For immediate release:

May 27, 2022


LA POST-PUNK QUARTET

AGENDER

SHARE SYNTH-PUNK DOUBLE A-SIDE VIDEO

FOR TWO NEW SINGLES:

"TROUBLE & DESIRE" + "WOMB 2 WOUND"

TO CELEBRATE TODAY'S ALBUM RELEASE


WATCH VIDEO HERE


SOPHOMORE LP

NO NOSTALGIA,

OUT NOW


LISTEN TO THE LP HERE



See Agender live Friday, May 27th @ Monty Bar in Los Angeles with Taleen Kali

Agender_No Nostalgia_AlbumCover_HR.jpg

Download hi-res LP artwork

"While Hoffman’s vocal style is demanding and raw, there is a sense of purpose and reason in her breath. Her vocal lines end with a sweet touch of dyspnea where the listener is worried the singer might faint due to lack of oxygen.” 

"Agender fuses the situationist sensibilities of Gang of Four with the Crass school of feminist anarcho-punk, all the while capturing a caustic metallic sheen uniquely its own."

download.jpg

"Against the dizzying clamor of insatiable cowbells, riveting synths, and pulsating bass the new single ["Top Bottom Top"] takes the band’s punk sentiments into a delightful new direction."

download.jpg
"['Astro Tarot'] energises elements of primal 70s rock and punk, plus hints of electroclash and an air of Gothic theatricality. It uses the purposeful anger, and righteous darkness of those genres to take the listener on a helter-skelter ride into the realms of the unknown."
analoguetrash-1000x833.jpg
Agender_LindseyByrnes_5.jpg

Photo credit: Lindsey Byrnes  | Download hi-res image

Today, LA-based post-punk four-piece Agender share a two-in-one video game-style video for synth-punk tracks "Trouble & Desire," and "Womb 2 Wound" along with the release of their long-awaited sophomore album, No Nostalgiaout everywhere now. The queer band, made up of Australian lead singer Romy Hoffman, bassist Cristy Michel, drummer Christy Greenwood and synth player Sara Rivas makes schizo, synthy, paranoid, post-punk with a dash of dysmorphic desire and have been turning heads in the post-punk scene since their debut album in 2014, Fixations, and most recently for their 2022 single, "Top Bottom Top.Coming this summer from the band is a remix EP, in collaboration with JD Samson and Harvey Sutherland


"Trouble & Desire," is a fast-paced, drum-backed track that meets where being anxious and avoidant in a relationship intersect. "Womb 2 Wound" builds on the bold tone as it opens opens with the classic assertiveness of Agender declaring, "Fuck my biological clock with my philosophical cock." "It begins with a punch in the face. The face is that of expectation and time. The song is about a hyper-aware person striving to be an ego-less, body-less self, who can transcend pathology and their attachment to people and things. It's a song that champions the notion that the solution to all problems is always spiritual."


Like with much of the album, Hoffman wrote the tracks and plays everything on them from synths, to drum machines, guitar, including the lead vocals and even had a hand in their production with an assist from David Scott Stone (LCD Soundsystem, Get Hustle, Unwound).


Hoffman reveals the tracks are "probably the most unhinged, synth heavy, synth-punk jams on the album. They sit somewhere between the late 70's minimal synth punk pioneer 'The Normal', early 80's L.A synth punks Nervous Gender and the more modern sound of 'The Faint'." Describing their sounds, she continues, "Big synth lines and layers, twinkling guitars and a steady drum machine beat create a bed for vocals to protrude from. It's all about the vocals. They're urgent, they're umph. Monotone over melody. Delivered with conviction." Hoffman concludes, "The song sounds like what living with an attachment wound feels like. Like nothing is enough and everything is too much."


The double video, directed by Amanda Lovejoy Street examines attachment styles and faces anxiety head on in the pursuit of finding oneself, playing on both sincerity and humor. Street, who has worked with American rock-punk band !!! Chk Chk Chk as well as the critically acclaimed short film Magic Bullet, explains, "Agender's latest two for one video explores what an experimental video game on attachment styles might be. The first video follows lead singer Romy the "Dismissive '' as she tries to avoid being caught by Claire, the "Preoccupied". 


The second video, Street continues, "propels Romy into an abstract womb space aka the origin of her attachment style. We move between Romy navigating the smothering "wombs" and into a stylized relationship space where we see the attachment dynamic between her and Claire continue to play out - one where real intimacy is never achieved. George Haas from Mettagroup acts as a "therapist" to narrate and witness."


