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By Jamie Hendrix-Chupa, Exhibition Interpreter and Content Manager

SOU Theatre Class of '27

Damien Hirst

Damien Hirst, Lavish Jacaranda, 2025, oil on canvas, Courtesy of private collection

Prolific art collector and multimedia artist Damien Hirst is one of the greatest provocateurs in contemporary art history. Death is a central theme in Hirst’s work, a concept he explores with the use of animals preserved in formaldehyde. Some famous examples of this include The Physical Impossibility of Death in the Mind of Someone Living, a preserved tiger shark in a clear display case, and Mother and Child (Divided), a cow and a calf bisected and placed in containers next to each other. However, his work also includes paintings and creations that explore color and life, in contrast to the visceral imagery of most of his repertoire.


Currently on view in the Main Gallery is Hirst's painting Lavish Jacaranda, which is part of a series of paintings that depicts an incredible purple Jacaranda tree, a floral tree native to South America. Hirst describes his Jacaranda series as the purple-hued evolution of his sprawling Cherry Blossoms painting series. Inspired by the Impressionists, these heavily textured oil paintings use traditional wooden stamps for the leaves, layering rich violet pigments to capture the fleeting, chaotic, and lush beauty of the blooming trees. Hirst has noted that the works are a meditation on the tension between joy, vibrant color, and the underlying themes of life and death that run through his practice. Come see this work by Damien Hirst as soon as you can, as it will only be on view until this Saturday, August 8th.


Read more about Damien Hirst's work here: https://heni.com/artists/damien-hirst

Image in text: Hirst posing in front of his installation, The Secret Gardens Paintings (2023) at Frieze London 2023. Image found at https://apollo-magazine.com/rakewell-damien-hirst-frieze-london/

Reflecting on “Cercle et Carré and the International Spirit of Abstract Art"

Heiter Gallery during “Cercle et Carré and the International Spirit of Abstract Art", photo by Maureen Williams

As the viewing period for “Cercle et Carré and the International Spirit of Abstract Art" comes to an end, I invite you to reflect on this show and the cultural, historical, and creative impact of the abstract artists involved in it. Cercle et Carré was, for all intents and purposes, a group of revolutionaries who wanted to challenge Surrealism, the popular style at the time. They also intended to promote the ideas of structure and construction in art, in contrast to Surrealism's aim of deconstructing reality. Cercle et Carré only had one exhibition, and the group disbanded shortly afterwards. However, their lasting impact is felt to this day, and their ideals were understood and adopted by abstract artists for years after the group was created. Many artists within the group were relatively early in their careers, whereas others like Pierre Daura, Piet Mondrian and Wassily Kandinsky were already well-known. None of these artists could have predicted the impact their work would have in the future.


As you reflect on “Cercle et Carré and the International Spirit of Abstract Art", consider who and where you were when this exhibition opened on April 30th. How was life different 3 months ago? Is it possible that a piece of art could impact you differently now versus when you attended the opening? If you haven't visited the Schneider to see this exhibition yet, I implore you to do so before August 8th. If you have, pay us another visit and look deeply at the abstract works we have on view. Perhaps after reading about Pierre Daura, Wassily Kandinsky, Le Corbusier, and Sonia Delaunay in the articles this time around, the humanity in these abstract works will become clearer. Hard-edge lines and geometric shapes can be as relatable and human as portraits, if you can imagine the artist choosing colors and deciding on shapes and their composition. Picture what their lives looked like in the 1930s, compared to our lives now -- it may not be that different.


Join us for the opening of our upcoming exhibition, "Eons: Unraveling Time", on October 15th. Curated by Maria de Los Angeles, "Eons: Unraveling Time" brings together eleven artists whose practices span painting, sculpture, photography, installation, printmaking, textiles, and video. In this exhibition, layered understandings of time become tangible through works that weave together personal narratives, cultural histories, mythology, labor, and imagination. Take a look below at one of the pieces that will be a part of "Eons: Unraveling Time"! We hope to see you at the opening!


--Jamie

Sara Siestreem, foxes on the moon, 2024, acrylic, graphite, Xerox transfer on panel board, Courtesy of the artist and Elizabeth Leach Gallery.

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