Newsletter

October 17, 2025

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October General Meeting

Monday, Oct 20, 2025

Rolling Meadows Library

and Zoom

Mtg ID: 896 1963 3607

Passcode: 219505

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Click here for the September General Meeting Minutes

Upcoming Events

OCTOBER


PROGRAM

Jennifer Cohen

"Beyond the Lesson: Pathways to Independent Learning"

Monday, October 20, 2025

Rolling Meadows Library and Zoom

9:45 A.M. Meeting


FALL CLASSICAL RECITAL

Sunday, October 26, 2025

St. Michael’s Episcopal Church

647 Dundee Ave, Barrington

1:30 P.M.


FALL POP & JAZZ RECITAL

Sunday, October 26, 2025

St. Michael’s Episcopal Church

647 Dundee Ave, Barrington

3:30 P.M.


AIM WORKSHOP

Monday, October 27, 2025

Countryside Church Unitarian Universalist

1025 N Smith St, Palatine

Choir Rehearsal Room

10:00 A.M.

 


NOVEMBER

 

SUNDAY, NOV 2, 2025 DAYLIGHT SAVINGS TIME ENDS

SET YOUR CLOCKS BACK 1 HOUR


SONATA-SONATINA FESTIVAL

Sunday, November 2, 2025

Harper College


­ISMTA CONFERENCE

Friday-Saturday, November 7-8, 2025

Blackburn College, Carlinville, IL


PROGRAM

Janna Williamson

"Taking off the Training Wheels: General Overview of Intermediate Teaching"

Monday, Nov 17, 2025

Countryside Church Unitarian Universalist

1025 N Smith St. Palatine

Choir Rehearsal Room

9:45 A.M. Meeting

PRESIDENT'S MESSAGE

The Benefits of Contest and Event Guidelines and Rules

Lois Veenhoven Guderian

© 2025

Everything we human beings think and do is learned. Although we are already developing the capacity to think and do while we are in the womb, from the moment of birth we are learning how to function and survive in the particular culture and society on earth where we are born. Thus, our understandings of societal norms such as what is acceptable behavior and conduct is culturally situated. We learn to function and behave according to the laws and norms of the culture where we are born and/or live.

 

Over time, as a culture develops, sub-cultures grow within the primary culture. Some are variants of the primary culture, and some are quite unique in the way they function. Under the umbrella of laws and norms established by the primary culture, each sub-culture develops ways of doing, living and conducting human business. In order for the subcultures to survive and thrive, it often becomes necessary to establish laws, guidelines, rules, and at times, regulations for meeting the purposes of their existence. These provide a framework for the efforts of human activity and are essential to the members’ having the ability to carry out the group’s mission, purposes and processes in a productive way.

The term “culture” can mean different things. As a relatively young country with numerous immigrant populations, in the United States, adding “multi” to the word “culture” or “multicultural” certainly applies. When it is used in combination with the word  “wars” we have “culture wars.” The term “culture wars” is in reference to social groups that develop from within a society that have opposing views on what is best for society. These often have politically-charged agendas. A third meaning of “culture” has to do with sub-cultures that develop within the primary culture due to having the same interest or profession. These also function under their own sets of rules and norms that have evolved over time. Private studio music study such as learning how to play the piano, and everything that goes with it, is one such culture that has evolved in the United States and other countries of the world. It is a cultural group that actually brings individuals who are teachers of piano, regardless of the home culture, together. Pianists/ teachers of piano believe that learning to play the piano is a life activity of great value to humankind. Pianists/teachers of piano help their students and students’ families learn that piano playing artistry is achieved by way of…

Practicing

Performing

Entering (students) in competitions

Participating in programs of study whereby students work for levels of achievement and are tested

Participating in public displays of achievement such as recitals

Participating in events that include piano playing in some form of sharing music


These have become the norms of the piano teaching and playing profession – a culture of its own. Along with these norms that have evolved for private teaching in piano and other instruments have come the establishment of rules and regulations for these events. Every contest or performing event has its rules and regulations. Without them, there could be no semblance of consistency or fairness in the evaluation of students’ work. Under stated rules and regulations, even if the human efforts to evaluate fairly are at times imperfect, or an evaluation is at times subject to the influence of opinion or the limited background knowledge of a judge, educator, student or parent, without contest rules and regulation for conduct, the door would be wide open to any number of disputes over scoring.

