April Mid-Month 2024

art...beauty...theatre...poetry...life

Saluda Art Stroll hosted by the Saluda Art Alliance

 

There’s something exciting happening in Saluda! Eight galleries and nine artists have joined together to form the Saluda Art Alliance to help cultivate and bring attention to the big art community in our little town. With a broad variety of art, there is something for everyone.

 

For the months of April through December, the Saluda Art Alliance will be hosting the Saluda Art Stroll on the second Saturday of each month. From 4-6 pm, galleries and artists alike will be celebrating with open-house receptions, artist demos, and refreshments.

 

The first Saluda Art Stroll is Saturday, April 13th.

 

Enjoy a walk along Main Street and across the bridge to see what a wonderfully diverse art community Saluda has become.

 

For more information visit www.SaludaArtAlliance.com or email us at SaludaArt@gmail.com.

 

Please refer to the map for the locations of all participating galleries.



JIM CARSON AIS OPA

STUDIO / GALLERY

20-2 Main St., Saluda, NC


Jim’s Studio/Gallery is offering a 10% off SALE on ALL paintings, including framed paintings, during the “Second Saturday Stroll”, which begins on Saturday, April 13, from 4:00 PM- 6:00 PM.

Unframed paintings will be up to 50% 0ff.

 

All the Saluda shops will be open until 6:00 PM. Come enjoy this wonderful little town, then eat at one of our great restaurants.

 

ALL ABOUT VALUES.

Jim is offering another small (6 student) workshop on Monday-Wednesday, April 22-24, in his Studio/Gallery, titled “All About Values”. “While color gets all the credit, value does all the work”. We will try to get to the essence of that quote during this three-day workshop.

 

To sign up, go to “Workshops” at www.jimcarson.net, email jimcarson151@gmail.com, or call 828 7493702 or 828 8173376.

 

Jim’s Studio/Gallery hours are:

Fridays, 11:00 AM to 5:00 PM

Saturdays 11:00 AM to 5:00 PM

Sundays 1:00 PM – 5:00 PM

Mondays 11:00 AM- 5:00 PM

Tuesday-Thursday, by appointment or chance.

Although Jim is often in the gallery on those days because he paints there.





A Joyful Community Chorus Bringing People Together​*

 

TWO SPRING CONCERTS...

Theme: Enduring Life’s Storms

with songs of Carole King, Simon & Garfunkel, spirituals, & more

 

1.) 5:00 pm Sunday, May 5

Trinity Presbyterian Church Hendersonville

900 Blythe St, Hendersonville, NC 28791

 

2.) 7:00 pm Tuesday, May 7

Tryon Fine Arts Center Auditorium

34 Melrose Ave, Tryon, NC 28782

(Saluda folks, please come to Tryon to support us as we expand our reach into fresh territory! Thanks.)

 

FREE CONCERTS! DONATIONS ACCEPTED. ALL ARE WELCOME.

(Help us keep our concerts free by purchasing raffle tickets from chorus members for "Eat Til You Drop" restaurant gift card baskets. Three baskets to be awarded by blind draw at our concerts. Support our musical family.)

 

Dewy mornings and lush scents greet us daily as Spring really opens its arms and embraces us. Soft breezes tickle our faces as we turn them toward the sun, shaking off the last remnants of Winter. The buzzing of life can be found all around us as flowers tempt friendly bees, birds chirp merrily, and laughter of good company floats through the air. Everything is bright, new, and fresh. Come in and see what the Season has to offer as we feature the first fruits of the year, vibrant baby greens, and tender vegetables. Gather with us and share in the warmth of good company.

As the scent of renewal fills the air and days stretch longer, we're delighted to introduce our Spring Menu, celebrating the season's vibrant rebirth and the farm-fresh bounty it brings. Our culinary team has meticulously crafted dishes that capture the essence of spring, featuring fresh vegetables such as asparagus in the Anson Farms Risotto Skillet and sugar snap peas with the Sunburst Mountain Trout. All paired with a selection of wines and unique cocktails to complement the fresh, youthful flavors, we invite you to a dining experience that aims to rejuvenate your spirit and delight your palate. Whether you're basking on our welcoming patio in the fresh air or soaking in the cozy ambiance indoors among our spring artwork, join us to embrace the hopeful promise of spring at The Purple Onion embodying the warmth and joy of the season.

Meet us at The S.P.O.T. this season! As the weather warms up, there's no better place to savor a margarita and take in the stunning views of downtown Saluda or cozy up by the fire on those perfect spring evenings that are just cool enough for a fireside chat. And don't miss out on our Game Night every Sunday! It's the perfect way to unwind, connect, and enjoy the beauty of spring with friends and family. We're open Thursday, Friday, and Sunday from 3-8 PM, and Saturday from 12-8 PM.

 

April 17th, at 6:00 PM

$96 (includes gratuity) - Ticket Link

Join us at The Purple Onion, March 22nd at 4:30 PM, for an artist reception honoring Alexander James – our Featured Artist this quarter. "The drive to create has always been a core part of my character," says James, who specializes in a unique, textured style, using pastels and oil-sticks. Inspired by the landscapes of Western North Carolina and the tranquility of the ocean, his work invites viewers into a world of vivid detail and profound beauty. Enjoy light refreshments while exploring his latest paintings and seize the opportunity to engage with James. This is an event not to be missed for art lovers and the community alike.

 

Hiring for the Season

The Purple Onion (S & L Restaurant Group) has begun hiring for the season. Come work in a team-oriented, high-volume, fast-paced environment to deliver the best dining experience to our guests. Looking for positions in both Front of House and Back of House. Fill out an application online here or come in and ask for a paper version. 

Thursday & Saturday Night Music

Thursday Nights 7:30 p.m.

Saturday Nights 8:00 p.m.

*Cover Charge*


April 11th, Thursday

In the Evening & In the Flesh: A night of Led Zeppelin & Pink Floyd w/ Eric Congdon - $10

Ticket Link

Showing true for the Blues and Americana roots of the region, Eric Congdon continues to establish his 

reputation as one of this area's most engaging artists. As a multi-instrumentalist, singer, songwriter, collaborator, producer, and virtuoso guitarist, saying Eric Congdon is a multi-faceted artist is an understatement. His sonic vocabulary is rich and deep, surprising and engaging audiences everywhere. Come see him as he takes on sounds from some of the greatest musicians.

 

April 13th, Saturday

The Feels - $12

Ticket Link

Singer-songwriters, Lange Eve and Sarah Roberts bring their soulful and engaging energy as they showcase their original music. This five-piece group packs their sets with fusions of Soul, R&B, Funk, and Groove with tasteful throwback/retro vibes that will make you feel so many things! In addition to Lange on guitar/vox and Sarah on Ukulele/vox/percussion, this dynamic group is backed by Matt Gardner on lead guitar, Brian Grasso on bass, Matthew Roberts on drums, and often other special guests! The Feels is a fun mix of artists from the (past and present) WNC music scene. These musicians have a long history of music and good times together that can be felt and heard!

 

April 18th, Thursday

Ménage - $13

Ticket Link

Ménage is a swing/soul/roots band. Original members Mary Ellen Bush and Sarah McDonald are now joined by Melissa Hyman to create a sound that is intimate, harmonic, and invokes melodic landscapes of our hills. Folk-rooted, the trio will take you on a journey unlike most, where bluesy swing is conveyed in rolling grooves ranging from rich smokey vocal textures to rambunctious roadhouse to whimsical. Sweet harmonies and distinct songwriting are the backbone of this band's novel style. Solid stringed riffs laced with distant artful flashes of harmonica and accordion are siren songs to those lucky enough to be within earshot. The songwriting and the talent of this trio/duo will draw you in, and bring you back to see them again.

 

April 20th, Saturday

The Paper Crowns - $10

Ticket Link

The Paper Crowns are the multi-instrument, genre crossing power duo of Spiro and Nicole Nicolopoulos. The Paper Crowns are earning their reputation as the genuine article and as a band on the cutting edge of modern roots music. Their musical chemistry is a gumbo of Appalachian folk and bluegrass, Dixieland melodies, delta blues, acid rock, murder ballads, outlaw country and Southern Gospel that they cook up into a sound all their own. As a duo they have a full band sound with drums, bass, acoustic and electric guitars and banjo as well as live looping on the spot compositions. Their mix of modern and traditional performance creates a captivating intensity yet always honors their intimacy and emotional rawness as a duo.

