth River, The Rupture, Fugue, Juked, Midwestern Gothic, and elsewhere. He lives in Omaha, Nebraska, with his wife, two daughters, and Pirl Dog Dog.


Welcome, Nilo and Geramee!

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Danilo John Thomas

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Geramee Hensley

Why We Chose It: Nature's Nature


In case you missed it, the ninth Nature's Nature—an annual ecopoetry feature edited by David Baker—appeared in our Summer 2023 issue. In his introduction, Baker writes, "If we are witness to the world, our witness means more than seeing the world; it means we must add our testimony to our seeing. And if we are poets, that testimony takes the form of our singing about the world." In this installment, six established poets (Victoria Chang, Terrance Hayes, Joanna Klink, Joyelle McSweeney, Arthur Sze, and Brian Teare) both contributed their own work and selected work from exciting emerging poets: Charlie Decker, Bernard Ferguson, Jennifer Elise Foerster, fahima ife, Jordan Nakamura, and Santiago Vizcaíno. 


Read the rest of the introduction and feature or order a copy of the Summer 2023 issue!

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Background image by Joanna Anos


The Kenyon Review is supported in part by generous grants from the Ohio Arts Council, the National Endowment for the Arts, and the Smart Family Foundation.