For private teachers who have grown up under the performance practices of Western music, the norms of how to behave at competitions, performing events and recitals is likely second nature. However, it is not necessarily second nature to our students and their families. Intentional efforts to make our students and families aware of the rules, regulations and expectations for conduct is very important to the success of our students and the success of events. An organization that has established expectations, guidelines and rules for conduct is in fact helping and supporting its educator-members. Under the organization’s rules, the teacher is removed from the responsibility of being the disciplinarian in these efforts. One can simply say, “These are the rules!”

That being said, there is nothing more effective than teaching and leading by example. When we ourselves emanate exemplary behavior and adherence to the rules and regulations established for events that include performance and evaluation of students’ work, we are teaching our students and their families the value of the long traditions of our profession. We are also supporting ourselves in maintaining our own professional community of educators when we exhibit respectful behavior towards each other at event sites.

As we prepare to enter the first of many such events that our NWSMTA hosts, and in doing so use the new NWSMTA Rules and Guidelines for Events, let us remember to teach “event behavior” as well as the craftsmanship and artistry of playing. Let us lead by example if and when we are challenged by judges’ scores and/or the behavior of the public when it falls outside of what is hoped or expected. Let us remember that humans learn how to think and do. We educators have a responsibility and a beautiful opportunity to help towards the education of society in how to learn and share music, through performance, with and for our fellow humankind.


Lois Veenhoven Guderian, PhD, NWSMTA President

FALL RECITAL

OCTOBER PROGRAM - JENNIFER COHEN

"BEYOND THE LESSON: PATHWAYS TO INDEPENDENT LEARNING

This session offers practical tools to help students stay engaged and productive between lessons, laying the groundwork for independent learning from the very first year. Curated digital assignments in keyboard, aural and writing skills will be shared, which can easily be adapted to support a student’s individual learning style and pace, with particular relevance for students in AIM. We’ll also explore studio-wide challenges and self-assessment strategies that foster accountability and empower students to take ownership of their short-term practice and long-term musical growth.


Jennifer Cohen, NCTM, is an active member of NSMTA and NWSMTA, where she has held offices, including president and 1st vice-president, as well as long term event chairs for Sonata-Sonatina Festival, Certification and AIM. She was named as NWSMTA Member of the Year, and twice as NSMTA Member of the Year for her continuing leadership roles. For over 15 years, Jennifer has served on the ISMTA board as Competitions Director and has worked tirelessly as a member of the state AIM Piano committee. In 2017, she was the recipient of the ISMTA Teacher of the Year, and most recently, was named as the 2025 Illinois Foundation Fellow. As an MTNA nationally certified teacher, she has had the privilege to serve as the East Central Division National Commissioner for MTNA Certification.


Jennifer began teaching in high school, under the tutelage of nationally recognized piano pedagogue, Elvina Pearce, who she was fortunate to have studied for over 10 years. Elvina’s guidance, encouragement, and mentorship during Jennifer’s formative years shaped her to become the teacher that she is and helped foster a desire for life-long service to the music community. Her teaching career spans over 40 years, bringing a wealth of teaching experience from preschool age beginners to advanced high school students. She has taught keyboard skills at DePaul University for over 16 years, and has been on faculty at North Central College Piano Preparatory Division and Northwestern Music Academy. Jennifer currently maintains a thriving independent home studio in Hawthorn Woods, where her passion, commitment and innovative teaching methods have earned her wide recognition, and her approach to conceptual learning and active participation in the Achievement in Music (AIM) program has her in high demand as a teacher. Her students are award winners in area festivals and many have achieved the highest level of AIM, successfully completing Level 12, and have gone on to pursue careers in music. 


Jennifer received a Bachelor of Music in Piano Performance from Oberlin Conservatory and Master of Music in Piano Performance and Pedagogy from Northwestern University. 

