December 11, 12:30 p.m.

103B Mandeville Center, UC San Diego

Join us for a screening of stop motion animations created by students of the Intermediate Projects in Media class instructed by MFA alum Sam Wohl.

December 11, 7:00 - 10:00 p.m.

B114 & B116, Mandeville Center, UC San Diego

The class introduces external APIs currently of interest in the arts, extending a common programming language such as C, C++, Python, or Java, and the basics of TCP/IP networking. Students gain API fluency through planning and coding software or software mediated art projects.

Reception: December 13, 6:00 - 8:00 p.m.

The WOO, San Diego, CA

HyperSonic Panoramic Dreamz navigates the blurred space between memory, familial histories, fantasies, politics, and the body. Hyper-Sonic evokes a high frequency sensory blast, a collapse of time, emotion in the symbolic landscapes where multiple realities coexist at once. The title reflects our current moment holding space for potentiality and imagining different modes of survival.

December 14, 2:00 - 3:00 p.m.

MCASD, La Jolla, CA

According to Vasquez, "25 Palm Trees in Paradise is a book that is not a book about a tree that is not a tree.” Its pages offer the viewer a survey of Vásquez’s “burning palm tree” paintings, created over the last ten years, that explore the palm’s many moods and manifestations.

December 14, 3:00 - 5:00 p.m.

LA Nomadic Division, Los Angeles, CA

Join us for an afternoon of hands-on zine making facilitated by artist and photographer, Paul Mpagi Sepuya, and arts programmer, curator, and veteran producer and avid collector of zines, Darin Klein. The workshop is designed to be a non-hierarchical and non-competitive platform for the exchange of creative ideas.

October 3 - December 19, 2025

Gazelli Art House, London, UK

Subject to Change brings together nine internationally recognised artists who work critically with algorithms, datasets, and machine learning – processes often bundled together under the term artificial intelligence (AI). While acknowledging the significant societal impact of fast-developing AI tools, this exhibition focuses on artists who critically engage with their biases, limitations, and possibilities, and in doing so actively shape this new landscape.

November 22 - December 20, 2025

El Nido Fronterizo, Santa Ana, CA

This monthlong exhibition foregrounds the co-created or singular gestures often made at home or something like home by Amy Sara Carroll, Césaire Carroll-Domínguez, y Ricardo Domínguez. Alongside the art work, we are also planning a series of Saturday performances, discussions, and hands-on activities – all an attempt to disrupt and dishabituate ourselves from the bitter inertia of this moment.

November 15 - December 20, 2025

R.B.Stevenson Gallery, La Jolla, CA

R.B.Stevenson Gallery is pleased to announce the exhibition Holiday Group new paintings by a selection of gallery artists. Each artist presents fresh perspectives and innovative approaches to contemporary painting. This is a unique opportunity to meet the artists and gain insights into their creative process.

November 8 - December 21, 2025

LA Nomadic Division (LAND), Los Angeles, CA

Excerpts & Fragments presents twenty years of Los Angeles-based artist Paul Mpagi Sepuya’s zines, artist books, and collages. Informed by queer modernist literature and early internet culture, Sepuya utilizes fragmentation and multiple perspectives to construct intimate photographs that are explicitly subjective, connecting a community of friends and lovers. 

August 16 - December 27, 2025

ICA San Diego North, Encinitas, CA

Spanning the entire ICA / North campus, wontloversrevoltnow invites visitors into a conversation about care and community. Through a combination of existing work and new projects created specifically for this exhibition, Las Hermanas Iglesias generously weave their own navigations of loss, motherhood and current events into works that speak to how we value, define, and provide caregiving.

November 8, 2025 - January 3, 2026

Quint Gallery, La Jolla, CA

In addition to Farber’s well-known tabletop compositions, An Up Beat Title highlights a set of late drawings that revisited a style seen in his earlier drawings from the mid-70s. Farber’s late style, while in markmaking returns to a younger version of himself, in gesture appear quick and loose, perhaps even unfinished. These intimate paper works, inspired by Patricia’s gardens, stand as a tender closing chapter to his practice.