 

April 25th, Thursday

Jennifer Alvarado - $10

Ticket Link

Her music has a country sensibility with a pop current running through it. Her voice is smooth and passionate with a sweetness and power that merge seamlessly into satisfaction for the listener. Her sound is a mixture of country, pop and blues that reflect an eclectic blend of influences. She is currently nominated for seven International Singer Songwriter Awards, including “Entertainer of the Year” as well as three Josie Awards.

 

April 27th, Saturday

Joseph Hasty & Centerpiece - $10

Ticket Link

No stranger to the Purple Onion stage, Joseph Hasty & Centerpiece has been performing in WNC for over 25 years, playing an eclectic mix - including originals written in the Great American Songbook format. Centerpiece will be dusting off some classics: the ABC’s of the 50's, 60’s and early 70’s. America, Beatles, CSN, Dylan, Ella, Frank, Gordon, Hank, Joni & TonyB... Jazz, Blues and Acoustic Folk at its finest. Your toes will be tappin' and fingers snappin'!



Greetings Reader!


Wood Berry Gallery is busting out with new art and exciting craft this Spring! We are now on the Blue Ridge Craft Trail and the quality of the craft we have in the gallery is super. Hope you can make time to stop by and see what we have. And yes, our sidewalks are being replaced over the next few weeks, but we are open for business!


Our first big event of the new year is scheduled for Friday, May 3 from 5-7 pm!  A reception and talk featuring artist Jan Swanson, whose skillful use of primary colors and sometimes satiric sense of humor can be found in her work. She has studied painting at Columbia College, University of South Carolina as well as Penland, Arrowmont and Anderson Ranch. We hope you will be adventurous and join us for some fun, refreshments, and a short talk about what inspires her!


News Flash: A group of local art folks have gotten together to form The Saluda Art Alliance to promote Saluda as an art destination. We are pleased to be sponsoring Saluda Art Strolls on the Second Saturday of each month beginning April 13th from 4-6 pm. Come on out and see the creativity of the region that is showcased in our little town of Saluda!  



Saluda Outfitters and Green River Eddy’s Tap Room & Grill

 

If you love free live music, you are going to love the Sunday additions to our music lineup. Starting in May, we’ll host music from 2-5 p.m. on our outdoor Under the Oak stage. We are booking a great lineup of solo and duo acoustic artists so we can feature more of our local talent from around Western North Carolina and Upstate South Carolina. We are excited to be able to add this additional entertainment to our agenda. Be sure to come by for lunch on any beautiful May Sunday. To stay abreast of all our events, sign onto our website at https://saludaoutfitters.com and sign up for our brief newsletter. You will then receive quick reminders via email or text of upcoming shows with information on the artists and genre of music they play.

 

With summer approaching, our chefs have finalized our restaurant menu with a good variety of shareables like our own smoked wings, stuffed jalapeno poppers and mac’n’cheese bites. Our handheld sandwiches include Chef Hector’s specialty Smash Burger that includes two all-beef patties cooked to order and smothered in Eddy’s sauce; our fresh cooked chicken sandwich with Sriracha mayo; and our Cuban sandwich made with mojo pork, ham, pickles and Swiss cheese and so much more. Tacos are back and we offer a fish’n’chips plate. We even have a Little Eddy’s menu for the kiddos.

 

Our winter sale is now 40 percent off. Don’t miss out on some super buys (think birthdays, Christmas gifts purchased ahead of time at a great savings!) Our upstairs retail area is also now stocked with the best brands of shorts, tees, casual dresses, shoes and sandals and other summer wear. We are restocking fishing supplies and other camping and outdoor recreation gear.

 

For the rest of April, we are open 6 days a week as follows: Monday, Wednesday, and Thursday open 11 a.m. to 8 p.m.; Sunday, 10 a.m. to 8 p.m.; Friday, 11 a.m. to 10 p.m.; Saturday, 10 a.m. to 10 p.m. Starting in May, we will return to 7 days a week and expand our hours as well. Stay tuned.

 

On Friday, May 3, we’ll be closing our business to the public prior to the dinner hour while we host a special event.

 

Contact Information:

Call the store at 828-848-4060; email, info@saludaoutfitters.com or stay in touch via our Facebook pages https://www.facebook.com/saludaoutfitters or https://www.facebook.com/greenrivereddystaproom/ where we routinely post updates; on Instagram @saludaoutfitters; or on our website: www.saludaoutfitters.com.

 



Free Live Music at Saluda Outfitters and

Green River Eddy’s Tap Room & Grill

 

Friday, April 12, 7-10 p.m. | Friday, April 12, 7-10 p.m. | Carrie Morrison's music is melodic and memorable, and her songs make connections. The singer/songwriter/pianist, a native of Louisville, Ky., has been playing piano since age 7. She moved to WNC in 2004 and has released EPs "Carolina Blonde" and "The Neverwhere Sisters," and album "Miles and Miles." She currently performs solo and in The Andrew Thelston Band, recently voted #1 Rock Band in Mountain Xpress's Best of WNC, with Carrie winning #3 Keyboardist in the same contest.  

 

Saturday, April 13, 7-10 p.m. | Crystal Creek is primarily a country and southern rock cover band that plays a little something for everyone including country/classic country/classic rock/southern rock and bluegrass. Band members are Ed Bowen, lead guitar of Williamston, SC; Candace Gronek, rhythm/vocals of Greenville, SC; Jerry Hipp, drummer of Inman, SC; and Robert Bowen, bass/vocals of Inman, SC.

 

Friday, April 19, 7-10 p.m. | The Pace Brothers are Saluda natives and singer/songwriters who will bring their form of original music to the Saluda live music stage. Holden fronts the Holden Pace and Quality Control Band. He plays guitar, piano and serves as lead singer. Jadon is drummer/singer for the very popular The “Dirty South” Band.

Saturday, April 20, 7-10 p.m. | Bruised Rhino is an Americana jam band out of Shelby, NC. Band members include Cornelius Logan on drums/vocals; Pedro Fraginals on guitar/vocals; Randy Mach on guitar/mandolin/vocals; Mike Claprood, bass; and Joe Hindsley, harmonica/vocals. This group of multi-instrumentalists plays an eclectic mix of Americana/blues/soul and psychedelia. They provide a genre crossing and boundary pushing experience.

 

Friday, April 26 7-10 p.m. | Gilkey Cattle Co. is a four-piece country band with a love of Willie Nelson, Clint Black, Keith Whitley and other country greats as well as the Eagles and Marshall Tucker tunes. Home based in Rutherford, N.C., the band focuses on classic country from the 90s to 2000s. The band is headed by veteran guitar player and singer Garry Cuthbertson with Kate Durham on fiddle, Randy Fish on guitar and vocals and Tony Dente on drums and vocals.

 

Saturday, April 27, 7-10 p.m. | Crystal Fountains is an Americana, folk, bluegrass trio from Charlotte, N.C., that plays traditional bluegrass as well as original music with elements of jazz, blues and rock. They pull from a variety of influences with an emphasis on vocal harmonies reminiscent of the Delmore Brothers, Stanley Brothers and The Louvin Brothers, just to name a few. The group is led by Grant Funderburk.



Do you love history? Art? Nature?

 

Preserving a Picturesque America ( PAPA) is seeking inquisitive, adventurous spirits to help our nonprofit’s mission to preserve natural and historic places through the power of the arts.

 

PAPA needs volunteers to help with various tasks and to help us rediscover places across the country that were originally featured in the 1870s publication Picturesque America. 

 

For those who really love diving into the mysteries of history we welcome you to join us for research days once a week where we strive to decode the routes of the original adventure artists and writers from Picturesque America

 

For those who love fundraising and marketing, we welcome you to share fresh ideas and help us create new and innovative fundraising campaigns.

 

For those who love working with social media, we welcome you to help us generate fun and interesting content we can post regularly.

 

For those who love to write, we welcome you to help us with our quarterly newsletter.