AIM (ACHIEVEMENT IN MUSIC)

Dear Colleagues and fellow teachers,


As we look forward to another year of Achievement in Music exams, I would like to remind you to review the dates and deadlines for 2025-2026. They are held at Harper College and the dates are published in the Yearbook as well as the website.


https://www.nwsmta.org/uploads/1/4/1/6/14166152/aim_dates_2025-2026.pdf


Links to Enrollment Process, Fees and Award information can be found on the front page


https://www.nwsmta.org/achievement-in-music-aim.html



PLEASE NOTE:


1. Serving on the exam day is required for every teacher entering students. Exact times and duties will be determined by the Exam Chair for that exam once registration has closed and the final number of entrants are determined. Registration will open in October for the January Exams.


2.For all levels, a repertoire substitution request to include any piece not found

in the Syllabus must be made by January 15 midnight to Stephanie Myers

(hisamimyers@gmail.com).


3.Program approval by Stephanie Myers (hisamimyers@gmail.com) is required

for ALL Level 12 students 5 months before the exam/performance. Download Level 12 Program Approval Submission Form.

https://ismta.org/wp-content/uploads/2022/07/Level-12-Program-Approval-Submission-Fillable.pdf 


4.Level 12 Recitals must be scheduled for dates before July 31 and an extra $25

recital fee is applied.


5.Each private teacher is to register their own students and have membership with MTNA and ISMTA in order to enter students.


We will hold an AIM Workshop for newer members and interested teachers on October 27th at Countryside Church in Palatine. This is a great opportunity to learn more about the program or ask questions. Seasoned teachers and committee members are encouraged to attend to help and mentor newer teachers.


AIM Workshop-Monday, October 27th 10:00am

Countryside Church (Choir Rehearsal Room)

1025 N Smith St, Palatine, IL 60067


You may contact me or exam chairs listed in the Yearbook or the Aim webpage regarding concerns and questions. Have a great year of teaching and we hope to see you at our October Aim Workshop!


Helen Chang

AIM Coordinator

A NOTE FROM THE EDITOR

Dear NWSMTA members,


My article this month resembles a public service announcement. I hope it helps you, or that you will pass the message on to help someone else. 


I started to realize that music was getting more difficult for me to read. I have been using glasses from the bookstores and they were no longer working well. My sister suggested that I get a pair of glasses that were the perfect distance for playing the piano. I made an appointment to see an ophthalmologist who was the mother of three of my former students. I was looking forward to better vision. We spoke about our families and she started to test my vision. I realized that I was having a lot of trouble reading the letters from the chart on the wall. My husband, Terry,  has told his doctor, “I can see the white square. When are you going to put the letters up?” I was glad that I had called someone I knew and trusted. I knew I was in good hands. She did a glaucoma test, which I was expecting. She determined that I have glaucoma. She was also concerned about a “freckle” on my iris. She referred me to an ocular oncologist in Chicago and had me make an appointment for an MRI of the brain and the eye orbit area.


I had been shocked about the glaucoma diagnosis. We have no family members that have experienced glaucoma. I thought it ran in families. I have since discovered that glaucoma is the silent thief of sight. It is easily missed until a significant amount of vision is lost, because it is gradual and painless. I realized that glaucoma was no longer my biggest concern. My brother was blind as an infant and my grandmother lost her vision in one eye in a car accident.


I drove home thinking, “This is so weird. I feel fine. I do not have any pain, but I did not get any glasses. I guess I will concentrate on enjoying life one day at a time.” 


I was able to get in for the MRI quickly because of a cancellation. Before I could have the MRI done, I had to get my wedding ring off. I decided to go to a jeweler to have it cut off. I think I will have it made a little bigger (the ring, not the diamond.) I was told the brain looked okay for someone my age. (I am not thrilled with that.) 


So, my point in sharing this story is that it is important to get your eyes checked for glaucoma. And do not wait twenty years as I did. I found out that young people can have it. One woman has dealt with it since she was three months old. It is also becoming more common. There are no cures, only treatments. The only treatment is to lower the pressure inside the eye, via drops, laser, or surgery. Early intervention is the best scenario. If you are aware of a family history of glaucoma pass that information on to your children.


I hope to SEE you at our next meeting on Monday.


Deborah Lynch

Newsletter Editor

Northwest Suburban Music Teachers Association | https://www.nwsmta.org
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