Edit Smarter logo with Larry

July 21, 2025

Last week, I wrote about my newsletters getting sent to spam folders. This masked a bigger problem that wasn't caused by your email client - which I assumed - but in how your email server processed authenticated emails; which is how we tell an email server that my newsletters are not spam.


The Internet email gods changed the rules around May 1, which affected every email server. We fixed this on Friday by changing a flag that shifted spam filtering from your email server to your local system. Hopefully, this fixes that false spam problem. Let me know.


With new versions of macOS currently in beta, my lead story outlines my thoughts on when to upgrade. Upgrades, whether for the macOS or your favorite NLE, are always a balancing act. We need to decide whether the new features (and security improvements) are worth risking breaking a feature we depend upon. 

Discover the latest industry news on my home page. There are several new stories this week, including Adobe, Green Hippo, Sony and Fx Factory.

Resolve Basics in 4 Hours!

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In this age of smartphones with incredible cameras, it is easy to take high-quality images for granted. But when working with older prints or slides, quality is not a given; especially for images shot by non-professionals.


In this tutorial, I show how to adjust scanner settings to rescue images and make them look great.

A recurring question I get every week is a variation of "what is the best system for video editing?" The answer, as always, is "it depends" on what you want to do, how fast you need to do it and how much money you want to spend.


But, as this commentary illustrates, you don't need to spend as much as you might think.

The Magnetic Mask in Apple Final Cut Pro provides fascinating ways to separate foreground from background, then manipulate each layer separately.


In this tutorial, I show how to use the Magnetic Mask to isolate the foreground, change the background, adjust color, and add text effects.

Last week, I wrote about how to add captions to a DaVinci Resolve project.


This tutorial shows how to animate them. You don't need to use CapCut anymore!

Turning to Premiere, Media Intelligence is new with Premiere Pro 2025. It searches “for your perfect shot using language based on imagery, spoken words, or content with embedded metadata like shoot date, location, or camera type, all at the same time.”


Here’s how it works.

Returning full circle to Final Cut, slow motion is as much a trick of the eye and brain, as it is a trick of technology. Nothing in a video actually moves, it’s our brain that adds the movement.


Here’s what you need to know to make your slomo look as good as it can and avoid hallucinations caused by AI and optical flow.

Too often, we obsess about getting the "best" or the "fastest" that we lose sight of the fact that, while faster is better, it isn't always necessary. I wrote about this last week ("Sometimes Good Enough Is Good Enough") and published a more detailed look in "Speed Requirements for Video Editing."


While there is a need for 8K video, especially for LED volumes, maybe for IMAX, and, possibly, for large digital advertising, the majority of the work we create is HD or 4K. And neither of these require state of the art tools, nor require a king's ransom to purchase.


NOTE: "King's ransom" is a 16th century term used to describe capturing a king during a war as a revenue-generating opportunity for the opposing side. Needless to say, large sums of money changed hands.


If you have an older system and are still editing using a spinning hard disk, adding an external SSD will redefine your concept of fast. Even a low cost SATA SSD has 2.5x the speed of any spinning hard drive. Use the SSD for speed and the hard drive for archiving. 


Will an SSD RAID be faster? Yes. But if you are editing HD or 4K, you don't need a RAID to improve the speed of your system.


If you are editing on an Intel system, upgrading to a recent Mac with Apple silicon with a Pro or Max chip is worth the money. I'm happily editing with an M2 Max Mac Studio - which is no longer state-of-the-art, but still really fast nonetheless.


Will an M4 Max Mac Studio be faster - or an M3 Ultra chip? Yes, but an M2 Max Mac Studio does amazing work at far less cost. And, speaking from personal experience, the M4 Pro Mac mini is stunning.


You don't need to spend a fortune to improve performance, nor buy the latest-and-greatest, to get your work done faster. 


Now, as always, there are exceptions. If you edit 4K or 8K multicam with more than ten streams, edit 8K or 12K high-frame rate media, or create highly complex renders on impossible deadlines, spending more for faster performance is required. But, for the rest of us, spending less but spending wisely will be perfectly fine.

TUTORIALS & REVIEWS

» To Upgrade, or Not to Upgrade - That is the Question (Commentary)

   » Upgrades are always a balancing act. Here's my advice.


» How to Rescue Still Images Using a Scanner (Tutorial)

   » Here's how to adjust gray-scale settings to maximize image quality.


» Two Intriguing Uses of Magnetic Masks in Final Cut Pro (Tutorial)

   » Separate the foreground, adjust colors, change backgrounds and more.


» Create Animated Captions in DaVinci Resolve 20 (Tutorial)

   » Animating captions is easier than ever - but really hard to find.


» AI-Powered Media Intelligence in Premiere Pro 2025 (Tutorial)

   » Even for the largest projects, Premiere makes it easy to find the right shot.


» Caution: Slow Motion in Final Cut Tends to Hallucinate (Tutorial)

   » Some slow motion works better than others. This explains why.


» Speed Requirements of Video Editing Storage (Tutorial)

   » We don't always need the biggest and fastest. Here's why.

Video Scopes & Color Grades in Resolve 20


The color capability of Resolve is state-of-the-art. Watch as Larry Jordan presents over 3 dozen demos on:


  • Transferring Projects between NLEs
  • Color terms and fundamentals
  • Read and modify video scopes
  • The Color page interface
  • Simple and complex color grading
  • Adjust skin tones to make talent look their best
  • Matching shots
  • LUTs, Masks and tracking
  • Power Windows


Everything you need - all in one place.

Video Scopes & Color Grades in Final Cut


The color capability of Final Cut Pro 11 continues to expand. Watch as Larry Jordan illustrates:


  • Reading & modifying video scopes
  • The Color Board and Color Wheels
  • Simple and complex color grading
  • Creating secondary color corrections
  • Keyframing a color change in a clip
  • Masks, tracking and LUTs
  • Use Comparison Video to match color between shots
  • The new color workflow for log and HDR media


Everything you need - all in one place.

TOP 4 TITLES LAST WEEK

ARTICLES


» Configure an M4 Mac for Video Editing


» One-Click Color Trick in Final Cut Pro


» Sometimes, Good Enough is Enough


» Review: Epson V600 vs V850 scanners


» View all Larry's free tutorials here.

WEBINARS


» 382: Color Grading in Final Cut Pro


» Video Training Library Membership


» 383: Scopes & Color Tools in Premiere


» 384: Color Grading in DaVinci Resolve


» See all of Larry's online training here.