 

For those who love our mission and want to help us share the PAPA story with others, we welcome you to help in the PAPA gallery as a gallery docent

 

And of course for those who are artists, we welcome you to join and contribute artwork to help raise funds for the protection of special places here in our beautiful mountains and beyond!

 

To learn more about us go to https://preservationthroughart.org/volunteer/

 

To apply, please e-mail sam@preservationthroughart.org or call 828-713-2130

 

 

Upcoming PAPA Events!

PAPA has some exciting shows happening this year! These art shows will benefit the Pisgah National Forest Conservancy and the Safe Passage Wildlife Corridor project. We also have an art show and exhibit happening in Charleston, SC this summer that will benefit the Charleston Waterkeepers, the Gullah Geechee Cultural Heritage Corridor, Magnolia Cemetery Foundation, and others. With our work and our art show fundraisers, we help to raise awareness and to protect important landmarks in North Carolina, South Carolina, and across the nation. 

Tryon Little Theater has a permanent home!

 

Tryon Little Theater is proud to announce that after 75 glorious years of doing vagabond theater, they have at last acquired a home! On March 20th papers were signed to acquire ownership of the building they have rented for 19 years, at 516 South Trade Street in Tryon, NC.

 

“The board of directors is grateful to previous owner Tom Cline for working with us to make this dream a reality,” board president Mark Sawyer said. “We have looked and dreamed and talked about this for a long, long time. Now we can roll up our sleeves and get to work on turning this place into the venue our patrons deserve. Keep an eye out for our upcoming capital campaign and some fabulous events!”

 

For upcoming shows and season announcements, please visit www.tltinfo.org.



The Crossing of Our Accents

Elina Katrin


A sledge hammer driving railroad

spikes into tracks. That's how my father

bends Russian.


Thirty-two years in the country I call my home

is not enough time for his Syrian tongue to slither

around the Cyrillic alphabet.

Among its rolling sounds and letters

with too many squiggles and tails, my father

still feels a foreigner. A hyena

bathing in the Neva river. A king

with no crown or throne.

              □

How do we rate the perfection of language?

I've been told my English is perfect

countless times. The accent is flawless— 

not fully gone but just enough of it left to keep

people wondering about my origin.

Five rubles tossed into a wishing well

filled with cents— 

in America, people welcome me

as long as my voice entertains.

                □

I feel Russian dangling from my tonsils,

but when I channel my firstborn tongue,

my mother cries out in what I hear as perfection,

the rumbling language of those left behind.

You sound like a foreigner

who knows Russian really really well.

Посмотри, что со мной сделала Америка.

Then look at what Russia did to my father.

From years of casting the steel

of nonnative vocabulary, we molded

our own versions of accents.

With conjugations that choke my father's neck

and lax vowels skewing my jaw, listen to our mouths

join the choir of second-hand syllables.

Hear them grow louder.

Get ready to misunderstand.

Featured Poet



Elina Katrin is the author of the poetry chapbook, If My House Has a Voice (Newfound, 2023). A Syrian-Russian immigrant, she holds an MFA in Creative Writing from Hollins University. Her poetry was selected as a semi-finalist for The Pablo Neruda Prize for Poetry and has appeared in or is forthcoming from Electric Lit, Nimrod International Journal, bath magg, and elsewhere. She likes to bake, video chat her dog back home, and go on daily walks.

 

"The Crossing of Our Accents" recognizes language as the main, if not only, point of familial connection between a father and a daughter. I believe that language is what ultimately binds us all, it’s the center of any relationship, no matter what shape or lack thereof that language takes. So, this poem proceeds to question the English and Russian languages—their pliability, beauty, and failures.

Elina Katrin on "The Crossing of Our Accents"



Photo Contest Celebrates Habitat at Home


Conserving Carolina invites you to enter the fifth annual Habitat at Home spring photo contest, which celebrates the beautiful and wild things we can see right outside our door. The purpose of the contest is to inspire more people to restore natural habitat at their homes, as well as places like schools, businesses, and houses of worship. The contest starts April 5 and runs through May 15.


Conserving Carolina is looking for photos that showcase ways that people are restoring natural habitat—such as native plant gardens or bird boxes. They are also looking for photos of animals spotted around homes and other buildings. This can include the full range of wildlife from the smallest to the largest. In past years, people have shared photos of lizards, toads, turtles, snakes, butterflies, moths, beetles, bees, birds, deer, foxes, bobcats, bears, squirrels, and much more! The contest is open to both advanced photographers and people who are just having fun. Youth entries are encouraged.


To enter the contest, simply post your photos or videos on Facebook and/or Instagram, as a public post with the hashtag #habitatathome2024. If you do not use social media, you can enter the contest by emailing rose@conservingcarolina.org. You may enter as many times as you want between April 5 and May 15. To be eligible for prizes, photos must be taken in Western North Carolina or Upstate South Carolina. The grand prize is a professional landscape consultation by Mark Byington of Byington Landscape Architects, who is an expert in sustainable landscapes. The other four finalists will win $25 gift cards to their choice of local businesses that sell native plants. You can see full contest rules at conservingcarolina.org/contest2024.



Conserving Carolina is a local nonprofit land trust that has helped protect over 49,000 acres in Henderson, Polk, Rutherford, Transylvania, and surrounding counties. The group’s mission is to protect, restore, and inspire appreciation of the natural world. To learn more or become a member, go to conservingcarolina.org.



FOLLOWING THE FOOTSTEPS OF JACK LONDON:

A Journey to the Yukon and the Legacy of the Gilded Age

By Jeanne Ferran

 

           AUTHOR’S NOTE: I am a teacher at Polk County Middle School, where I teach AIG Language Arts, coach the ski team, and run the trail crew. For the past few years, we have been working on efforts to restore Laughter Pond, and this year, we are starting to build an outdoor classroom. Due to these efforts, I received a grant through the Polk County Community Foundation to travel to the Yukon with the intention of drawing connections between wildness and its importance to the American mind. No author has been more instrumental in this concept than Jack London, so for my grant, I wanted to follow the footsteps of the great American writer who has captured the imagination of wilderness and adventure seekers for the past 120 years. 

 

“I wanted the gold, and I sought it;

   I scrabbled and mucked like a slave.

Was it famine or scurvy—I fought it;

   I hurled my youth into a grave.

I wanted the gold, and I got it—

   Came out with a fortune last fall,— 

Yet somehow life’s not what I thought it,

   And somehow the gold isn’t all.”

 -Robert Service, “Spell of the Yukon”

 

           In July of 1897, a handful of gold seekers- tired, ragged, and filthy, stepped off the steamboat Exelsior in San Francisco Bay. They had been panning and sluicing in a vast expanse of wilderness, the Klondike region of the Yukon Territory. From their appearance, no one would have imagined that in their cargo was half a million dollars worth of gold dust. These gaunt, worn men were rich beyond their wildest dreams. 

When the news broke, the entire world turned to frenzy. Outfitters cropped up along the Pacific coast. One million people made plans. One hundred thousand actually left. And those who had always longed for a grand adventure walked out of jobs the day they heard the sensational news. 30,000 people, rich and poor, from all over the world, made it into the Klondike from all over the world. Some prospectors’ dreams ended before it even began, when, in the port of Skagway, boatmen tossed a year’s worth of supplies overboard, their provisions sinking to the bottom of the harbor. But still, tens of thousands convened in one year in Dawson City, a boggy, mosquito-filled indigenous fishing camp at convergence of the Klondike and Yukon Rivers.  

 

After enduring food shortages, price gouging, climbs over steep passes, blizzards, months of sub-zero temperatures and shortened days, and an arduous river journey filled with deadly rapids, the gold seekers, worn, beaten, tired,and malnourished, realized that the good claims had been taken. The trip, if they survived it, would be nothing but a good story to tell. One of these men was a 21 year old by the name of Jack London.

