The City College of New York

DIVISION OF

HUMANITIES

AND ARTS


25 March 2026 | Renata Kobetts Miller, Dean


Photo by: Jermica Jackson

From Waitressing to Wall Street (kind of): a look from the inside of what it's like to land an internship

A Student Perspective article by Sophie Torres



For many students, the path from classroom learning to professional work can feel opaque, even overwhelming. In this new series, senior Sophie Torres pulls back the curtain.


Over three articles, Sophie will take us behind-the-scenes of her experience in the Publishing Certificate Program (PCP) and the Humanities Internship Program at CCNY, offering an honest, step-by-step look at what it takes to secure and succeed in a competitive internship. Sophie is currently interning at PEN America for the full Spring semester and will be giving us updates along the way. Enjoy this first installation of her internship journey!



When I applied to college as a sprightly seventeen-year-old, I had no idea what I was doing—as is usual for most seventeen-year-olds. I applied to CCNY because it was a CUNY school, and in my sporadic research I found that it was much cheaper than any other options that could take me outside of Florida. Not long after I had been accepted and committed for enrollment, I was packing my childhood belongings into U-Haul boxes. If what I wanted was a push, then I certainly got it.

 

The years that ensued were a chaotic mashing of growing into adulthood while still making mistakes and having the most fun a newly twenty-year-old can have. Like many of my peers, I began my freshman year undecided; in more senses than just my major. However, I was pleased to find that sometimes even when you think nothing could go right—sometimes especially when you think nothing could go right—you fall exactly where you were meant to. I walked out of my freshman year an English major, and I walked out of sophomore year as part of the Publishing Certificate Program (PCP).

 

I had already known that the final requirement in PCP is an internship in the industry, so I’m not sure why it took me by such surprise when the head of the program, Athena Devlin, stepped into my English class the first semester of Senior year. She came mostly to talk to prospective PCP students, however, she slipped in a reminder for upcoming and current Seniors that if we hadn't yet applied for Spring internships we should do so ASAP. Immediately after class I scoured my inbox for any and all information regarding internship applications; looking through the slew of emails felt like a job in and of itself. To my utter disappointment, all but two internship deadlines had passed, and so with little hope I started the dreaded “internship process.”

 

I had heard of this process from ambitious friends who had applied for many internships and fellowships throughout our four years in college; I felt late to the game. During some more email ransacking, I came across an internship opportunity with a non-profit called PEN America. While not a direct publishing house, they are known in the industry as “publishing adjacent,” meaning they don't publish titles the way Simon & Schuster or Penguin Random House would. They are an organization that works to defend writers, artists, and journalists and protect free expression worldwide. So, while they don't produce physical books themselves, they work directly with authors and outside publishers. The role available would be within their prison and justice writing program, which intrigued me. The program seemed very different from the other publishing opportunities the PCP had previously offered. This division of PEN works directly with incarcerated writers, publishing their work in an annual anthology and offering cash prizes for top winners. As if the position didn't seem enticing enough, it is funded by CCNY’s Division of Humanities Internship Program. Because of this, the position was reserved for only CCNY students, which provided me with a beacon of hope. In order to apply I had to first meet with the Director of Humanities Internships, Dr. Marisa Hollywood...


Arsen E. Simkhayev with his mentor at Stanford University, Dr. Nancy S. Kollmann

How 2025 Alum Arsen E. Simkhayev built a unique path of study that led to a graduate program at Stanford University

A student article by Ronald Gonzalez


Arsen E. Simkhayev immigrated to the United States in 2002, and because English was not his native language, subjects such as math and science often felt inaccessible. The technical vocabulary they used, combined with lessons delivered in English, made it difficult for him to fully comprehend what was being taught. History, however, felt different. Even while his English was still developing, he could understand dates, events, and broader historical narratives. Learning about figures like Ivan the Terrible and Peter the Great gave him clarity and confidence. History became what he describes as a safe place, a subject where he could succeed despite linguistic challenges. That early comfort was what eventually evolved into a serious academic passion.  


Arsen’s specific interest in Russian and Eurasian history first took shape while he was attending City College. He began researching the region in greater depth, and it soon became the main focus of his academic interests. At CCNY, Arsen found a supportive intellectual community within the history department. Although the department did not have a specialist in Russian history, it offered dedicated faculty who were willing to guide him. His most influential mentor was Dr. Clifford Rosenberg, a 20th-century European historian with a focus on French history. Even though Rosenberg was not a Russianist, he played a crucial role in Arsen’s academic development. He guided Arsen in navigating and interpreting primary sources and supported the early stages of the research that would eventually become his senior thesis. Through this mentorship, Arsen was able to deepen his research skills and develop a clearer direction for his work in Russian history, encouraged to pursue an intellectual path that extended beyond the boundaries of the formal curriculum...



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Student News

Katelyn Melville | Journalism minor

Image courtesy of Katelyn Melville and Chalkbeat

Katelyn Melville, a freshman majoring in civil engineering with a minor in journalism, was recently featured by Chalkbeat for her work as an assistant producer on the P.S. Weekly podcast, a collaboration with The Bell. Supporting all stages of production while mentoring student reporters, Melville brings a strong ethical and storytelling lens to her work in STEM, noting that “empathy is at the core of her heart,” an approach that reflects the values of her humanities training and its emphasis on ethics, listening, and human-centered inquiry.

MFA Creative Writing Students

From March 4–7, 2026, students from the MFA Creative Writing program attended the Association of Writers & Writing Programs (AWP) Conference in Baltimore, where they gathered with alumni and faculty for a special meetup. Thank you to Professor David Groff and Visiting Professor Rosanna Oh for organizing this meaningful get-together.

Faculty News

Jennifer Roberts (CMLL) & Nickolas Pappas (Philosophy)

H&A faculty members Jennifer Roberts (CMLL) and Nickolas Pappas (Philosophy) are featured in a new episode of the Indoor Voices podcast, a CUNY-based show that explores big ideas through accessible conversation. In the episode, the longtime colleagues discuss Roberts’ latest book, Out of One, Many. They explore ancient Greek thought, concepts like motion and courage, and how we understand antiquity today.

Dean Renata Miller & Professor Alex Stern (History)

On March 9, Dean Renata Kobetts Miller and Professor Alex E. Stern proudly represented H&A at Humanities Day on Capitol Hill. They joined the National Humanities Alliance to advocate for the National Endowment for the Humanities, the National Archives, and Title VI programs, underscoring the vital role of the humanities in public life.


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Copyright © 2025 | Division of Humanities and the Arts , The City College of New York. All rights reserved.

Edited by Kylee Pastore Asirvatham

humanities@ccny.cuny.edu

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