Harmon's School of Photography    Find us on Facebook 
             Classes, Workshops & Field Trips Information      June 23, 2013
Greetings!
Good Morning,
I hope you had a good weekend.  I got back safely from my trip and boy am I glad to be home - drivers are crazy in Central America!!  But I got some great photos of Panama who's economy is booming and bustling with construction. And most important I was able to spend time with my family.
Have a great week.
See you soon,
~Susan Francis
Harmon's School of Photography
Location Portraiture
Location Portraiture class
Wed 6/26, Sat 6/29 & Wed 7/3
6-8:30PM Weds at Harmon Photo
9AM-1PM Sat Location TBA
$120

In this all-new three-week class, students will learn to photograph people on location. The first week will be spent in the classroom reviewing the technical and compositional aspects of location portraiture.

During the second class (held on a weekend) we will go on location with models where you will learn to visualize, manipulate and create light in order to capture great images using both natural light and flash.

The third week will include a constructive critique of students' images from Week 2, and a discussion of some post-processing techniques designed to get the most out of your location portraits.

Taught by John Francis
To register click here.

 

Off Camera Flash
Mons. 7/8 & 15
6-8:30PM at Harmon Photo
$100

The aim of flash photography is to make it look like you didn't use flash. The best way to achieve this is to make make your light source bigger,, make it directional and balance it with the ambient light.  

In Week 1 we will review the art of balancing flash and ambient light, discuss the use of various modifiers (umbrellas, softboxes, reflectors, etc.) available for small flashes, show you how and when to use flash in TTL and manual modes, and explain how flashes can be used off-camera for great lighting both indoors and outdoors.

In Week 2, we will put it all into practice with a hands-on session both in and outdoors. At the conclusion of this class, you will be able to achieve great results with even just one off-camera flash. If you are a budding 'Strobist' this class is definitely for you!

Prerequisites: We recommend that students have taken our "Introduction to DSLRs" class, or have a similar level of knowledge and understanding of their camera controls, especially manual exposure metering and white balance.
Taught by John Francis 
To register click here.

One Light, One Night Portraiture
Tues 7/16
6-8:30PM at Harmon Photo
$50

This is the perfect class for those who want to learn how to shoot high
quality, lit portraits with only a single light source; whether its a
hot/cold light, a flash or even an LED light.

Designed for intermediate level, this class simplifies the importance to
make every light count for a multitude of reasons: Maybe your budget
doesn't allow you to purchase multiple lights for portraits. Perhaps you
have to travel light and don't have the space for two flashes. Quite
possibly, you just want a challenge. Whatever the case is, you can produce
a wide variety of lighting scenarios using a single light source.

Learn how to see light.  Build the knowledge base and tricks of lighting
portraits beautifully and efficiently.
Taught Herbie Martin
To register click here.
On Camera Flash
On Camera Flash B
Mon 7/1
6-8:30PM at Harmon Photo
$50

This class will cover the fundamentals of flash photography. Whatever camera system you own, you will learn how to get the best out of your pop-up flash, and to effectively use an external flash unit mounted on the camera. Topics covered will include using various on-camera flash modifiers, flash brackets, use of front- and rear-curtain synch, high-speed synch flash, bouncing flash off various surfaces, fill flash, and balancing flash with ambient light. This class is guaranteed to greatly improve your flash photographs and take your photography to a new level.

Prerequisites: We recommend that students have taken our "Introduction to DSLRs" class, or have a similar level of knowledge and understanding of their camera controls, especially manual exposure metering and white balance.
 
Taught by John Francis
To register click here.

The Herblish Experience
Sun 7/21
1-5:30PM at a studio in Sanford
$299


Ever wonder how creative photographer and body painter/artist Herblish creates the images he does?  Now this is your chance to take a peek inside his domain and mastery of color and texture while pushing boundaries in lighting and photographic techniques.
The Herblish Experience Workshop will provide you with the first-hand knowledge and opportunity to watch Herblish create and shape unique, mind blowing images.  This workshop is primarily designed for intermediate and advance photographers who are interested in learning how to unleash their artistic muse while developing their own personal vision and style.
Herblish will show you how to easily use discarded items and materials that create the ultimate building blocks for his master pieces.
Participants will have the opportunity to shoot finalized pieces of art, glamour, beauty and even fun.  Simply bring your camera, notebook and an open mind.
Visit the website: Herblish.com
Space is limited - the workshop will fill up quickly - so sign up early!!
To register click here.

Schedule
Class Schedule
See the complete Class Schedule online....click here
for the latest classes, times & registration.
 
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A Brief History of Canon

 By Jason Row

In a recent article we took a look at the history of Nikon cameras, from their early beginnings to the international brand it is today. Perhaps, Nikon's biggest rival in recent decades has been Canon, and in many respects the story of Canon is very similar to Nikon's.