 

AMERICA’S FIRST GOLD RUSH

The Wild still lingered in him and the wolf in him merely slept."- Call of the Wild 

           One hundred years prior, in Cabarrus County, twelve year old Conrad Reed found an abnormally dense rock out in the field near his home. For three years, the family used the seventeen pound hunk as a doorstop before bringing it to a jeweler, who bought it for $3.00 ($74 modern money). The gold rush in North Carolina had begun, albeit slowly. Local pioneers scanned the creeks and waited until after the harvest to search for gold in their fields.                                                                                                                                                                                                                                                                                         

In 1825, as Cornish immigrants brought steam engine technology, gold mining moved underground, requiring a larger workforce. At some of the camps, miners spoke up to thirteen different languages, The estimation of gold seekers in North Carolina is around 30,000 people. The Cornish remained in settlements around the piedmont, but most miners, single immigrants, moved with the news of other gold rushes. In 1828, gold was discovered in Georgia. Two years later, Andrew Jackson signed the Indian Removal Act. The Cherokee were forced out of their ancestral lands, and the settlers poured in. Within a hundred years, almost the entire southern Appalachian region, an area of land that has more biodiversity than the entire European continent, was logged, its soil eroded, its creeks and rivers silted, and its wildlife eradicated. Only a few isolated tracts of virgin forest remained. 

 

THE GILDED AGE: 

The desire for gold is not for gold. It is for its means of freedom and benefit. -Ralph Waldo Emerson

 

           At the time of the Klondike Gold Rush, Saluda had a population of roughly 200 people, more in homesteads in the surrounding hills. Hydroelectric power was just starting to creep into the numerous valleys from burgeoning towns like Asheville and Spartanburg, but the first plant had yet to be built in our valleys. The goal of these plants was not to illuminate Saluda, but to send power downstream to expand output in the textile mills of distant towns. In fact, some rural areas would not get power until the 1950s. What Saluda did have was a railroad, transporting goods and passengers, roughly 3,000 each year, up the steepest grade east of the Mississippi River. 

 

           During the railroad’s construction, a tent city sprung up at the top of the grade. Men looking for work followed the railroad, laying track and rail. When the work took longer than expected, the first mayor, Colonel Andrew Tanner, pressed convict labor. At last, on Independence Day of 1878, the Southern Railroad sent its first engine up the tracks, and Saluda was forever changed. Wealthy lowcountry families looking to escape the heat and mosquitoes built summer homes. The town incorporated itself to protect schools and churches from whiskey distribution. The American Missionary Association opened a seminary in 1889 at what is the present day Saluda School. 

 

In 1888, George Washington Vanderbilt visited Asheville with his mother, who was seeking respite from symptoms of malaria. By 1895, he had built the grandest home in America, wired with electricity, thanks to his friendship with Thomas Edison. But George Vanderbilt did not want to simply be the owner of a grand home: he wanted to run a self-sufficient estate. He bought up everything in view- 125,000 scarred, overgrazed, burnt, overlogged, eroded acres- and hired Gifford Pinchot, one of two foresters in the country. Vanderbilt gave Pinchot an unlimited budget to convert the tract of land into a working, sustainable enterprise. He told Pinchot to look to the old growth coves that had been too rugged, isolated, and steep to exploit as inspiration. Pinchot immediately started planting pines and hardwoods on the scarred land. At the same time that tens of thousands were setting out for the fabled riches of Bonanza and Eldorado Creek, Vanderbilt commissioned Carl Schenk to open a forestry school, the first in the country, as a way to train young men to manage and restore his vast landholdings. Courses included art, logging, silviculture, forestry protection, surveying, plant and animal identification, music, history, literature, and botany.  

 

JACK LONDON’S HUMBLE BEGINNINGS

“It was the masterful and incommunicable wisdom of eternity laughing at the futility of life and the effort of life. It was the Wild, the savage, frozen-hearted Northland Wild.” -White Fang

 

London lived in a world where labor laws did not exist. Unbridled capitalism was fed by the extraction of resources by any means possible through the exploitation of a restless underclass with no social mobility and few rights. Poverty was rampant, and men, women, and children took on dangerous work for next to no pay just to scrape by. Education was a privilege for the elite. Companies thought nothing of underpaying laborers doing risky, backbreaking work for ten to twenty hours a day, seven days a week, at a dime an hour. Thousands lost limbs, ruined lungs, even died.

 

Jack London’s hardscrabble life in San Francisco paved the way for his survival in the Yukon. An illegitimate son with a spiritualist mother who often gambled away the rent money, London dropped out of school due to financial difficulties. But he was a precocious young man with a passion for literature and writing. While continuing his education through a rigorous program created by a sympathetic librarian, he worked 12-20 hour shifts in a cannery until he realized he could make more money as a thief. At fourteen he loaned money to purchase a skiff from his childhood nanny and pirated the oyster reefs owned by the railroad company. Realizing the risks of this endeavor, he got a job patrolling the very waters that he had stolen from. When a power company lured him with a promise of higher pay, they stuck him with the task of feeding boilers for 10 hours a day, 7 days a week. He found out that he had actually replaced two men, and he quit on the spot. He joined a seal hunting expedition that sailed up the Bering Sea and across the Pacific Ocean.

 

London spent the next few years of his life crisscrossing the country in railcars, begging and stealing for food. He re-enrolled in school at seventeen, years older and more seasoned than his peers, earning his keep as a janitor. He published 8 of his autobiographical stories in the school literary journal. London was admitted into a prep school, but the headmaster did not want the wealthy students outdone by this working class boy. He was kicked out, studied independently, passed the rigorous entrance exam of the University of California at Berkeley, and borrowed tuition money from the barkeeper who owned the saloon where he studied. He attended university for one year, but again, he was forced to leave due to family poverty. 

 

London left San Francisco 11 days after the Excelsior docked in San Francisco harbor with news of gold. He and his brother-in-law, who had mortgaged his wife’s house to pay for the expedition, sailed to Seattle in an overcrowded steamer, then paddled Tlingit canoes up a fjord the last hundred miles to Dyea. When they got there, 3,000 prospectors were already organizing to climb the steep coastal range with over a half-ton of supplies, enough to survive a year in the frozen wilderness. The entire load had to be carried on their backs in hundred-pound increments, up and over the 1500 ice steps, the “Golden Staircase” section of Chilkoot Pass, pitched at a 45 degree angle, “like a column of ants,” London said, 20 or 30 trips a season. In London’s pack were copies of Milton and Darwin. Those who brought horses did not bring enough food. Animals either starved to death and dropped dead in the trail or fell down ravines. The men who wintered at the top of the pass had to dig their supplies out from under seventy feet of snow.

 

London and his partners constructed a boat at Lake Lindemann, the headwaters of the Yukon. The “float” downstream included running giant rapids big enough to capsize crafts and deadly whirlpools. Many drowned before his eyes. But London, an experienced boatman, made it to through the rapids, then turned around and helped others. By the time they floated to Lake Laberge, the northern wind was pushing them upstream. They reached the Thirtymile river just before the rapidly closing ice froze them in. 

 

IN THE FOOTSTEPS OF JACK LONDON

“For the pride of trace and trail was his, and sick unto death, he could not bear that another dog should do his work.” -Call of the Wild 

 

When I was a young girl growing up in Louisiana, my family spent half our time at a fishing camp in a little strip of marsh called Chenier Caminada. Our front “yard” was Bayou Thunder, where we laid out crab traps and launched pirogues to catch redfish and speckled trout. In the summer we would wake well before sunrise and set out offshore past the muddy fan of Mississippi River water past and line of sargassum that separated the clear blue of the Gulf of Mexico. Here we would catch tuna and mackerel, pompano and mahi-mahi. Dolphins would dance in the bow of the boat and schools of flying fish would glide across the water’s surface. The other half of our time was spent in a deer stand or a duck blind at our hunting camp just across the state line in southern Mississippi. The cycle of life and death was not strange to me, but instead of hunting I preferred disappearing in the woods all day with a backpack and snacks, a notebook and pen, Audubon field guides, and a trusty dog. While “exploring” the 40 acres of tannin-stained creeks and hardwood bottomlands, I would curl up on a sandy bank and try my hand at writing. I penned stories about seeking pirate Jean Lafitte’s treasure and pioneer Cajuns scratching out a living on the bayous that I knew. Writing is hard, especially without life experience, so I would eventually give up and read. It was in this world that I read Call of the Wild, a novel about survival in extreme conditions, where humans were not the top of the food chain, where characters were a match strike away from life or death. What did I know about the extremes of cold, of fear, even of mountains? The book transformed the course of my life. 

