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October 3 & 4, 6:00 - 7:00 p.m.
Benton Museum of Art, Claremont CA
As part of Getty's PST ART, Malik Gaines and Alexandro Segade present a site-specific song cycle performed at dusk at James Turrell’s Dividing the Light that traces the stories of two lunar travelers, each hoping to find their own destiny in the nighttime sky. Voices and instruments intermingle as our travelers find their cosmic yield is not what they expect.
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Reception: October 3, 6:00 - 8:00 p.m.
October 3 - October 20, 2024
Phillips Auction, New York NY
PhillipsX is pleased to announce Blue Hour, a selling exhibition on view October 3-20at Phillips’ New York headquarters. The exhibition is curated by Joan Tucker, a recognized curator, collector, and art advisor, and features the work of nearly 20 emerging artists.
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October 3, 10, 17, 5:00 p.m. PDT
Zoom #1, Zoom #2, Zoom #3
If you are interested in the history of American public art, community-engaged art, artists from diverse cultural and economic backgrounds, and forgotten legacies that challenge a market-driven history of art, this webinar series is for you!
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Opens October 4, 2024
Birch Aquarium at Scripps Institution of Oceanography
Embodied Pacific: Ocean Unseen invites you to explore Scripps Institution of Oceanography and Indigenous science through the eyes of contemporary artists. Collectively, the exhibition asks us to consider how ocean science technology is not just about “high-tech” but also very much about the tools we use to shape our understanding of the ocean’s unseen mysteries.
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Reception: October 5, 4:00 - 7:00 p.m.
October 5, 2024 - March 2, 2025
ICA, Los Angeles CA
Scientia Sexualis is an ambitious group survey of contemporary artists whose work confronts, dissolves, and reimagines sex and gender within the scientific apparatus. Organized by Jennifer Doyle (Professor of English, UC Riverside) and Jeanne Vaccaro (Professor of Transgender Studies and Museum Studies, U of Kansas), the exhibition is part of PST ART, led by the Getty, and will be accompanied by a major scholarly publication.
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Reception: October 5, 5:00 - 8:00 p.m.
October 5 - October 20, 2024
Human Resources, Los Angeles CA
A group exhibition of contemporary artists considering what it means to live with and through the internet. Conscious Tether features work by Ahree Lee, Alice Yuan Zhang, American Artist, ann haeyoung, Danielle Dean, Devin Kenny, KCHUNG, LA Cryptoparty, Romi Morrison, Tiny Tech Zines, and Xin Xin.
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October 5 - October 6, 2024
New York Film Festival, New York NY
Returning to her hometown—the eponymous planned community, oriented around a factory—Danielle Dean alloys fiction and documentary, collective memory and autobiography, amid a hail of meteorites.
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October 6, 2024 - July 13, 2024
Academy Museum, Los Angeles CA
Memo Akten presents "Body Paint" at the Academy Museum. Color in Motion: Chromatic Explorations of Cinema is among more than 70 exhibitions and programs presented as part of PST ART: Art & Science Collide. Color in Motion engages visitors through dynamic, colorful film installations and features objects from the silent era through the digital age.
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October 9 - October 13, 2024
The Regent’s Park, London UK
At Frieze London 2024 Danielle Dean showcases a new series of watercolours reflecting on her experience growing up as one of the few Black children in 1980’s Hemel Hempstead, a Postwar British “new town,” amid her white working-class family and absent Nigerian father.
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October 11 - October 12, 2024
Weber State University, Ogden UT
My presentation, 'Commodity vs. Community: Neoliberal Art/Culture in Contemporary South Korea, 2010-20s' critiques the 2010-20s South Korean art field that is fully merged with the Western rule of neoliberal art and culture, prioritizing money above all else. My critical analysis of such a trend is to situate the Korean art scene as an economy-centered production of art and culture and to critique its further instrumentalization of humans for the industry."
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October 12, 2:00 - 6:00 p.m.
Suraj Israni Center for Cinematic Arts, UC San Diego
Jalal Al-Marashi Jaffer ('24 Alum), Cuyler Ballenger (Grad Student), Zeinabu Davis (Faculty), Yingjie Fei (Grad Student), Emily Greenberg (Grad Student), Todd Henry (Faculty), Zakary Hori ('24 Alum), Ashley Jones ('24 Alum), Lev Kalman (Staff), Luciana Marcos Laberge (Staff), Daisuke Miyao (Faculty), Rida Qadeer ('24 Alum), Alexandro Segade (Faculty)
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October 15, 12:30 - 1:30 p.m.
Centro de Cultura Digital in Mexico City
Doreen Ríos will participate in the conference titled Arte y tecnologías desde México, una introducción al ecosistema nacional. MUTEK PRO Digi Lab focuses on the practices, agents and dynamics that mobilize digital art in Mexico and the world.
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October 17, 6:30 - 8:00 p.m.