As with Nikon, Canon was formed as an optical company named, Seikikogaku kenkyusho or Precision Optical Industry Co. Ltd. Despite it's grandiose name, Precision Optical was in reality a small street side workshop in Tokyo operated by Goro Yoshida. Yoshida was fascinated by the precision engineering of German cameras such as Leica and Contax but could not understand their exorbitant prices. He took to disassembling a Leica 35mm camera and on discovering that there was nothing inside to suggest that the price should be so high so he decided to engineer his own Leica copy. The prototype, Japan's first home produced focal plane-shutter camera, was revealed in Asahi Camera Magazine in 1934. It was called Kwanon after the Buddhist Goddess of Mercy.

The Kwanon went through several prototype incarnations but in fact never went on sale. In 1935 Precision Optical registered the Canon trademark and in 1936 their first production camera, the Hansa Canon was released. Like its predecessor, it was a 35mm focal plane-shutter camera. Although Precision Optical had the ability to manufacture the camera, they had no expertise in lens technology, to source the lenses for their camera's they turned to Nippon Kogaku Kogyo, the company that would eventually become Nikon.


HANSA CANON by FrANk.H ^.^, on Flickr

 

By mid 1937 with good sales of the Hansa Canon, Precision Optical decided to start manufacturing their own lenses and by 1939 they were producing the Serenar series of lenses for their camaras.

As with Nikon, Precision Optical's growth accelerated through the war years, one of their main products being lenses for an indirect x-ray machine. By 1946, Precision Optical had expanded its range to include the JII, and the SII. The SII was revered by officers in the Occupation Forces and sold in great quantities. In 1947 the company changed its name to Canon Camera Co. Inc.

As with Nikon, in the 1950's Canon produced a product that raised it above the crowd. In Canon's case it was the Serenar 50mm f1.8 lens. It was a lens that was way ahead of its time, effectively eliminating flare that was so prominent in many lenses of the day, and allowing Canon to lead the field in optical technology.


CANON SERENAR 50MM by � Rebours, on Flickr

 

In the 50s and 60s Canon diversified its product range, moving into electronic calculators, copy machines and audio technology, however, its core products were still photographic, and the release of its first SLR camera, the Canonflex in the same year as the Nikon F started the rivalry that continues to this day although it was not until 1971 until that rivalry really reached the professional market with Canon's release of the  F-1, a high speed SLR along with its highly successful FD lens mount. The F-1 sat squarely against Nikon's F series of professional cameras.

Canon continued their reputation for technological innovation in the 70s when they introduced the world-first camera with a micro processor, the AE1. The AE1 was an affordable camera introduced the world's first shutter priority exposure mode and an accessory motor drive. The innovation continued with the A1, perhaps the most advanced camera of the era.


CANON AE1 by julien mrt, on Flickr

 

In the 1980s Canon introduced the T series of SLR cameras, highly automated and with styling cues that live on in today's Canon cameras. The T series were highly successful although the advances in technology were beginning to have an effect on the usefulness of the FD mount. Realizing that to continue to innovate, they would need to change the lens mount, in 1987 Canon introduced the highly controversial EF lens mount. The EF was not backwardly compatible with the FD mount meaning photographers upgrading their cameras would also have to purchase new lenses. The EF lens mount became the backbone of the Canon EOS system that prevails today.

Again, in a path very similar to Nikon's, Canon's introduction to the professional digital market was through a collaboration with Kodak, with the introduction of the EOS-DCS, released in 1995. Unlike Nikon, Canon's first true DSLR was aimed aimed at the enthusiast market rather than the professional.

Released in 2000 the camera in question was the EOS 30D, with its 3.2 mp sensor. It opened the door to the prosumer market and allowed Canon to use the profits from the sales to create a lead in the rapidly expanding digital market.

The following year, the first professional DSLR was released, the 1D and for the early years of the new millennium Canon stole a march on Nikon in both the consumer and professional markets. The release, of Nikon's D3 and D700 arrested that lead a great deal, leading Canon to think more about low light capabilities than the constantly accelerating megapixel race.


Canon 30D with Canon 16-35mm by chrisphoto, on Flickr

 

There is no doubt that over the last four decades, the rivalry between Nikon and Canon has been at the forefront of the photographic technological race. Ultimately, the biggest winners in this race are us, the photographers.


Class Sign-up Policy
All classes must be registered and paid in advance to reserve your spot.
To register for a class, click here.  You can also call Susan Francis at 407-227-6680.

 If you leave the sign-up until the last minute you take the chance of the class being full or possibly canceled if there are not enough students registered.

If you register and do not show up for a class you will forfeit the class fee, if you cannot make a class and call and cancel up to the morning of the class you will have a school credit
 towards any other class.