 

           My sons and I arrived in Carcross, Yukon Territory, on a beautiful crisp day. The town, short for Caribou Crossing, is a Tagish settlement of about 500 people nestled in between Lake Bennett and Nares Lake. We are on Jack London’s trail, a few miles north of Chilkoot Pass, but it looks nothing like the tent city that cropped up here in the late 1800s. London writes in Call of the Wild, “[Buck and company] made good time down the chain of lakes which fills the craters of extinct volcanoes, and late that night pulled into the huge camp at the head of Lake Bennett, where thousands of goldseekers were building boats against the break-up of the ice in the spring.” Here, the goldseekers had slashed down an entire section of boreal forest to craft vessels that would carry them 500 miles to the gold fields. But now, very little of the gold seeking mass remains, except the tracks of the railroad line that hauled supplies from Skagway toward Whitehorse, the territorial capital (population 35,000) that opened in 1900. In front of the First Nations center stand the totems of the clans. A Tlingit immersion school, a swimming pool (closed for the season), a restaurant (also closed), a health clinic, a library, and an air strip round out the rest of the town, surrounded on all sides by tall, snow-capped peaks and boreal forest. The Yukon’s total land mass is somewhere between the size of Texas and California. The entire population of the territory numbers around 45,000. 

           

           Bertrand Bellencourt is our guide for the week. Originally from France, he moved to Montreal, then the Yukon, where he operates Boreal Kennels. Bertrand has worked in the gold mines, living underground for weeks at a time. Now, he guides, runs dog sleds, and works construction. He is no-nonsense, clear-thinking, brutally honest: the kind of guy you want in a crisis. Two WWOOFers, both young men from France, help take care of his 37 huskies and run dog sledding trips. Bert’s wife Julie is a teacher at the school in town (65 students grades K-8), where his two younger children also attend. His oldest son boards at the high school in Whitehorse. This fall his oldest shot his first moose, butchered it, and portaged it across a lake.

 

As soon as Bert and Max go outside to harness the chosen dogs, every husky howls maniacally. The cry is deafening, and we can hear it long after our loaded sleds run along the tracks and cross the Klondike highway, where we weave through lodgepole pine and spruce toward the bed of the Watson River. We glide over the ice and snow, the dogs running at a steady trot. The smartest dogs are in the front, the strongest in the back. We jump off the sleds and push as we climb the hills and laugh as we drop and drift back down them, the sled responding to our weight and the quality of the snow. When we stop, the dogs howl in frustration and slam in their harnesses. I get the sense that the dogs would go on forever if they could, but as we cruise into a long alpine valley filled with willow shrubs, we slow down as we approach a small ridge. Home for the night.

 

Snow is blowing off the top of Montana Mountain, a 7,000 foot Cretaceous volcano to the south.The mountain is the sacred place where, according to the Tagish nation, Game Mother created all of the animals and gave them the traits they have today. Beavers have created a dam that is slowly flooding the valley, which would disrupt the moose population and affect caribou migratory routes, so the boys break it up, freeing thousands of gallons of water trapped under ice a foot thick, and we feed whiskey jacks, especially one gregarious jay my son nicknames “Doctor Chunky,” trail mix out of our hands. The dogs curl up in neat little balls and rest, watching Bert’s every move. When the stars start to twinkle in the twilight and a Great Horned Owl begins to hoot, it is time to sleep. Our tent, a double-insulated yurt with deerskin rugs as the floor, has a woodstove in it, a luxury I will certainly miss. 

 

The next morning we set out again. The temperature hovers around freezing, but parts of the river have softened and turned to slush. The huskies stop dead in their tracks and will not continue, and Bert, leading the dogs via snowmobile, notes that the ice will not support his machine. We turn and head back toward camp. Fresh moose tracks the size of dinner plates crisscross the river.

 

The next morning, we backtrack to the Watson River, then drop down through an aspen forest, then onto the open, broad expanse of Lake Bennett. Two thumbs of a giant lake stretch out before us, snow capped peaks rim the shore. Ice crystals sparkle across the surface. I have traveled all over the world. Spent many summers galavanting across the American West. Hiked countless miles all over the southern Appalachians. This was one of the most beautiful places I had ever seen. Vast, remote, and wild.

 

THE CITY OF ELDORADO

“If you have it, spend it, that’s what it’s for.” -Pat Galvin, a Klondike King to his nephew, who advised Galvin to be cautious of his spending. Galvin was bankrupt by 1899.

 

           By mid-October, the Yukon River, the third largest river system in North America, freezes solid. On October 9, 1897, London and his company reached the Stewart River, a mere 80 miles from Dawson when they encountered prospectors leaving the frozen North with bad news. The productive gold claims that provided instantaneous riches had already been claimed. Their advice? Turn back. London and company would ultimately have two choices: either toil for one of the Klondike kings, early muleskinners and hardscrabble miners who had staked million dollar claims on Eldorado and Bonanza creeks, or work their own claim, digging through thirty feet of permafrost, then sifting and sluicing out the contents by hand. Men who chose this route lived and worked in their muddy holes without finding any gold or, if they were lucky, finding enough to pay for their passage home. London and his partners found an abandoned shack and settled in for the winter. They found traces of gold, so Jack floated downstream to Dawson to stake the claim: 500 feet on Henderson Creek. 

 

By the time London arrived in Dawson in October 1897, thet city consisted of 5,000 men living in tents and skiffs, 6 boats deep, in a giant flotilla. Sawmills and saloons lined the muddy streets. Whiskey was plentiful but food and medicine were not. Men milled around, barhopping to stay out of the cold, bartering gold dust for overpriced goods such as candles and kerosene. 

 

London spent most of his time in extravagant saloons conversing with the “sourdoughs,” the seasoned miners who regaled him with stories of hunger and cold, and the “cheechakos,” the tenderfeet, whose follies were just one lucky chance from death. Women in silk and lace charged a dollar per dance, gold kings wagered fortunes on single hands of poker and bought enough wine to fill their bathtubs. One left an oil can by his front door, filled with nuggets with a sign that read, “Help Yourself.” 

 

London camped in Dawson City for roughly two months. His neighbors, the Bond brothers, sons of a wealthy judge in the Santa Clara valley, had a dog, a 140 pound Saint Bernard-Scotch Collie mix named Jack. The seeds of London’s most famous work, a novel penned in one month that has never been out of print since its initial publication in 1903, had been planted. But London was already showing signs of scurvy. He promised himself that if he made it through his twenty-second winter, he would never again toil as a laborer, shoveling coal or mending clothes for ten cents an hour. He was going to be a writer. This adventure would provide the fodder to sustain that dream.

 

In November of 1897, the temperatures dipped to -67 degrees. Trees cracked from frozen sap, malnourished men couldn’t breathe. A dance hall girl threw an oil lamp at another, and the building immediately went up in flames. The water in the hoses froze before it could battle the spreading conflagration, and Dawson burnt to the ground. London returned to his company, living “in an icebox” for the winter, a 10x12 foot cabin, bent over his books and a deck of playing cards. The winter was so cold that even whiskey froze solid. Yet weary men still found their way to the cabin, and they regaled the young writer with stories of gold booms and busts, trusty sled dogs, indigenous hunts, and brushes with wild animals, including wolves. 

 

By 1898, over 17,000 claims were staked in the Yukon. Many of them were too small to even cover the fees. Still, tens of thousands of men from all over the world poured into Dawson with the spring thaw. Steamers started arriving, carrying barrels of liquor, lemonade, lobster, even watermelons. London floated toward town as well, on a raft constructed from the logs of his cabin. He was severely malnourished, crippled from the waist down, and his teeth were falling out. He found a lemon and a potato, the first fresh food he had eaten in almost a year, then he and John Thorson, his kindly neighbor on Henderson Creek and inspiration for Buck’s beloved John Thorton, floated 1500 miles downstream to the Bering Sea, where he earned his keep shoveling coal on the schooner that brought them back home. When he stepped off the boat in San Francisco, London held the value of his toil in gold: dust and nuggets equating $4.50.

