Install



Harvard opens stunning Treehouse conference center


The David Rubenstein Treehouse at Harvard University – a recently completed mass timber structure designed by Studio Gang and built by Consigli and Smoot Construction Company of Washington, D.C. – features incredible millwork from Mark Richey Woodworking.


A conference center and social hub, the new building’s interior is all exposed wood, branching up over three floors. Mark Richey utilized various Forest Stewardship Council (FSC)-certified woods to help Harvard meet the world’s most ambitious green building standard, the Living Building Challenge.


Exterior planking is Alaskan yellow cedar. Interior handrails are solid white oak. A reception desk features random match rift white oak veneer and solid surfacing. An impressive, suspended ceiling in the third floor Canopy Hall main events space is a poplar core plywood with exposed edges and three-dimensional wall paneling is solid white oak wood and veneer.


Take a closer look at this exciting project

Install


Longwood Gardens includes beauty within


WallGoldfinger had the privilege of building a beautiful, traditional boardroom table for a striking Pennsylvania project.

 

The table for Longwood Gardens is a wide boat shape finished in plain sliced, figured walnut veneer in the table centerfield and pedestal bases, an exterior field of quartered walnut veneer, and solid walnut edge and beams.

 

The project by Weiss/Manfredi architects of New York gained some deserved attention but not for WallGoldfinger’s natural beauty of a table. Rather it is the impressive, new conservatory at the 1,100-acre non-profit garden that garnered media attention.

 

See the conservatory

View other custom boardroom tables


Install


Met Museum of Art wing gets refreshed look


Visitors to the redesigned Michael C. Rockefeller Wing at The Metropolitan Museum of Art have a place to rest and enjoy thanks to the efforts of WallGoldfinger, WHY Architects, and The Met.


The space reopened to the public at the end of May and situated between carefully curated exhibits in the reimagined museum are solid white oak benches by the WallGoldfinger/Mark Richey Woodworking team. Benches are built with soft radiuses and stained a warm grey that nicely blends with flooring and the space's bright, neutral color palette, putting focus on artifacts rather than decor.


See more of WHY's effort to redesign for an expanded collection of the arts of Africa, Oceania, the Americas

View other benches and banquettes


Top photo courtesy of WHY and the Metropolitan Museum of Art