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March 19, 11:30 a.m. - 3:30 p.m.
Mandeville B-114 and B-116, UC San Diego
Animation and Data Visualization Showcase of VIS 141A work Winter 2025. The course introduces external APIs currently of interest in the arts, extending a common programming language such as C, C++, Python, or Java, and the basics of TCP/IP networking. Students gain API fluency through planning and coding software or software mediated art projects.
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March 18-20, 1:00 - 4:00 p.m.
Adam D. Kamil Gallery, UC San Diego
Juliana Amaya, Amara Bhatia, Kaylee Bradshaw, Chanta Chea, Sarah Chung, Emma Denton, Sonia Klein, Audrey Legaspi, Kieli Leon, Sydney Nunnemaker, So Rivera, Rania Shamji, Ember Sierra, Isabella Vargas, Shruthi Venkatesh, Ajjon Zimmerman. "Systems + Networks @ Scale" introduces students to the study and design of complex systems and networks at diverse scales, from the nanometric to the planetary (and perhaps beyond).
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March 20, 12:00 - 1:00 p.m.
KPBS Midday Edition 89.5 FM
Tune in this Thursday from 12-1 to hear Emily Greenberg discuss her book Alternative Facts on Midday Edition with KPBS Arts Reporter Julia Dixon Evans.
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March 20, 6:00 - 8:00 p.m.
Aspen Art Museum, Aspen, CO
D'Elena-Tweed presents this talk titled “The Obstacle is In the Way: Pedagogy as Transparency and Mythos Reformation” for the Teaching Artists series. Teaching Artists offers participants professional experience via curriculum development, analysis, skill-sharing, and critical discussion surrounding arts education.
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March 21, 9:00 a.m.
Online & Free, Register Here
Amy Alexander will be a panelist on this ACM SIGGRAPH Digital Arts Committee SPARKS session. She'll be presenting a short talk entitled "Addressing Bias and Transparency in Commercial Generative AI models: Recent histories as templates for going forward."
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March 21, 7:30 - 9:00 p.m.
Bread & Salt, San Diego, CA
Necking has been a free-punk improvising collective since 2004. For this event presented by Project [BLANK], they’ve invited like-minded collaborators, including past members, to participate in a series of stunts that break Necking into its composite parts and themes. This five chapter essay will cite influences lofty and lowly, using the language of some of our best misfits!
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March 23, 1:00 - 3:00 p.m.
Warwick's, La Jolla, CA
As part of their ongoing Weekends with Locals Program, Warwick's will be hosting Emily Greenberg, author of Alternative Facts: Stories, for a book signing on Sunday, March 23rd from 1:00pm to 3:00pm.
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April 3, 5:00 - 7:00 p.m.
Gallery QI, Atkinson Hall Auditorium, UC San Diego
Mendi + Keith Obadike are artists, composers, and writers. Their works sit at the intersection of art, music, and language and draw upon histories of experimental media art and performance. Rooted in African-American freedom struggles and Igbo cosmology, The Skeuomorph unfolds as a poetic meditation on technological agency and the myths we encode in our machines.
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Public Public
Korean socially engaged art journal, Public Public (https://maily.so/publicpublic), interviewed Jae Hwan Lim about his journey as a socially engaged artist/researcher and the editorial collective of the FIELD Journal.
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College Art Association
Kester's book Beyond the Sovereign Self (Duke University Press, 2024) received the award at the 2025 College Art Association conference. The Frank Jewett Mather Award, first presented in 1963 for art journalism, is named in honor of the art critic, teacher, and scholar who was affiliated with Princeton University until his death in 1953.
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March 1 - June 15, 2025
Mandeville Art Gallery, UC San Diego
Border Craft is a group exhibition featuring contemporary artists employing craft practices to address the geopolitical realities of borderland regions. The works on view serve as a feminist and critical counterpoint to dehumanizing systems designed to divide people and cultures. The exhibition includes MFA alum Isidro Pérez García and Longenecker-Roth Artist in Residence, Tanya Aguiñiga.
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October 4, 2024 - Ongoing
Birch Aquarium at Scripps Institution of Oceanography
Embodied Pacific: Ocean Unseen invites you to explore Scripps Institution of Oceanography and Indigenous science through the eyes of contemporary artists. Collectively, the exhibition asks us to consider how ocean science technology is not just about “high-tech” but also very much about the tools we use to shape our understanding of the ocean’s unseen mysteries.
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February 8 - April 5, 2025
Contemporary Arts Center Gallery, UC Irvine, CA
The Intimacies Between Continents brings together the work of Sula Bermudez-Silverman, Danielle Dean, and Africanus Okokon — three contemporary artists who work across video, sculpture, and installation to unearth the often forgotten material traces of the historical processes that produced global capitalism.
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December 21, 2024 - April 6, 2025
Hammer Museum, Los Angeles, CA
This exhibition explores contemporary artists’ use of unusual mark-making devices, including blood, smoke, Kool-Aid, coffee, scrap metal, vegetable juice, pins, dryer lint, and more, to create drawings and prints. Out of the Ordinary examines artists’ wide-ranging motivations for choosing such unorthodox media, from sensory play and experimentation to excavations of the charged historical and symbolic values of mundane substances.
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