 

In April of 1899, Dawson had already reached the pinnacle of its gold rush. By this time, the bloated boomtown had electricity, telephone lines, dance halls, and theaters. It was more modern than most American and Canadian cities. Yet another fire caused by “Dawson’s curse: its low women” started in an apartment over a saloon. This time, however, the firemen were on strike. Over 110 buildings went up in flames like matchsticks, including the bank, whose “flimsy vault” could not withstand the heat. Paper money and land deeds were lost. Gold holdings melted together. The total loss in that building alone was a million dollars ($38,000,000 today). Hardly anything was insured. An ill- equipped fire department’s attempt at fighting the blaze was, according to the New York Times article about the tragedy, ridiculous: with only one engine and no water supply, they could only watch as the fire raced down Front Street. 

 

Brothel cribs and saloons emptied into the streets in the early dawn, patrons in various states of dress, gripping the only thing that mattered: leather satchels of gold dust. Those who disapproved of Dawson City’s vices lauded the fire for essentially reducing the town to ash, even though the saloons that had salvaged liquor sold it in the street the next day for double and triple the price.

 

Theft was rampant. Provisions in the town were all but gone and would take five weeks to arrive from Skagway. But large mining camps, whose provisions were off site, maintained operation. 774,000 ounces of gold would be extracted from the ground in that year, over a million the following year. While some men still struck it rich on what were thought were worthless claims dozens of miles from the rush’s zenith, most men left penniless. In the summer, once news got out that gold had been found on a beach in Nome, Alaska, 8,000 men left within a week. 

 

           The Dawson airport is a single-room building that resembles a train station more than an airport. It has a waiting room, a bag drop, and a ticket window. The runway was paved in 2019. We arrived on an Air North prop plane. Air North’s roots began 50 years ago with a single Cessna, but now, after heavy investment from the Gwich'in First Nation, it has a small fleet that runs flights all over the Yukon. The food on the plane is so good that the kitchen staff offers a home delivery service in Whitehorse. Our flight to Dawson only lasted a little over an hour, long enough to nibble on my in-flight charcuterie board. We can see the tall peaks of Kluane Park and into the coastal ranges of Alaska. These ranges dwarf the Yukon Range, roughly 3,000 feet, but they encompass a tremendous territory: 140,000 square miles. There is no sign of human habitation for the entire flight until we start descending. There we can see faint scars of the gold rush: cuts from abandoned sluices, glimmers of dilapidated metal, uniform hills piled along the Klondike River-- tailings from mining dredges. During the rush, nearly every tree would have been cut down, but now, evergreens dot the landscape. Below us run the frozen creeks where, at one time, thousands of men toiled in vain hope to strike it rich beyond their wildest dreams.

 

           Dawson is as much a postcard town as it is a set for a Wes Anderson movie. Most of the buildings are relics of the gold rush and the entire town is part of a National Historical Complex. A local ordinance forbids chain stores (not even a Tim Hortons!), and because we are not visiting during tourist season, hardly any place is open, except a corner grocery bursting to the gills with food and snacks. The packaging is bilingual (English and French, and with much healthier ingredients). Despite the fact that almost all food is imported into the Yukon, and virtually all fruits and vegetables in the winter, our bill is still cheaper than what we would pay back home. 

 

Most of the Victorian buildings are painted in bright colors. For example, the Robert Service School serving K-12, is painted bright orange with yellow trim. Each student in the Yukon has painted a wooden cutout of a salmon and they are hung all over the fences of each schoolyard we have seen, though the ones at the French immersion school in Whitehorse are covered with a thick layer of road salt. Here, they are bright, with images of the aurora borealis. The students, dropped off by snowmobile or sled, are at recess when we pass, playing in a foot of snow on the playground. It is 18 degrees. We amble through town, and I can’t help but laugh as I wander through the hardware store, gazing at the necessities of life in the Yukon. I think about standing in line for an ice cream at Pace’s store, giggling at the tourists who marvel at our Saluda essentials: canned preserves and tomato stakes, mouse traps and sourwood honey. Today I am that tourist, examining wool long johns thicker than any sweater I own, a multitude of ice axes, and gas powered log splitters. A Tr'ondëk Hwëch'in storyteller named Terry approaches to see if I need help. I tell him no, that I am far from home, and even though I want to, I can’t haul a log splitter back to North Carolina. When I tell him I am a teacher, he says he has a message for my students. He recounts the story of Raven the helper, and he tells us how it is not in the way of his people or our people to separate ourselves. In fact, in his language, there is no distinction between “you” or “I.” “Once we start calling ourselves one thing or another, we have failed. It is not in our nature to be separate,” he says. “We are all one.” When I tell him it was nice to meet him and goodbye, he shakes his head. “We have no word for goodbye either. See you again.”

 

           The Yukon and the Klondike Rivers are frozen solid, so much so that trucks are driving upstream, so we hike south, our boots crunching on the snow dusting the great river that in a couple months will be running fast and clear, carving new channels and oxbows from the spring thaw. As the riverbed changes, different layers of sediment are exposed, and in those layers hide fossils and bones that date back to the Ice Age. Miners were as likely to find gold as they were to find remains of scimitar cats, wooly mammoths, short-nose bear, the Yukon horse, and atlatls and obsidian tools from ancient hunting parties. We head up the Klondike River to a dilapidated stable on the far bank, wading through hip-deep snow, then backtrack to catch the trail system that winds up Midnight Dome, a metamorphic knob marking the Tintana trench: to the north, heavy metals and coal. To the south, gold. We pass the cabins of Klondike writers Robert Service, Pierre Burton, and the reconstructed Jack London house, fashioned from the logs he floated down from Henderson Creek.

 

THE END OF AN ERA: 

“He was sounding the deeps of his nature, and of the parts of his nature that were deeper than he, going back into the womb of Time.”-Call of the Wild

 

There’s gold, and it’s haunting and haunting;

   It’s luring me on as of old;

Yet it isn’t the gold that I’m wanting

   So much as just finding the gold.

It’s the great, big, broad land ’way up yonder,

   It’s the forests where silence has lease;

It’s the beauty that thrills me with wonder,

   It’s the stillness that fills me with peace.

-”Spell of the Yukon” by Robert Service

 

We fly back to Whitehorse, and we have one last thing to see: the aurora borealis. Kyle, our guide, is a native from a small Saskatchewan settlement, and he has the most intense Canadian accent of anyone we have met. He makes a living by leading ice fishing and moose hunting expeditions. He picks us up at our hotel in a ‘92 Ford diesel and drives us out to Lake Laberge, far from the lights of the city. It is here that Robert Service’s poem “Cremation of Sam McGee” is set, and it is here that, in Call of the Wild, Buck’s team is overtaken by a pack of starving huskies. But tonight, a clear night in mid-March, we drive on the quiet lake, the ice cracking deep underfoot, and the lights above start to dance and swirl. They are over 200 miles above our head, but they seem like at any minute we could reach them with our hands. “It is easy to see how the Inuit believed the lights were spirits of their ancestors,” Kyle comments. “The lights are alive.” 

           

London did not set out to write a social commentary about social Darwinism or Marxism. He just wanted to write a good adventure story. While London was praised for giving human thought to his animal characters, there are some historical and biographical inaccuracies. First of all, in the first part of White Fang, a starving wolf pack stalks two men as they travel through the wilderness, ultimately killing one of them. While gold seekers did essentially clean out the Yukon of migrating game, there are no recorded wolf-caused human deaths in living memory. According to Yukon biologist Bob Hayes, the wolf pack would disintegrate and members would hunt alone. Also, Buck, the shepherd-Saint Bernard in Call of the Wild, joins a roving pack at the end of the novel. In reality, Buck would have probably been abandoned the first day when his heavy feet and short legs would have punched through the snow, rendering him too worn out after a single day's worth of travel.

 

Few animals’ right to live in our history have been as debated and contested as the wolf. Native tribes throughout the continent followed wolf packs, migrating along with food sources and learning how to hunt. To them, the wolf was the only animal smart enough for man’s soul to enter. Others thought wolves could understand human thought. For most indigenous people, to follow the wolf’s way was a spiritual practice rooted in their tribe’s survival. 