WATCH THE "TROUBLE & DESIRE" + "WOMB 2 WOUND"

OFFICIAL DOUBLE VIDEO HERE


The punk-heavy 14-track album, No Nostalgia, sees the quartet satirically examine their place in today's fast-evolving world. They poke fun at modernity and postmodernity, while swinging between deep nostalgia for the past and amnesia. It's both existential and celebratory, yet introspective and humorous all at once. Hoffman, describing the main themes of the album, says, “The album reads as a newspaper or a collage. It’s a political, spiritual, philosophical look at modern society- the information age. It’s an anthropological look at the absurd current state of affairs. It’s focused yet unhinged, self reflective, observant, brash, tongue in cheek, serious yet playful. Excavations and observations of the mind of an anxiously attached, overthinking, spiritual human."


David Scott Stone produced with lead singer/guitarist Romy Hoffman, Sean Cook (St. Vincent, Angel Olsen) mixed, and Bob Weston (Shellac) mastered the record. The three engineers combined with Hoffman's gritty lyrics set the stage for an intricate storyline of existentialism.


The double single release follows the previous celebratory queer disco-club soundtrack, "Top Bottom Top," and its accompanying steamy video directed by Graham Kolbeins and starring Sheree Rose, an 81-year-old performance artist, documentarian, and dominatrix known for both her collaboration with poet Bob Flanagan and for her documentation of queer and underground subcultures from the 1980s to present.


An homage to queer sexuality and power dynamics, "Top Bottom Top" blends disco and punk underneath lyrics that repeat the playful words often used to label the positions and power structures involved in queer sex. It features punky guitar shreds, cow bells and subtle synth sequencers that flutter over a classic disco beat–one that BuzzbandsLA called "deliciously throbbing."


All four singles from the LP have received praise from tastemakers from Grimy Goods, to A&R Factory to Lethal AmountsAbout "Preach," Lethal Amounts wrote, “The debut video for "Preach" is a commanding anthem from Los Angeles band Agender. It's an ascending explosion. The four minute single is an anthemic crescendo that mirrors the angst and frustration widely felt in these chaotic times.” Describing "Astro Tarot," Post-Punk.com wrote it features, “Sharp guitars cut through woozy synths, sucking you into a winding labyrinth of snarl and symbolism." The publication also added that the band "fuses the situationist sensibilities of Gang of Four with the Crass school of feminist anarcho-punk, all the while capturing a caustic metallic sheen uniquely its own."


Another single from the album,"No Nostalgia," depicts a post-apocalyptic world free of anxiety, an imaginary realm where all life has ceased to exist as those in the peaceful, post-human world yearn for amnesia. Grimy Goods wrote the "heavy but healing" track "barrels into you with force and gravity, striking hard musically, visually and philosophically."


With what promises to be a jam-packed summer ahead for the band, catch them play live on May 27th at Monty Bar in Los Angeles with Taleen Kali and on June 23rd at LA's Zebulon with Crow Jane and Caress. Grab tickets via agendermusic.com/shows.


The in-your-face, unapologetic synth-punk tracks "Trouble & Desire," and "Womb 2 Wound" are out now lifted from their second, multi-faceted LP, No Nostalgiaout everywhere now, officially cementing themselves as leaders in the post-punk space. Plus, don't miss Agender, JD Samson and Harvey Sutherland teaming up for a remix of the track along with a remix EP, coming this summer in celebration of Pride along with a show at Zebulon on June 23rd. Connect with Agender on Instagram, Facebook, and YouTube for more from the post-punk Los Angeles four-piece.


                 LISTEN: "TOP BOTTOM TOP" | WATCH: "TOP BOTTOM TOP"

LISTEN: "NO NOSTALGIA" | WATCH: "NO NOSTALGIA"

LISTEN: "ASTRO TAROT"

Agender_LindseyByrnes_4.jpg

Photo credit: Lindsey Byrnes | Download hi-res image

Artwork credit: Carl Breitkreuz

Download hi-res LP artwork

No Nostalgia Tracklisting (LP):

SIDE A

01. Avoid A Void

02. Woah Life Wow

03. Top Bottom Top

04. No Nostalgia

05. Safe

06. Preach

07. Astro Tarot

SIDE B

08. Trouble & Desire

09. FFF

10. Rusher

11. Pastiche

12. Womb 2 Wound

13. Mother Simulacra

14. The Extinction of Handwriting

Agender Bio:

It’s hard to put Agender into any box: With Australian songwriter and musician Romy Hoffman at the helm, the quartet makes schizo, synthy, paranoid, post-punk with a dash of dysmorphic desire. And fans? They revel in their sweeping existential terror that comes with a fetish for femininity. 

