Newsletter
October 16, 2021
OCTOBER PROGRAM - DR. SVETLANA BELSKY
Awards Workshop welcomes Svetlana Belsky back to present our Awards Program. Please join us to see her presentation of the 2022 Awards Repertoire. Perhaps you will discover a new teaching piece to add to your teaching repertoire. It is always enlightening to hear Svetlana speak about the unique points of interest in any composition.
NWSMTA BOARD POSITIONS
NWSMTA has two vacant board positions at this time - Recording Secretary and Publicity Chair. If you would like to know more about this opportunity to get involved, meet your colleagues, and share your expertise, please contact the President, Brenda Haynes, at 217-246-7958 or email her at Notes88MusicStudio@gmail.com"  Job descriptions are available!  
SONATA FESTIVAL and GOLD MEDAL RECITAL
The Sonata Festival will be an in-person event. The Gold Medal Recital will not, since libraries and churches are not available to host it. We are aware of how intensely the Gold Medalists have worked to prepare their perfomances and wanted to offer them an opportunity to share it. We are inviting the parents of the Gold Medalists to create a video and send a link of their child's performance and submit it for viewing on the NWSMTA website.

Videos must be stored on a website such as YouTube, Dropbox, GoogleDrive, OneDrive, etc. and the sharing settings must be set to 'Anyone with the link can view'.

Deadline to submit video links is 11/21/21 to dlynch88@gmail.com

Whether you have entered students, or not, you are welcome to help at the Festival. Come and enjoy being a part of one of our strongest activities. Please email Michelle Ryder Smith, if you'd like to lend a hand. I know she would appreciate it.

All are welcome to view the Gold Medal winners, who will share their videos. Just check out our website. Thank you to all performers, workers and committee for your efforts to support our students.
PIANO INSTRUCTOR NEEDED
Notes 88 Music Studio is in need of a contract piano instructor. We are a rather large, active studio and have several beginners who are eager to continue lessons with us! Robert Davenport (member) has taken a full-time position at Abbott Labs as a biochemical engineer, leaving some "orphans" who need a good teacher (virtual or in-person).  Interested teachers only need to show up and teach the students (as many or as few as you want). This is a 50/50 tuition split, ideal for teachers just starting their career, those who would like to fill in some empty lesson times, or for those looking toward retirement with less responsibility. Notes 88 acquires the students, maintains the website, interviews/screens prospective families, handles all scheduling and recital/other event planning and billing for tuition. Please contact "Ms. B" at Notes88MusicStudio@gmail.com or call 217-246-7958 soon! 
A NOTE FROM THE EDITOR
Dear NWSMTA members,

It feels wonderful to have new students wishing to begin piano lessons again. It’s a sign of a brighter tomorrow. A question that parents often ask at one of the first lessons is, “How long should they practice?” I once heard a teacher say that getting an instrument is like getting a pet. Both sets of my grandsons recently adopted a dog, and I get the comparison. Just as when you bring the pet home, you take on the responsibility to nourish it, play with it and help it learn to do what you want it to.  You spend time with it every day. And the relationship changes you, as well. 

Isn’t this indeed like our relationship with our instrument of choice? By exploring, practicing and playing it, we grow our appreciation and love for it. We enjoy spending time with it and we share it with others. 

Wouldn’t it be wonderful if this attitude toward music lessons could grow in every music student and continue the rest of their lives? My response to the parents who ask is to tell them my pet analogy. I encourage them to create a playful attitude for their child. If the student can leave a practice session looking forward to the next one, there is no battle over practicing. How exciting if that desire to play comes three times a day. I suggest it’s good to be creative in practicing. We’ve seen the joy of children exploring the piano. Each creative experience is an opportunity to learn something new about their instrument. I’ve had students reach their foot over slyly to put it on the pedal. Instead of stopping them I like to act surprised and ask, “What is that sound? Where did it come from?” Or sometimes I say nothing and allow them to continue, as if I can’t hear it. Their facial expression is worth it. A parent who can cheer, laugh and encourage is the salve that makes the journey smooth and prosperous. 

And the instrument doesn’t make any messes to clean up!

Deborah Lynch
Newsletter Editor