 

Wolves are the embodiment of ruthless, uncompromising, unforgiving wildness. As London says, to follow the wolf is to “go back into the womb of time.” However, due to the wolf’s ability to adapt to any environment, their migratory nature, and their penchant for eating the same food settlers wanted, the 19th and 20th century invited their unregulated killing across the continent. The last western North Carolina gray wolf was shot in Haywood County in the 1880s. North Carolina’s Albemarle Peninsula is the home of the last pack east of the Mississippi: a paltry twenty red wolves.

 

Wolves are part of the cycle of life, an intricate part of the trophic cascade. In Yellowstone, where wolves have been reintroduced, elk and moose populations have become healthier, riparian zones replenished. Wolves are not just dangerous and beautiful. They restore ecosystems to a natural balance. An in-tact ecosystem is a key element to what makes London’s world so beautiful- the hardship required to be there, the humility brought about by its vastness. That was part of the wolf’s appeal to me. When I was in college I spent a summer working in Yellowstone. I camped in Montana’s Beartooth Mountains for a few nights. Snow was falling in July, and temperatures dropped to the teens. I cuddled up and listened to a roving pack move through the night, their howls coming closer and closer. In the morning, when I stepped outside, dozens of fresh tracks circled my tent. At a time when I was struggling to understand my own place in this world, I felt connected to this primordial beauty of ancient systems that reach back to the dawn of time. It reminded me of when I was young, watching the sun rise across the endless expanse of the Gulf of Mexico, no sign of human habitation in sight, with only a fiberglass hull separating us from a thousand feet of water. It is a sense of awe, a sense of respect. Once the wolves are gone, either by their own will or forced out, man becomes the “dominant primordial beast” and can do with the world what he wants. There is no true wilderness without them.        

 

London became the richest and most famous writer of his day. He bought up one thousand acres in Sonoma county and laid plans to establish his own working estate, continuing recounting his adventures. He died young, an effect of alcohol abuse. Back in North Carolina, George Vanderbilt also passed away. His wife Edith sold off the land to the United States government under the condition that they honor her late husband’s wishes and keep the land pristine. That tract of land is now part of Pisgah National Forest, part of a contiguous passage of land that runs across the southern Appalachians. 

 

While we cannot return to the state of balance that existed prior to the gold rush, it is comforting to know that our landscape will, in all likelihood, never return to the widespread degradation and biotic extinction caused by the unregulated development our country experienced in the 19th and 20th centuries. And it is good to know that people of all walks of life, from ordinary folks like Horace Kephart, Jack London, John Muir, Rachel Carson, Aldo Leopold, and Wanda Dykeman can have an impact on our biotic communities just like George Vanderbilt and Teddy Roosevelt. 

 

This trip opened my eyes to a broader, wilder world, both longitudinally in time and latitudinally in space. I feel so fortunate to live in Saluda, in the here and now, where the big topics of conversation are about where the trillium are blooming and whether anyone has spotted a morel. We are so very fortunate to be here.

 

Here is a link to a video with images from the trip! https://youtu.be/fJPJSW31w9g?si=Gt9xlc1yfA5zZy1E 



Back Alley Boutique & Bud Bar

in Downtown Tryon, NC is hosting the 2nd annual Back Alley Hempfest on Sunday, April 21, from 2pm - 7pm.

 

This year's event will be even bigger than last year with the festivities spread across 2 locations: 28 Oak St and

the Depot Plaza in Downtown Tryon.


There will be local artists and vendors spread across both locations, as well as fire-spinning, live glass-blowing, a charity raffle, free samples, and more! You can catch local musicians Moonshine State, The Ribald Riffers, King Chewie, Nina Gi, and Acklen Walker split between the two stages. Rhema Soul Cuisine Food Truck plans to be open on Depot St. and a few other local businesses plan to stay open late.

 

This event is free fun for the whole family!

Health - Wellness

SLIP MONTHLY PROGRAM

PRESENTS “ALL ABOUT HERBALS”


SLIP Presents our April Educational Program: June Ellen Bradley, a professional herbalist, and June Ellen will be our speaker on April 17 on the topic "All about Herbals--Natures Aid to Better Health". 


Don't miss out on an enlightening talk that could transform your approach to health and well-being! Join us on April 17th as we welcome June Ellen Bradley, a seasoned professional herbalist, to share her expertise on "All about Herbals--Nature's Aid to Better Health."

In a world where natural solutions are increasingly sought after, June Ellen Bradley brings a wealth of knowledge and experience to the table. Discover the incredible benefits of incorporating herbal remedies into your daily life, unlocking the potential for enhanced vitality and longevity.


Whether you're seeking relief from common ailments, aiming to boost your immune system, or simply eager to embrace a more holistic lifestyle, June Ellen's insights are sure to inspire. Learn about the power of plants and how they can support your journey towards living independently and thriving in your own home.



Mark your calendars and join us for an informative session that promises to empower you with the tools and wisdom needed to take control of your health naturally. Don't miss this opportunity to explore the wonders of herbalism with a trusted expert!

PRESERVING A PICTURESQUE AMERICA

 

Hooray!! Saluda Living in Place (SLIP) will offer a seminar presented by Scott “Doc” Varn on Wednesday, May 15 as part of its ongoing Community Education series. 

 

SLIP invites you to join us on Wednesday May 15 at 10 a.m. at the Saluda Center to learn more firsthand from Doc Varn, an innovator in the PAPA movement. And one of Saluda’s very own.

 

Preservation Through Art

Using stories and photos, Scott will share the dynamic history of the important publication Picturesque America and its importance to the conservation movement. On the foundation of the transcendentalist and romantic movements started by Emerson, Thoreau, and others, the poet William Cullen Bryant edited this publication - one that helped Americans view history and nature as something that should be preserved. 

 

This is the tale of not only how it shifted the populous mindset towards conservation but how the movement continues today with modern artists and writers. It is a wonderful "then and now" story to enjoy.      

 

Scott “Doc” Varn is a Fine Arts and Media Arts graduate from the University of South Carolina, with a focus on printmaking, film, and animation. Scott has a long history of incorporating the technology into the arts. He was integral in the early digital renaissance, working with software companies like Aldus, Adobe and Quark to develop software for artists and designers before it became a standard. Although he has spent years weaving the arts into many high tech fields, he never lost his love of studying history and the classic art mediums. He remained a painter and printmaker, but also focused on being a long-time environmental educator, a Scoutmaster and nature counselor. He made the connection to them all when discovering the 1800s publication Picturesque America (PA). He understood its impact, so bringing the influence and lessons from PA to the modern world became his passion. Now serving as the founder and Executive Director of Preserving A Picturesque America (PAPA) and co-host of the PBS documentary America, The Land We Live In, Scott has the opportunity to bring all of his skills to bear, as he has become a guiding spirit to artists and all lovers of the natural world who want to protect it. 

SLIP & TOWEL MINISTRY WORKING TOGETHER

Youth from as far away as Maryland will be coming to Saluda again this summer from June 25th – 30th. Their goal at Towel Ministry is to help our residents with deferred home maintenance. Please do not hesitate to ask for any help from this very willing and able group of high school students.

If you have any needs ranging from yard work, minor exterior home repair, pressure washing, interior painting, and even some minor plumbing, roofing, and we are especially adept at ramp building, please contact Chip Broadfoot at (828) 845-5326, or rector@transfigurationsaluda.org.

FOOTHILLS PHARMACY

VACCINATION CLINIC

May 17th – 10 ‘til Noon

The Episcopal Church of the Transfiguration

Mark your calendars

 

Here is a convenient opportunity to get the latest Covid vaccine, as recommended by the Center for Disease Control for people 65 and over or who have serious health issues.

 

Advance registration is required. You must register by submitting a photocopy of your insurance card, along with your date of birth and contact information (phone number and/or email address) no later than Wednesday, May 8. You may send it by mail to Saluda Living In Place, P. O. Box 322, Saluda, NC 28773, or as an attachment to an email to saludalivinginplace4@gmail.com.

 

After your registration is received, you will be contacted to make an appointment for your time to receive your vaccination.

Community News

Notice of location change for Tuesday Saluda Recycling


  The Tuesday morning Recycling location has moved from the corner of Ozone Rd. and Hyw. 176. (the old Tickle parking lot) to the city overflow parking lot, located on E. Main Street, and also known as the Tailgate Farmers Market lot.


