Jan. 7, 2022
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Welcome Back
Going Deep: John Moutoussamy and the AKA building
Writing: Highlights from our newsroom
Reading: Highlights from other newsrooms
Archive: Past letters from the editor
Hope everyone is doing well, despite the frigid turn and the Omicron surge. If you know anyone in need of help during the cold weather this week, here's a list of resources from the city.
Going Deep: The bureaucrat and the birds
Earlier this week, the Chicago-based publication MAS Context published a lovely piece by Iker Gil about the architect John Moutoussamy on what would have been his 100th birthday. Moutoussamy is famous for designing the South Loop headquarters of the Johnson Publishing Company, which became a city landmark a couple of years ago before its conversion into luxury apartments. 

He was also the first Black architect to be made a partner at a large Chicago firm, appending his name to Dubin, Dubin and Black in the late sixties. His work can be found all over the South Side: his family home in Chatham, the Chicago Urban League headquarters in Bronzeville and several condo complexes in South Shore.   

Gil’s piece is very comprehensive, but I wanted to take a slightly closer look at the Alpha Kappa Alpha headquarters, one of the buildings that Moutoussamy designed in Hyde Park-Kenwood. (For those unfamiliar with the sorority — the oldest Greek organization founded by Black women — Aaron wrote a long piece about it a year ago.) 

AKA has had a national office in and around Hyde Park since 1949, first at the Washington Park Bank Building and then at 5211 South Greenwood Avenue. In the late seventies, membership had gotten large enough that the sorority wanted to build a $1.2 million national headquarters on “vacant urban renewal land” at 57th and Stony Island, according to a Herald article at the time. 

It’s not clear exactly when Moutoussamy and his firm became involved with the project — the rendering attached to the Herald story (and included below) looks quite different from the final building. There does seem to have been a delay in both acquiring the land and getting construction started. In 1983, the president of AKA told the Herald that there had been some opposition to the sorority buying up the vacant lot. 
“Word got out that a black group wanted it, so then the question became who was going to get it instead?” she said. “And then there is that old thing about the University of Chicago wanting to control everything.” 

The headquarters were eventually completed and dedicated in 1985, half a decade after the plans were first presented. (A photo of the groundbreaking, by the way, includes the Regents Park towers in the background — another Moutoussamy design.) 

As Gil points out in his article, some of Moutoussamy’s works appear to have been direct homages to his time as an undergraduate at the Illinois Institute of Technology, where he studied under Mies van der Rohe, the famous modernist who designed much of the school’s campus and turned it into an architectural powerhouse. Moutoussamy’s own home in Chatham was clad with the distinctive yellow brick also used on many of IIT’s buildings. 

I’m an amateur when it comes to architecture, but to me the AKA building is striking in its resemblance to Mies’s Crown Hall, perhaps his crowning achievement at IIT. In both cases, the black frame and large glass windows let lots of light into the building, giving passers-by and occupants a view of one another. Where Crown Hall contains one large space for pedagogical purposes, the AKA building is divided into offices and conference rooms. 

The buildings seem even more similar when you discover that the reason the AKA headquarters are taller than Crown Hall is only because another story was added in 1992. (Many of Moutoussamy’s buildings seem compressed along one dimension or another.) But where the campus at IIT can sometimes seem a little too solemn — walking around, there’s almost a feeling of self-importance — the pink AKA flowerpots and the organization’s large sign add a fun touch of kitsch to Moutassamy’s design. 

Gil ends his article with a quote from the Chicago architectural historian Elizabeth Blasius, who notes that none of Moutoussamy’s buildings apart from the Johnson Publishing headquarters is landmarked. 

“Because of this, none of his works in any of Chicago’s neighborhoods; not the house he designed for himself and his family in Chatham, not the Chicago Urban League Headquarters in Bronzeville, and perhaps most importantly, not the Alpha Kappa Alpha International Headquarters in Hyde Park are protected from demolition or recognized as significant,” she writes to Gil. “It is frankly not enough to have just one building by John Moutoussamy landmarked when there are so many others that deserve recognition and resources.”
Writing
Corli spoke with Paula Johnson, whose beauty salon on 55th Street is closing after 30 years in business. 

Aaron interviewed Hyde Parkers at the Point to see how they feel about the new year. 

Marc investigated what’s been going on with the Clarence Darrow Bridge. 

Andrea looked into the soup kitchen at a local church. 
Reading
I enjoyed this South Side Weekly interview with the rapper and Milwaukee transplant Myquale. 

The Reader ran a really fun interview with a 91-year-old woman. 

Corli has a short piece in Chicago magazine about Shermann “Dilla” Thomas, the TikTok-famous historian. 

I’ve read both John Barth’s “Where Three Roads Meet” and John McPhee’s “Looking for a Ship” this week. Both excellent, though I think the Barth is probably only for those who already enjoy his work.
Archive
Best,
Christian
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