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Press Release

For Immediate Release


Contact: Elaine Schock or Meredith Louie

Shock Ink 818-932-0001


January 4, 2023

Janis Ian’s New Album,

The Light at the End of the Line,

Earns Icon Her 10th GRAMMY Nomination


Named One of 2022’s Best Albums of the Year

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Janis Ian's The Light at the End of the Line

Available at her store: store.janisianstore.com

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LOS ANGELES — There’s no denying the reach of Janis Ian’s influence. She has paved the way for artists like Joni Mitchell and Carole King and has a slew of equally legendary artists cover her songs over the past six decades (from Nina Simone and Roberta Flack to Cher and Celine Dion). The close of the year saw even more praise of Ian and her music. And it continues into the start of 2023 with a GRAMMY Award nomination for her album, The Light at the End of the Line.


The nod for The Light at the End of The Line in the Best Folk Album category marks the icon’s 10th GRAMMY nomination in eight categories over the past six decades, which is a feat held by an impressive few including Quincy Jones and Glen Campbell. The album, released on Ian’s independent label Rude Girl Records, features the song “Resist” which The Washington Blade said is an “anthemic single which is one of the album’s most powerful statements, with its ‘I will not disappear’ and titular chants.” Folk Alley praised the title track, saying “the tender wistfulness of the song celebrates the love she feels for her audiences, as well as the light with which songs illuminate our lives. The graceful beauty of this song itself dwells in our hearts long after the final notes, revealing the enduring power of music.”


A.A.R.P. The Magazine featured the album in their “Best 12 Albums of 2022,” with critic Jim Farber saying, “Fifty-five years after her debut album, Janis Ian decided to bring her career to a close this year. Before she did, she created an album with the literary lyrics, fine musicianship and intimate vocals that long ago made Ian one of America’s most frank and sensitive songwriters. From pieces about the state of the world to several about aging, to one that offers a frank assessment of her complicated friendship with Nina Simone, Ian’s swan song offers a worthy, and moving, goodbye.” 


The UK’s Arts Desk called Ian “one of popular music’s greatest songwriting talents … (her albums) full of stand-out songs and brilliant musicianship – as a pianist and guitarist Ian is peerless.” They named The Light at the End of the Line one of their “Albums of the Year 2022” saying, “a largely acoustic album, it reflects the range of Ian’s work (jazz and blues, the folk music amid which she grew up), her rich harmonic palette, and her ability to distill life’s complexities into concise and striking imagery and metaphor.”

Also in the last few weeks of 2022, David Grohl’s 16-year-old daughter Violet, with acoustic guitar in tow, performed Ian’s iconic hit “At Seventeen” at a secret show at Largo in Los Angeles. Ian, who recently announced her retirement from performing due to vocal cord scarring, said “this morning I woke up and thought ‘How strange. I'll never be able to sing “At Seventeen” again.’ And I don't mind admitting that it was really depressing. But what better antidote could there be than to hear my work, 47 years after I wrote it, beautifully and sincerely sung by Violet Grohl? What a perfectly happy day this turned out to be. Thank you, Violet. Thank you, Dave. Thank you.”


The performance was recorded as the third annual installment of Grohl’s (Foo Fighters, Nirvana) and GRAMMY-winning producer Greg Kurstin’s (Foo Fighters, Adele) beloved Hanukkah Sessions in which they perform songs by Jewish artists, writers, and/or producers to combat the rise of antisemitism. Both Ian and her “At Seventeen” producer, the recently passed Brooks Arthur, are both Jewish. 


The event, which was the first-ever live edition of their Hanukkah Sessions project, raised money for the Anti-Defamation League and also featured P!nk, Beck, Jack Black, and the Yeah Yeah Yeahs’ Karen O. The Hanukkah Sessions were first released as a video series on YouTube in 2020 and 2021. For this fourth night of Hannukah, the video for “At Seventeen” was posted with a caption that stated, “one of the all-time classic coming-of-age anthems.” Watch the performance here youtu.be/QrVL3g4iS1c

 

“At Seventeen” is one of Ian’s biggest hits. The song earned the Best Pop Vocal Performance, Female GRAMMY Award in 1975 and hit No. 1 on Billboard’s Adult Contemporary chart and No. 3 on the Hot 100. It is from her seventh studio album Between the Lines, a five-time GRAMMY nominee, which reached No. 1 on the Billboard Top 200 chart. 

 

The song was in The Simpsons and covered by a variety of artists including Celine Dion and Jann Arden; and a Hong Kong pop group even named themselves after it, as at17, in 2022. In mid-December, Vernon Reid of Living Colour tweeted: “Sad Songs BONUS TRACK. At Seventeen - written & sung by Janis Ian. This broken-hearted Bossa Nova, with its fabulously sophisticated jazz arrangement, scores a landscape of such desperate emotional devastation - is ruthless in its excoriation of the traumatic hierarchies of youth.”

Just released is an album of Ian’s songs, including versions of “Love Will Never Say Goodbye,” “Under a Different Sun,” “Gloss,” and from The Light at the End of the Line “Better Times Will Come,” covered by young Japanese singer, Kaya Saito who rose to the #1 spot in a 2019 television program “Music Champ” in Japan. For Kaya Sings Janis, now available here www.cdjapan.co.jp/product/TEJI-55068, Ian worked diligently with Saito, producer Igarashi-san, and lyricist Takahiro Maeda to create Japanese translations that held the same intention as her original lyrics to go with the melodies of the songs.


Here is what the media has to say about Janis Ian’s influence and legacy…

 

Jim Farber for the New York Times: "There's no denying that Janis Ian has often served as a cultural clairvoyant.”


WNYC’s All of It with Alison Stewart: “Each generation has that artist who writes a song that when people hear it, they feel that the songwriter has looked into their soul and expressed their most intimate and vulnerable feelings. The person who was the first, the original, who touched listeners' hearts and heads was Janis Ian with this song in 1975 from her #1 album, Between the Line (play ‘At Seventeen’). More than 50 years later, Janis Ian has a new album…and it seems full of songs that both young feminists will be excited to discover and those who found her to pivotal in their youth will feel seen again (play ‘I’m Still Standing’).”


Cleveland Plain Dealer: “After more than 50 years, singer-songwriter Janis Ian is still making waves.”


The San Diego Union-Tribune: “Ian proved at that young age that she wasn’t afraid of taking risks in her career.”


NPR’s World Cafe: Janis Ian is a one-of-a-kind songwriter. Just like her music, she's honest, incisive, and fearless. She's also very funny and exudes the sort of confidence that comes from a lifetime of breaking down barriers and speaking her mind – even when the powers that be tried to keep her quiet.”


PopMatters: “The best Janis Ian albums are among the finest in the singer-songwriter sphere. Her touching, emotionally revealing lyrics burst with memorable turns of phrase.”


Albuquerque Journal: “Through her decades-long career, Ian has been a trailblazer when it comes to honesty.”

 

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Kurstin x Grohl: The Hanukkah Sessions 2022: Night Four

Kaya Saito - Better Times Will Come (Janis Ian)