|
September 10, 10:00 - 11:00 a.m.
Zoom Events Platform, UC San Diego
Learn about the Visual Arts MFA program at the Graduate Programs Open House. Note that the PhD program will have a separate event on September 19th. The Visual Arts MFA program is designed to provide intensive professional training for students who wish to pursue a career within the field of contemporary art—including all aspects of art making, criticism, theory and curating.
| | | |
September 10 - September 14, 2025
Villa Medici, Rome, Italy
Since its creation in 2021, Villa Medici Film Festival has explored the links between cinema and contemporary art. The International Competition presents twelve recent films of all genres and lengths. At the end of the festival week, two prizes are awarded by the jury at a ceremony attended by the public and artists: the Villa Medici Prize for Best Film and the Special Jury Prize.
| | | |
September 19, 9:00 - 10:00 a.m.
REGISTER HERE for Zoom Meeting
Visual Arts PhD Director, Malik Gaines, will give an overview of the PhD program and will be available to answer questions. The Visual Arts PhD Program grants two PhD degrees: Art History, Theory and Criticism and Art History, Theory and Criticism with a Concentration in Art Practice. The program embodies the department's commitment to innovative research by embracing the close intersection of art, media, and design practice with history, theory, and criticism.
| | | |
September 19, 2025 – December 14, 2025
The Nest, UC San Diego Library
Here, Now 여기, 지금 highlights publications on the Korean War from historical and artistic perspectives, as well as unique materials related to the Korean War and the Korean Demilitarized Zone (DMZ). The exhibition features special collections from the University of Southern California (USC)’s Korean Heritage Library, the University of Michigan (U-M)’s Asia Library, and the Storefront for Art and Architecture in New York.
| | | |
September 19, 6:00 - 8:00 p.m.
Amant, Brooklyn, NY
Building on his influential 1988 essay FACE(T)S: Notes on Faciality, art historian and theorist John C. Welchman traces the shifting significance of the face across epochs, regimes, artistic movements, and philosophical frameworks. Arguing that the face is not merely a symbol or sign but also territory and a projective fiction—a surface or imagination saturated with religious, political, and aesthetic meaning—Welchman offers a longform reading of faciality as a site of ideological and representational conflict.
| | | |
September 20 - September 21, 2025
Good Shepherd Studios, London, UK
The Slow Film Festival gives a platform to filmmakers whose work engages with time and duration on screen. The festival is a space to view and discuss films that are pushing the boundaries of “slow film” as well as those that have defined its history. It aims to be a meeting point where the uses of duration in film can be debated and where new friendships and potential collaborations can take root.
| | | | | |
Wallach Print Collection, New York Public Library
The Wallach Print Collection has acquired 71 vintage photographic prints by Blaise Tobia (MFA 77) made in 1978 while he was part of the documentation unit of the largest federally funded artists employment project in the U.S. - the CCF CETA Artists Project in NYC. Some of these photographs have been exhibited at the Whitney Museum as well as other galleries and in a variety of publications.
| | | |
August 23, 2025 - January 11, 2026
Carnegie Museum of Art, Pittsburgh, PA
The exhibition brings together architects, artists, and educators to study the state and stakes of public education. Through spatial propositions, installations, alternative playgrounds, and curricular proposals, the participants consider architectural, pedagogical, and representational structures that shape how knowledge is created, shared, taught, or withheld.
| | | | | |
PARA/normal Borders Podcast
In this episode, Ricardo traces the origins of his practice to a formative moment in early childhood: the instant he poured warm milk onto his beloved RCA television and watched it explode. This gesture inspired Ricardo’s artistic practice, one which is committed to the destruction of repressive technologies and the formation of digital solidarity networks.
| | | | | |
Heidi Zuckerman's About Art Podcast
Adler's current solo exhibition NICE GIRL is on view at the Orange County Museum of Art. She and Zuckerman discuss Leonardo DiCaprio, family as subject matter, girls, and nice girls, protecting the vulnerable, power dynamics, the vulnerability in making art, self-love, time well spent, drawing in negative, her studio practice, working standing, technique and texture, and how there is always more!
| | | |
August 28 - December 1, 2025
Arts & Humanities Bldg. 1st floor, UC San Diego
Inspired by Eduardo Galleano’s poetry, this year's PATH Art Exhibit is inspired by his poem The World that describes: “The world is that—he revealed—A cluster of people, a sea of little fires. Each person shines with their own light among all others. No two fires are alike.” A Sea of Little Fires is the theme for this year’s exhibit. Join us for an exhibit that celebrates the different ways in which people shine in this world and bring light to the world.
| | | |
July 1 - September 27, 7:00 a.m. - 10:00 p.m. daily
Mandeville Art Gallery, UC San Diego
Comprised of works by digital artists displaying text manipulated and hijacked using programming and code. The words, phrases, and typography presented on view reveal the influence of machines on the production of meaning and the exercise of power within the context of social media, advertising, online censorship, and artificial intelligence. Participating Artists: Maya Man, Winnie Soon, Sasha Stiles.
| | | |
October 4, 2024 - Ongoing
Birch Aquarium at Scripps Institution of Oceanography
Embodied Pacific: Ocean Unseen invites you to explore Scripps Institution of Oceanography and Indigenous science through the eyes of contemporary artists. Collectively, the exhibition asks us to consider how ocean science technology is not just about “high-tech” but also very much about the tools we use to shape our understanding of the ocean’s unseen mysteries.
| | | |
August 23 - September 4, 2025
Material Projects, Los Angeles, CA
We are pleased to announce Soft Launch, the inaugural exhibition of Material Projects. We are an artists run space in downtown Los Angeles. This show features some of the best emerging talent from across the region, capturing the diversity and depth of the Los Angeles art scene.
| | | |
August 23, 5:00 p.m. - September 6, 11:00 p.m.
Silent Online Auction
BA allumna Marisa DeLuca asks you to please join her in supporting local immigrant families directly affected by immigration enforcement by supporting Artists in Solidarity's sixth annual art auction. All proceeds after expenses will be disbursed as cash grants to three immigrant families who have experienced kidnappings recently.
| | | |
April 26 - September 7, 2025
Orange County Museum of Art, Costa Mesa, CA
Nice Girl presents a new body of oil pastel works that investigate the ubiquitous social media mirror selfie, reflecting how people both see themselves and share outward their own reflections. Across the 20 canvases that comprise the show’s installation, a series of anonymous young women meet our eye, each having made the choice to share their likeness online with the public.
| | | |
August 1 - September 13, 2025
Level of Service/Not Required, La Jolla, CA
This is a show about the fluff that is filling and wrapping the story structures of our lives, at each step, at each level - from being born to falling in love, to finding a passion, getting ill, and passing on. This is a show about everything and anything that is in between these common pylons of our existence, everything and anything important and insignificant at the same time.
| | | |
July 12 - September 13, 2025
The Front Gallery, San Ysidro, CA
Casa Familiar is proud to announce the opening of a new art exhibition which explores artisanal practices, traditions and crafts that have been passed from person to person through generations. The works show that while artisanal practices and traditions are passed down, sometimes those traditions are kept intact for thousands of years, and sometimes they are in constant evolution.
| | | To submit an item for future newsletters, please read the guidelines and complete THIS FORM. | | | | |