Initially formed in 2011 as a solo punk excursion for Hoffman, Agender was born when she decided to get sober. “It started as impulsive, a way to cope with all these new, raw feelings. I played every instrument myself on the first Agender record.” But as quickly as it started as a solitary endeavor, it evolved into a trio just two years later. By 2014, the band had become known for its intense punk shows and had released its debut album Fixations via Desire Records. Since then, the queer post-punk outfit has now become a full-fledged quartet with bassist Cristy Michel, drummer Christy Greenwood and synth player Sara Rivas rounding out the band. Still, Hoffman still remains its focal point as the primary writer in the group.

Agender, however, has taken its time with releasing a new record. It’s been seven years since the band released its debut LP Fixations. In that 7-year time span, Hoffman moved from Melbourne to Los Angeles, built a life for herself in a new city, released a solo record of dark, driving electronic music, starting running two of L.A’s biggest queer parties (‘Homoccult’ and ‘Lez Croix’), and situated herself as a respected DJ. The process of No Nostalgia, the band’s second album, has also been slow and steady: the songs were penned pre-pandemic and partially recorded then, but finished during COVID. No Nostalgia came from Hoffman reaching the crossroads of oscillating between bouts of extreme nostalgia and extreme amnesia. With the record, she wanted to strip it all away. “When we live in a world where everything is nostalgic, I’m trying to imagine a world with none of that, but it’s impossible. Even if I’m just commenting on society, it’s still referential to something, therefore relies on memory, therefore I’ve thought myself into a corner. It’s from this corner that I write,” she says. In spring 2022, fans of Agender will get to experience Hoffman’s reality.  

While Agender’s last two records took themselves a bit more seriously, No Nostalgia is rooted in satire. “This record is poking fun at modernity and postmodernity,” says Hoffman. “It’s satirical. It’s a bird’s eye view of where we are and the absurdity of everything.” Inspired by everything from The French Situationist Movement to Wire and Buzzcocks, No Nostalgia is a canvas painted with singular post-punk.

Introducing No Nostalgia, Agender has shared two singles ahead of its release. Last Fall, they unveiled “Preach,” an eerie, synth-heavy single laced with guitar stabs that transforms God into Goddess energy. And last May, they shared “Astro Tarot,” an ode to divine intuition and the cosmic roadmap that intrigues the psyche. The title track is Agender’s third single, and is most emblematic of the record: “For me, it’s imagining a world of no memory.”

With No Nostalgia, Hoffman finds herself meditating on existentialism. On the urgent, self-referential “Avoid A Void,” she nods to her own journey of maintaining sobriety over the last decade. “Exist in a slippery dip/Spits you out into a big abyss,” she drones. Similarly, the heart-racing “Trouble And Desire” shows Hoffman ruminating over the push-and-pull of love addiction. Over spazzy guitar riffs, “Woah Life Wow” digs deeper into searching for answers in introspection: “She’s done enough of pray, this incarnation’s saved/Waiting in a waiting room, nothing to do but wait.” Songs like “Pastiche” and “Mother Simulacra'' tackle the death of originality — the former, a tongue-in-cheek parody on postmodernism, and the latter, a realization that Hoffman’s relationships are a copy of her relationship with her mother. Agender, however, takes a moment from life’s big questions to celebrate queer love with the disco-punk anthem “Top Bottom Top.” Politics don’t escape Hoffman’s focus on the record. With “Rusher,” a track penned at the height of “Russiagate” when Trump was in office, Hoffman interprets the absurdity of politics as theater: “Space race, space race seemed so fun/Dr. Strangelove press buttons.” Over bursts of guitar fuzz, “Fact Fuck Fiction” contemplates the insanity of political doublespeak: “Welcome to the news today/Don’t know if it’s true or fake.” By the album’s closer “Extinction of Handwriting,” Hoffman is yearning for simpler times over spacey synths — an analog future instead of a digital one. 

While Agender is Hoffman’s current focus, her experience in music spans more than two decades: She began her career as a teen playing guitar in Ben Lee’s pop-punk band Noise Addict and later became the first hip hop artist (and second Australian) to sign to Kill Rock Stars, as Macromantics. Later, Hoffman began making dark electro pop and house music under ROMY. 

No matter what project she’s working on, Hoffman believes she’s a medium for a message: “I’m delivering something that needs to be said.”
For more information on Agender, please visit:


For all Agender press materials and inquiries, please contact:

Leigh Greaney / leigh@bighassle.com
Romy Bayhack / romy@bighassle.com