GPD student Julien Xuereb  (MM '15, Guitar, Pedagogy) has received a Dean's Incentive Grant for a Musician-in-Residence Pilot Project. Mr. Xuereb is currently an artist-in-residence at Springwell Senior Living in Baltimore.

Announcing New Dean's Incentive Grants

Peabody Dean Fred Bronstein has announced the recipients of the new Dean's Incentive Grants, created to foster innovation, interdisciplinary initiatives, and community connectivity. The grants offer up to $15,000 for faculty-led initiatives and up to $5,000 for student-led initiatives. A total of seven grants were awarded for proposals including the creation of an immersive, interactive virtual reality Peabody experience; studying the impact of music lessons on patients suffering from Parkinson's Disease; a research project analyzing creativity by comparing the differences between on-the-spot and prepared improvisation; development of an interactive orchestral education concert which teaches young audiences listening strategies based on cognitive science; the creation of a pilot program placing Peabody students in residential senior/retirement communities; development of a student string ensemble whose performances will take place exclusively in community venues; and the creation of a new class titled Hip Hop Music Production History and Practice. Visit the Dean's page for the full list of winners and project descriptions.


FROM THE DEAN

February is audition time at Peabody, when we welcome prospective students from around the world to campus where their hopes and talents are on full display. At the same time, we are reminded of the significant responsibility we take with our students. Part of that responsibility means looking to the future to understand where music is going and the demands placed on our students as they launch their professional careers.

To ensure we're leading that effort, we have assembled the Peabody Curriculum for the Future and Reimagining Ensembles at Peabody task forces, now central to the discussion around Peabody's expanding vision for the future of professional music training and what is required of professional musicians in the 21st century. This is an enormously exciting process and opportunity for Peabody to engage in a deep conversation about where music as an art and profession is going and how Peabody can lead in this conversation. We have also launched the Peabody Diversity Pathway Task Force whose charge it is to examine Peabody's current state of diversity with focus on under-represented communities and establish a long-term plan that addresses the diversity pipeline for students, faculty, and staff, and, in doing so, foster an ongoing conversation about the culture of diversity at Peabody and in the world of classical music. As questions of equity and diversity sweep across university campuses today, we aspire to a full-throated conversation and effort to positively impact change in this important area.

It is exciting to see the number of future-oriented initiatives that are now happening here and the potential impact and implicit importance of these new directions. They pave the way to marry Peabody's history to a future vision that embraces excellence in the context of holistic education, innovation, inclusion, and the artist's role in communities as citizen-artists. This is essential work for a future of classical music not solely determined by its past, but by its reinvigoration, recommitment, and relevance to new, expanding audiences - more diverse, inclusive, and deeply engaged than ever before.  




Fred Bronstein, Dean
ON STAGE / OFF CAMPUS

February 5-7

The Peabody Renaissance Ensemble, directed by Mark Cudek (MM '82, Lute) has been invited to the Conciertos de la Villa de Santo Domingo festival in the Colonial City of Santo Domingo in the Dominican Republic. Over the weekend, the group will perform four concerts including an outdoor musical presentation and a family discovery concert. The festival is founded and directed by John Thomas Dodson (MM '83, Orchestral Conducting), music director, and Yolanda Borrás (BM '85, Piano), executive director. 
 

Saturday, February 6, 8:00 pm     

The Atlanta Symphony Orchestra gave the world premiere of A Thousand Words by Michael Kurth (BM '93, Double Bass), a member of the orchestra, yesterday at Woodruff Arts Center's Atlanta Symphony Hall in Atlanta. The program, which also includes Brahms's Concerto for Violin and Orchestra in D Major and Strauss' Till Eulenspiegel, will repeat tomorrow, February 6. 


