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URP:6273 Community Development Through Creative Placemaking
Instructor: Travis Kraus
Monday and Wednesday, 3:30 pm - 4:55 pm 134 TH
How do arts and culture contribute to community planning and community identity? How does inclusive planning promote equitable development and economic inclusion for historically marginalized communities? How do we respectfully and authentically engage the culture of a community? This course examines the practices, ideas, and techniques for community development in small to large communities. Particular focus is placed on creative placemaking in which planners and the public “strategically shape the physical and social character of a neighborhood, town, city, or region around arts and cultural activities.” In this course, students and faculty will apply this approach to a specific community project. Students in the arts, humanities, the social sciences, and planning and public affairs are encouraged to take this class.
SWW:7820 Writing for Publication in Social Science
Instructor: Megan Gilster
Thursday, 9:30 am - 12:00 pm, 301 NH
Graduate seminar provides practical experience in getting work published in peer-reviewed journals in a variety of disciplines. Using Belcher’s Writing Your Journal Article in Twelve Weeks, students will explore strategies for planning a writing project, identifying appropriate journals, clarifying arguments, making claims for significance, and organizing material. Students revise a draft (such as a classroom paper, conference paper, or comprehensive exam) into a peer-reviewed article and submit it for publication. In a supportive environment, we will discuss strategies for overcoming resistance to writing. The course is taught by Megan Gilster, who is a writing coach for the National Center for Faculty Development and Diversity, associate professor, and director of the PhD in Social Work. Megan has published in social work and interdisciplinary journals, including the Journal of Urban Affairs, Nonprofit and Voluntary Sector Quarterly, and the Journal of Urban Health.
CLAS:6290 The Digital Archive
Instructor: Paul Dilley
Monday and Wednesday, 3:30 pm - 4:45 pm, 1015A LIB
This course will introduce humanities students to methods and theories for using digitized written sources, especially those available online, in their research. The focus is on manuscripts, but print texts will also be considered; similarly, both literary and documentary sources are covered. Topics include the imaging process and the relationship of the digital surrogate to the material object; software applications/virtual research environments (VREs) for viewing, transcribing, and marking up digitized texts; optical character recognition (OCR) and handwritten text recognition (HTR), and their value for studying unedited corpora; digital and computational paleography; enhanced manuscript imaging for recovering damaged texts; copyright, creative commons and other open source licenses, and how they shape the potential use of digitized images in print and digital publications; and the role of digitization in ongoing discussions about the ethics of cultural heritage management. Although digital tools will be used in the seminar, no knowledge of coding is assumed. Moreover, the course is language-agnostic: students can use whatever sources are appropriate to their research in the course, and will be evaluated on their employment and analysis of the methodologies and tools.
ENGL:6090 Creating With Archives
Instructor: Elizabeth Rodriguez Fielder
Thursday, 12:30 pm - 3:00 pm, 212 EPB
This seminar will be one of the first Humanities Lab’s at the University of Iowa, a project in partnership with Humanities for the Public Good and the Obermann Center for Advanced Studies. Humanities Labs foreground issues of equity and inclusion with a community partner and are grounded in collaborative, project-based, experiential pedagogy. Our community partner will be the LGBTQ Iowa Archives and Library (LIAL) in Iowa City, a community archives and lending library with a mission to collect, preserve, and share the queer history of Iowa and increase access to queer literature for all ages. Together with LIAL, you will engage in the study and practice of archiving, learning tools in digitization, preservation, and exhibition, alongside emerging philosophical discussions about the role of archives in communities rather than institutions. As we read texts in queer and archival theory, community archiving practices, and ethical community engagement, we will ask: who controls the preservation of history and literature? And then, what do community efforts at preserving and telling one’s own stories look like in practice? We will work with LIAL and others to put on a public-facing festival based on creative approaches to archival research, that decenters scholarly productivity. Rather than the traditional seminar paper, students will be expected to jump in and learn the skills that will benefit our community partner and join in with them as creators, organizers, and thinkers.
AMST:6500 Readings in Cultural Studies - Stuart Hall
Instructor: Deborah Whaley
Wednesday, 3:30 pm - 6:00 pm, 213 EPB
Our course will explore the scholarship of sociologist, activist, and theorist Stuart Hall. In so doing, we will also examine the theories, methods, and history of cultural studies. The course focuses on the major areas of Hall’s work: Marxist thought and the political economy, diasporas and globalization, cultural production and popular culture, film and cinema studies, race, ethnicity, identity, and differánce. It will also cover key theorists that influenced Stuart Hall (e.g., Marx, Foucault, Fanon, Gramsci, and Althusser) and scholars in cultural studies that have made use of Hall’s writings and theories in their own work. Finally, we will consider the role of theory in everyday life and the critical role of public intellectuals. Our course requires a digital portfolio that will consist of writing an Op-Ed for an online journal, a 3 1/2 minute digital story regarding your academic/professional/activist interests in cultural studies, and a 20 minute co-facilitation of one class session. This course is cross-listed with the African American Studies Program and counts toward the graduate certificate in African American Studies and the graduate certificate in Public Digital Humanities.
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