Robinson Auditorium, UC San Diego
Tanya Aguiñiga is the 2024 Longenecker-Roth Artist in Residence at the Department of Visual Arts. Drawing on her upbringing as a binational citizen, who crossed the border daily from Tijuana to San Diego for school, Aguiñiga’s work speaks of the artist’s experience of her divided identity and aspires to tell the larger and often invisible stories of the transnational community.
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les presses du réel
As attested by her inclusion in several important survey exhibitions, including The Medea Insurrection: Radical Women Artists Behind the Iron Curtain at the Wende Museum, Los Angeles (2019–20), Drozdik is one of the most significant Eastern European women artists working in experimental performance and photography before the fall of the Berlin Wall.
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September 28, 2024 - January 26, 2025
Turner Contemporary, Margate UK
Anya Gallaccio: preserve is the largest survey exhibition to date of British artist Anya Gallaccio. The exhibition spans three decades of Gallaccio’s radical practice, restaging several iconic sculptures in addition to a new site-specific commission. It reveals the artist’s consistent rethinking of the relationship between art and the environment by presenting works that connect with Kent’s natural heritage.
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September 26 - October 10,2024
UCLA Broad Art Center, Los Angeles CA
Social Sediment is a group exhibition revealing the many layers of cultural deposits found on Tongva, Chumash, and Kizh territories—also known as “Los Angeles.” As a record and an act of recording, this exhibition asks viewers to consider their own relationship to the land they reside on and what layers of “sediment” are they contributing.
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September 28 - October 20, 2024
Tiger Strikes Asteroid, Los Angeles CA
Each body of work forges a new language for connection, transforming the pain of disconnection and the fear of the unknown into something tangible. Naomi Nadreau, Cara Levine, and iris yirei hu, each with their own rich mythologies, unite in a shared investigation of interiority.
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September 28 - December 7, 2024
Mandeville Art Gallery, UC San Diego
As part of the Getty Foundation’s PST ART: Art and Science Collide, the Mandeville Art Gallery at UC San Diego presents Helen and Newton Harrison: California Work, a retrospective exhibition about the work of husband-and-wife team of Helen Mayer and Newton Harrison, who were among the earliest and most notable ecological artists. Founding members of the Visual Arts Department at UC San Diego, Helen and Newton were local San Diego artists for nearly four decades, where they developed their pioneering concepts of Ecological Art.
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September 26 - December 6, 2024
Gallery QI, UC San Diego
Easter Ellen Cupp, June Pattullo, and Anita Smith Hall, First Women of Oceanography, in works by Amy Adler, Nicolas Miller, Johnnie Chatman, and Jeffrey Stuker. Curated by Professor Lisa Cartwright with Leandro Martínez Depietri.
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September 27 - December 6, 2024
Visual Arts Gallery@SME, UC San Diego
Navigating the Pacific with works by Simon Penny, Sakman Mario Borja, the Sakman Chamorro Group with Sherry Miller Borja and the Speculative Design Master Class of 2023, Stan Rodriguez, Our Worlds (Kilma S. Lattin and Catherine Eng), and Jessica Ashook, Lacey Coover and Trish Stone, Mimi Kaveia George, Kyle McDonald, Delsie Betty Bosi and women sailmakers of Taumako.
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September 9 - December 22, 2024
The Gallery at Geisel Library, UC San Diego
Easter Ellen Cupp, June Pattullo, and Anita Smith Hall in the Archives, with works by Amy Adler, Kimberly Heard, Judit Hersko, Lauryn Smith, Chanell Stone, and Jeffrey Stuker. Curated by Professor Lisa Cartwright, PhD candidates Joe Riley and Stephania Torres-Londono.
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September 9, 2024 – January 26, 2025
The Nest at Geisel Library, UC San Diego
An exhibition featuring works about the Zooglider, an autonomous vehicle for optical and acoustic sensing of zooplankton, by artist Claudine Arendt in collaboration with ocean scientists Mark Ohman and Sven Gastauer. Through a Porcelain Cast is part of the Fall 2024 Embodied Pacific platform of programming.
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September 20 - October 11, 2024
Oolong Gallery, Rancho Santa Fe CA
The exhibition’s title, absolute fulfillment in the spectacle, refers to a concept borrowed from French theorist Guy Debord, whose seminal work The Society of the Spectacle (1967) critiqued the commodification of everyday life and the alienation caused by a culture of spectacle. Nadreau and McDonald take this notion and reframe it—exploring not only how reality is distorted by spectacle but also the potential for self-discovery and transformation within it.
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September 14 - October 12, 2024
Quint One, San Diego CA
In the 1980s, the artist began cutting and sewing together pieces of fabric which he painted on directly with graphic motifs relative to specific locations around the world. He is known for his unabashed embrace of decoration, craft, and the handmade, and through these earlier fabric works, creates a meeting place across cultures.
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