  The hours are still 7:00 AM- 12:00 Noon, every Tuesday morning. You can bring paper, cardboard, plastic (#1 and 2), glass, aluminum cans, and metal cans.



Saluda Community Table (SCT)

“Food is the thread that weaves us into community.”

 

If you’ve never gotten around to joining your neighbors for a delicious Saluda Community Table supper, now is the time!


Come on over to the Saluda Senior Center on Tuesday, April 23 from 5:30 to 7pm where everyone is welcome! You be treated to smoked chicken, chickpea salad, Greek salad, and pita bread.

 

Here are the top reasons folks love these community suppers that are served on the 2nd and 4th Tuesday of every month:

 

*A shared meal always tastes better.

*No cooking or washing dishes.

*It’s convenient – no reservations needed.

*Meals are free – donations gladly accepted. 

*It’s all inclusive: entree, side dishes, desserts, & beverages.

*There’s lively entertainment with good ol’ mountain music.

*It’s a celebration of life in Saluda!

 

You’re going to eat supper anyway, so come get a taste of one of Saluda’s most delicious secrets!

 

Curious to know more. Contact Charlotte Lovett (clovett5987@gmail.com) or Gayle Jones to volunteer (gaylejones016@gmail.com).



Springtime at the Saluda Senior Center!

 

Saluda Open Stage Sunday April 14 from 6pm-8pm. Join us to support

the talents of Saluda. Tell a story, sing a song, play some music!

 

Last Winter Market! Saturday April 13 from 10 a.m. to 1 p.m.

– canned and fresh food offerings, crafts and more!

 

Pot Luck & Bingo Monday April 29 from 6 to 8 p.m.

Free and fun for all ages – bring a side dish or dessert if you are able.

 

Community Table Tuesday April 23 from 5:30 to 7 p.m. Smoked chicken,

chickpea salad, greek salad and pita bread. Bring your own plate &

utensils (and take them home again).

 

Thrifty Barn open Wednesdays, Thursdays & Fridays from 10 to 4,

Saturdays from 10 to 1.

 

Thrifty Barn Basement open Fridays & Saturdays from 11 to 3.

Volunteers needed! Stop by the Thrifty Barn Wednesdays between 10

and 4. Or call Cindy Keeter (828-551-1039) to volunteer at the Basement.

Support your Saluda Senior Center!

 

To reserve the Center call Louisa Williamson (803-707-8747).

 

About The Saluda Senior Center…

The Center is a non-profit, volunteer-run organization that hosts activities

and provides a gathering place to meet the needs of the Saluda community.

Donations are cheerfully accepted and tax-deductible. Although “senior” is

in our name, events at the Center are open to all.

“This is your Saluda community center!”

The Saluda Senior Center

64 Greenville Street

Saluda, NC 28773



HELP ENTERTAIN OUR ITALIAN STUDENT VISITORS

Nora and Marta arrive in Saluda on July 10 from Abruzzo. While they are here in Saluda between July 10 and 26, we are asking Saluda residents to help us provide meaningful and exciting activities for these two 17-year-old girls. Nora and Marta are typical teenagers who enjoy outdoor activities as well as entertainment and even shopping. Our area is rich in natural areas and offers many possibilities for fun and fellowship in Saluda. Our goal is to introduce them to Saluda, our traditions and way of life, which is very different from what they experience in Italy, and to provide a safe and enjoyable experience. 

 

           We are looking for some specific activities or you can come up with your own. Please see if you can fit into one of these categories:

 

Do you shop at Costco? If so, the girls would like to experience that sort of shopping experience.

Do you have season tickets to Biltmore? If so, could you take the girls?

Do you have inner tubes to go down the Green River? 

Do you know where there is a put-put course you can take them to? How about go-cart racing?

Could you take them hiking at Dupont Forest to see the waterfalls?

 

If none of these are on your agenda, please consider providing an activity in one of the following categories:

           Outdoor/Adventure: Hiking on area trails, exploring the Blue Ridge Parkway, a picnic, tubing on the Green River, a day at Lake Lure/Chimney Rock or Dupont Forest, or one of your favorite places;

Arts and Entertainment: Saluda Train Tales, an evening concert at Rogers Park or here in Saluda, a tour of Biltmore, sampling local food, art galleries, a movie, Carl Sandburg home, theater performance, craft activity, a visit to a college campus, game night in a local home; give them a lesson in your area of art;

           Shopping: Area stores, an outlet mall, our Saluda shops and those in Hendersonville and Tryon, and they have even asked to go to our grocery store;

           Educational Opportunity: Invite the girls to give a talk to your club or group or join you on an outing.

 

To volunteer for an activity please contact Pam Gray at pmgray7@rsnet.org, or 828-749-3006. Your participation will be a wonderful gift to our visitors and create great learning experiences for them. 

 

NEW TRIP TO 2025 FLOWER FESTIVAL NOW OPEN

June of 2025 will see Saluda travelers and friends flying to Italy to participate in the annual Flower Festival. It is an amazing opportunity to interact with local Carunchio residents and also enjoy all that the Palazzo has to offer…fine red wine, amazing Italian cuisine, trips to explore the Abruzzo region, comfortable accommodations… all for one price after you buy your airfare to Rome. Our Sister City price is much lower than the standard internet price.  Go early or stay over and we will help you plan your adventure. For full brochure, contact Judy Thompson, jdt@JDThompsonLaw.com.

 

SAVE THE DATES!

Jay Wilkinson will be here from Texas on July 17 to present a talk on his book, “A Lie Will Suffice.” It’s the story of his Sicilian family which had strong links to organized crime and all the drama that goes with it. Saluda Sister City will present this dramatic story free to Saludians.

 

Saluda Sister City will present an amazing Italian Bluegrass band from Sicily that is touring to rave reviews. Hold on your calendar. We have applied for a grant which would make tickets free if it comes through! There are several versions on YouTube like this one: https://www.youtube.com/watch?v=yAa_SOHC-uU

 

OTHER CULTURAL EVENTS

Asheville Sister City’s is celebrating Siete de Mayo on May 7  at Ay Caramba Mexican Grill on Fairview Road in East Asheville from 5:30-8:00 pm. Tickets for full Mexican dinner and a margarita or beer are $45. Proceeds benefit the water and sanitation project in Asheville’s Mexican Sister City, San Cristobal de Las Casas.

 

Visit our website at saludasistercity.org or call Judy Thompson at 828-489-6578 for information.



In an effort to support the Saluda Pop-Up Pantry, local farmers and our community of supporters, the Saluda Pop-Up Pantry announces our 2024 CSA Season. This season we’re offering 25 shares of beautiful, locally grown produce AND we’re adding a dozen local eggs to every basket. 

 

To simplify and sustain the program, this season we’re operating the CSA in a subscription-based format. CSA is an acronym for Community Supported Agriculture. Traditionally, CSA farmers sell produce shares in advance of the growing season. This ensures that they have enough capital to grow food and sufficient demand for the food they grow.  

 

Saluda Pantry customers will pay in advance for the entire season and commit to receiving their produce every week. If a customer is out of town or unable to pick-up their share, they may either designate another person to collect their basket or donate the produce back to the pantry. This arrangement ensures that we have adequate funding to procure high-quality produce and that nothing goes to waste. 

 

The cost for our 2024 CSA subscription is $300 for the season, which is $25.00 per week, payable by check. The subscriptions will be capped at 25 shares and the deadline to subscribe is April 15.

 

Our program will run for 12 weeks, June 4 - August 20. Baskets will be assembled and ready for pick-up each Tuesday at the Pantry from 2-5pm.

 

Please email me at kpelz@saludapantry.com with any questions and/or to secure your subscription.



Some Things to Know About This Publication


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Saluda Lifestyles is currently being published by

Greg Bryant, PO Box 48, Saluda, NC 28773

saludalifestyles@gmail.com

  

The paintings used to create the Saluda Lifestyles Masthead, are the work of local award-winning painter and painting teacher Jim Carson. Jim generously donated pictures of his work depicting Saluda for the masthead.

Kaya - "remember to play!"

LO - "walks, everyday...walks"