Los Angeles native Mara Connor has shared her cover of Elliott Smith's "Ballad of Big Nothing" (feat. Kenny Becker of LA grunge band Goon) from the forthcoming Decades EP, due May 20, 2021. All proceeds from the single -- the last from the EP ahead of its release -- will be donated to The Trevor Project, a a national organization providing crisis intervention and suicide prevention services to LGBTQ young people under 25. Hear "Ballad of Big Nothing" HERE.
"Kenny and I are excited to share our rendition of 'Ballad of Big Nothing,'" Mara says. "No one does it better than Elliott Smith but we had a lot of fun paying tribute to one of our favorite artists by making music in our apartments on an old four track cassette recorder, just like Elliott used to do. In honor of Mental Health Awareness Month, proceeds for the month of May will be donated to The Trevor Project."
HEAR "BALLAD OF BIG NOTHING" (ELLIOTT SMITH COVER)
HEAR "BLUES RUN THE GAME" (JACKSON C. FRANK COVER)
HEAR "AIN'T THAT A SHAME" (FATS DOMINO COVER)
Mara and Kenny co-produced “Ballad of Big Nothing” at their LA apartments on a Tascam 414mkII four track cassette recorder (a recording technique Elliott Smith himself used) that they found on a spontaneous visit to LA record shop Cosmic Vinyl. Kenny can be heard on guitar, vocals and reverse piano (a special effect created by physically reversing the tape to record the instrument backwards). Featured on violin is Jen Simone (who also played with Elliott Smith’s band Heatmiser back in the day). Mara and Kenny bonded over their shared admiration for Elliott Smith, who had a big influence on both of their music.
Decades is a collection of five covers spanning over fifty years. Each cover belongs to a different decade, from Fats Domino’s “Ain’t That A Shame” (1955) and Jackson C. Frank’s “Blues Run the Game” (1965) to Neil Young’s “Old Man” (1972), Kath Bloom’s “Come Here” (1984) and Elliott Smith’s “Ballad of Big Nothing” (1997). The songs were recorded across the US, in New York City, Nashville and Los Angeles (mostly pre-pandemic, in home studios and on apartment floors).
For Mara, this EP was an excuse to work with some of her favorite collaborators and friends (whose credits include The National, Sharon Van Etten, Kacey Musgraves, Elliott Smith and Alabama Shakes) and an experiment in reinventing and breathing new life into some of her favorite songs of the 20th century. This EP is also Mara’s producing debut, as she co-produced two of the songs ("Come Here" and "Ballad of Big Nothing").