Sunday, February 7, 4:00 pm

Mezzo-soprano Jessica Renfro (MM '03, Voice; GPD '05 Opera) and baritone John Eisenhardt ('74, Voice) will be featured soloists in this Sunday's Bach in Baltimore concert. Conducted by T. Herbert Dimmock (MM '76, Organ), the program includes Bach's Cantata 93: Wer nur den lieben Gott läßt walten and Cantata 169: Gott soll allein mein Herze haben. The concert will take place at Zion Lutheran Church, City Hall Plaza, Baltimore.  
   

Saturday, February 13, 8:00 pm; Sunday, February 14, 3:00 pm       

Frances Borowsky (MM '13, Cello), as winner of the 2013 Mary Graham Lasley Concerto Competition, will join the Alexandria Symphony Orchestra and her mother, Cecylia Barczyk, in performing Vivaldi's Concerto for Two Cellos in G minor. Saturday's concert will take place at the Rachel M. Schlesinger Concert Hall and Arts Center and Sunday's will take place at the George Washington Masonic Memorial. In January, Ms. Borowsky traveled to Cuba with the American Virtuosi for a two-week concert tour, "Music: The Best Bridge for All People."   


Monday, February 22, 2:30 pm

Howard Herring, president and chief executive officer of the New World Symphony, will join Peabody Dean Fred Bronstein for a conversation in the Dean's Symposium Series. The event, in Peabody's Cohen-Davison Family Theatre, is free and open to the public and available to view online via live stream.

Peabody Events highlights select off-campus or live-streamed performances featuring Peabody performers. For other events, please visit our Peabody Institute Concerts Facebook page. For the complete weekly list of concerts at Peabody, subscribe to Events at Peabody at peabody.jhu.edu/news.    
   
ARTISTIC ACHIEVEMENTS


Paul Avgerinos      
Paul Avgerinos (BM '81, Double Bass) received a Grammy nomination for Best New Age Album. The album, Grace, was released on Round Sky Music in August. This is Mr. Avgerinos's third nomination. The Grammy awards ceremony will take place on February 15. 


Michael Hersch      
Composition faculty artist Michael Hersch (BM '95, MM '97, Composition) was a finalist for the President's Frontier Award, which recognizes one Johns Hopkins faculty member each year. Each finalist was awarded a presidential monetary gift of $50,000 to support innovation and advancements in his or her field. 


Mary Matthews      
Mary Matthews (MM '10, Flute) won first place in The American Protégé International Woodwinds Competition. Ms. Matthews will make her Carnegie Hall solo debut on Sunday, May 1, at 1:00 pm at Carnegie Hall's Weill Recital Hall in New York. 


Scott A. Miller II      
Scott A. Miller II (MM '15, Composition/Music Theory Pedagogy) has been selected as a composition fellow for the 2016 Aspen Music Festival and School and also received a commission from the Western Connecticut Youth Orchestra. Mr. Miller's winning work in the 2014 Macht Orchestral Composition Competition - Pillars, erased - will be performed by the Peabody Symphony Orchestra on February 16. 


Terrance Patterson      
Terrance Patterson (PC '89, Clarinet) is the recipient of the first Ann McDonald Baker Art Ventures Award. Created for the Community Foundation's 25th anniversary, the $10,000 award celebrates "an extraordinary local artist whose work brings distinction to Northeast Florida." Mr. Patterson is the founder and artistic director of the Ritz Chamber Players, a chamber orchestra composed of African-American musicians that performs in Jacksonville and Atlanta in addition to educational outreach. 


RECENT RECORDINGS


We Love The Underground, featuring guitarists Eric McCullough (MM '12, Guitar) and Patrick Sise (BM '10, MM '12, Guitar), released their album Children of the Program last month. The album blends elements of rock, metal, and classical genres, and accompanies a novel of the same title written by vocalist Brad Cox. 

The Spirio Sessions, released by Jenny Lin (AD '98, Piano) with jazz pianist Uri Caine, features music for two pianos. Much of the program includes familiar classical pieces in two-piano versions, with the pieces performed in their usual version by Ms. Lin while Mr. Caine creates an improvised accompaniment.

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