Happy New Year from Roger Linn-- 


Here are a few items of possible interest to LinnStrument owners or enthusiasts. If there's anything you'd like to see in future newsletters, please let me know.


- Roger

Video: Stu Wyatt

Here are two videos by Stu Wyatt of the UK, who goes by "Orchestü" on YouTube. I like how skillfully he plays the SWAM violin and cello sounds, artfully controlling dynamics, bow attack, vibrato and pitch slides with his finger gestures. Here's his video called "Bedtime Lullaby":

And here's another one called "The other side of the cocktails and herbal delights", with solo LinnStrument starting at position 1:55:

By the way, you may have noticed that I tend to spotlight LinnStrument performances that emulate skilled performance of acoustic instrument sounds. It's not that I prefer traditional acoustic instruments, but rather there are so few LinnStrument videos of expressive performance using new synthesis sounds. I suspect this is because most examples of synthesis in recorded music have been made with on/off switches, so people tend to assume nothing more is possible.

LinnStrument Tips & Tricks

Here are a few tips for using LinnStrument in new ways, that newer LinnStrument owners may not be aware of:


Front/Rear Keyboard Split

LinnStrument's Split keyboard mode is always side-by-side. But what if you want a front/rear split? To do this, use a single split across the entire playing surface, but set MIDI Mode to Channel Per Row, which sends each row over a unique MIDI channel, by default on channels 1 through 8 for rows 1 (front) through 8 (rear). Then in your DAW, set up one track to receive on channels 1 through 4 for the front split, and another track set to receive on channels 5 through 8 for the upper split and having a different sound.


Multiple Low Rows

LinnStrument's Low Row feature repurposes the frontmost row as a control strip for sending MIDI Control Change or Pitch Bend messages. But what if you want more than one such control strip? For example, let's say you'd like to use row 2 (second from the front) as a second control strip. To do this, set up LinnStrument as described above for "Front/Rear Keyboard Split". and turn on the Low Row feature, assigning it to your preference. Then in your DAW, set your track to receive only channels 3 through 8 (from notes played on rows 3 through 8, counting from 1 at front). Then also set up your DAW to receive Pitch Bend messages sent on MIDI channel 2 (row 2) only for control purposes. The sent Pitch Bend messages (for left/right movement) can be used a a global pitch bend strip, or you can reassign them in your DAW to Control Change messages to globally control any other parameter.


Tune LinnStrument's row however you want, like guitar strings

By default, LinnStrument's rows are offset in pitch by a musical fourth interval, like a bass guitar or the lower four strings or a guitar. But did you know that you can tune them however you wish, for example like open guitar tunings? To learn how, open my site's Panel Settings page, select the Global Setting tab, and search for "Independent Row Tunings".


Want 8 Control Change switches?

LinnStrument's SWITCH1 or SWITCH2 buttons can be set to send Control Change messages, for example to toggle a synth function on or off. But what if you want more than two such CC switches?

To do that, you can set LinnStrument's rightmost column to act as 8 CC toggle switches. In Per-Split Settings, select the Right Split and in the SPECIAL column, turn on CC FADERS. Then exit Per-Split Settings, turn SPLIT on, and set the right split to only one column wide. (Hold SPLIT while dragging your finger all the way to the right side of the playing surface.) Now pressing any of the pads in the rightmost column will toggle between sending a CC value of 127 (light on) and 0 (light off). By default, rows 1 through 8 send CC's 1 through 8, but you can reassign each pad to any CC number by holding CC FADERS in Per-Split Settings, as explained in the Panel Settings page.


Have a problem with LinnStrument operation you can't solve?

if you can't find where your the answer is on my site, try asking ChatGPT or Gemini. I've found their answers are usually correct.

A New App for Microtonal Musicians

For those interested in microtonal or non-standard tunings, Peter Jung of Cologne, Germany has created an interesting plug-in called PitchGrid. Here's his description of it:


"PitchGrid lets you explore tuning systems beyond 12-EDO while keeping the LinnStrument's isomorphic layout intuitive — same finger patterns, different musical universes. Start with familiar alternatives like just intonation or 19-tone, or venture into entirely new harmonic territory. The plugin handles the tuning math via MPE pitch-bend; the free open-source Mapper lets you configure how any scale lays out on your LinnStrument grid."


Here are the links to visit:

Plugin: https://node.audio/products/pitchgrid

Mapper: https://github.com/pitchgrid-io/pitchgrid-mapper/releases

What's So Great About Expressive Touch Control?

It surprises me that most musicians still play music with the on/off switches of MIDI piano keyboards or drum pads, and don't understand why LinnStrument's 3D continuous touch expression is better. Here's a video I made in late 2024 in which I try to answer that question. If you haven't seen it, please take a look.

To learn more, here's a page on my site with more information on this topic.

Next Zoom Call

The next First-Tuesday-Of-The-Month-LinnStrument-Zoom-Call is Tuesday February 3rd at 10 am California time. All are welcome-- LinnStrument owners and those interested in LinnStrument. I'm happy to answer questions from potential buyers or newbies, and interesting discussions often ensue between owners about tips, techniques, specific synths, or editing the source code.


To get the Zoom meeting link, click here or click "Monthly Zoom call with Roger" from the LinnStrument Support page. I hope you can join the meeting, if not this one then on any future first Tuesday of the month at 10 am California time.

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