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October 3 - December 19, 2025
Gazelli Art House, London, UK
Subject to Change brings together nine internationally recognised artists who work critically with algorithms, datasets, and machine learning – processes often bundled together under the term artificial intelligence (AI). While acknowledging the significant societal impact of fast-developing AI tools, this exhibition focuses on artists who critically engage with their biases, limitations, and possibilities, and in doing so actively shape this new landscape.
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October 4 - November 1, 2025
Reception: October 18, 11:00 a.m. - 1:00 p.m.
Quint Gallery, La Jolla, CA
The paintings in TILT-A-WHIRL were made on unstretched California King bedsheets, representing a shift from a primarily pattern language to the pictorial, wherein singular images and color fields work in unison to define the composition. Several gouache studies, also on view, reveal how the artist tested these arrangements before scaling up their proportions.
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Reception: October 4, 4:00 - 8:00 p.m.
October 4 – October 25, 2025
120710 Gallery, Berkeley, CA
Mythology has acted as an ancient technology weaving itself into the cultural imagination, allowing humans to create meaning and social cohesion through stories; these stories, however, all journey towards obsolescence. Today, we are witnessing such an obsolescence that has historically led to a crumbling of institutions and ideologies. As society moves through this process, we encounter the potential to evolve.
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Receptions: October 4-5; 11am - 6pm
September 15 - October 5, 2025
UCI Nature Burns Piñion Ridge Reserve, Yucca Valley, CA
Mostly Thorns is an exhibition loosely assembled under the ‘The Rose, Bud, Thorn’ framework—an exercise reflecting on three aspects of an experience: a Rose (a highlight, success, or positive moment), a Bud (a potential for growth, or something to look forward to), and a Thorn (a challenge, disappointment, or area needing improvement).
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October 4, 2025 - May 3, 2026
SF MoMA, San Francisco, CA
(Re)Constructing History embraces the possibility for photographs to both record an instant and capture the history embedded within the present. Borrowing its title from artist Carrie Mae Weems’s featured series, Constructing History, this installation invites audiences to imagine the layers of history we encounter through a seemingly fixed image.
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Reception: October 6, 5:00 - 7:00 p.m.
October 6 - October 16, 2:00 - 5:00 p.m.
Adam D. Kamil Gallery, UC San Diego
Inspired by my roots in the Caucasus, as well as my fascination with human emotion, most of my paintings reflect the cultural scenes and spirited individuals I’ve encountered on my travels through Azerbaijani towns and villages.
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University of Arkansas Press
Known colloquially as “The Adonis Saga,” this trilogy by author Robert Booras and conceptualized, designed, and art directed by Assistant Professor Jessica D’Elena-Tweed, manipulates sonic visualization techniques to produce graphical illustrations generated by the musical compositions that provide the book's structure. The contents are a variety of species, including scenes, poetry, and interludes that adopt “words in freedom” typographic arrangements. Green of Each Window, Crystalline Green, Afterwards
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September 26, 2025 - February 8, 2026
MUDAM, The Contemporary Art Museum of Luxembourg
This first major retrospective since 1999 – and the first ever in Europe – presents Antin’s œuvre in full breadth. The exhibition highlights the continued relevance and influence of her work from the late 1960s till today, when issues of power imbalance and collective and individual representation have taken on renewed urgency.
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September 23, 2025 - May 9, 2026
Reception: October 14, 5:00 - 8:00 p.m.
Barrett Art Gallery, Santa Monica College, CA
Concrete Hope foregrounds the multiplicity of Brown identity in Southern California as a mode of cultural self-affirmation. Bringing together thirty-eight emergent photographers and lens-based artists, the exhibition examines how media based photography, articulates the layered narratives and lived experiences of this complex community.
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October 1 - December 6, 2025
Mandeville Art Gallery, UC San Diego
Omni Intelligent is a group exhibition that explores the intertwined and interdependent relationships between non-human and human entities as artificial intelligence becomes an integrated part of contemporary life. Spanning a wide range of mediums the exhibition offers the visitor a full sensory experience that speaks to the profound shifts unfolding during this pivotal moment.
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August 28 - December 1, 2025
Arts & Humanities Bldg. 1st floor, UC San Diego
Inspired by Eduardo Galleano’s poetry, this year's PATH Art Exhibit is inspired by his poem The World that describes: “The world is that—he revealed—A cluster of people, a sea of little fires. Each person shines with their own light among all others. No two fires are alike.” A Sea of Little Fires is the theme for this year’s exhibit. Join us for an exhibit that celebrates the different ways in which people shine in this world and bring light to the world.
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September 19, 2025 – December 14, 2025
The Nest, UC San Diego Library
Here, Now 여기, 지금 highlights publications on the Korean War from historical and artistic perspectives, as well as unique materials related to the Korean War and the Korean Demilitarized Zone (DMZ). The exhibition features special collections from the University of Southern California (USC)’s Korean Heritage Library, the University of Michigan (U-M)’s Asia Library, and the Storefront for Art and Architecture in New York.
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October 4, 2024 - Ongoing
Birch Aquarium at Scripps Institution of Oceanography
Embodied Pacific: Ocean Unseen invites you to explore Scripps Institution of Oceanography and Indigenous science through the eyes of contemporary artists. Collectively, the exhibition asks us to consider how ocean science technology is not just about “high-tech” but also very much about the tools we use to shape our understanding of the ocean’s unseen mysteries.
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May 16 - October 5, 2025
Leeds Art Gallery, Leeds UK
The exhibition's curatorial spirit stems from a fragment of poetry within Miles Davis’s ‘Inamorata’ (1971), which asks: ‘Who is this music that which description may never justify? / Can the ocean be described?’. For Yiadom-Boakye, poetry’s ability to translate the intangible into images the mind can hold, and to think through rhythm and feeling, is similar to the act of painting.
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June 27 - October 12, 2025
High Museum of Art, Atlanta, GA
Faith Ringgold: Seeing Children is the most comprehensive exhibition to date of the artist’s original children’s books. The richly saturated images and imaginative storytelling in Ringgold’s narratives offer important windows into her creative practice and the American story.
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July 4 - October 12, 2025
Pinakothek Der Moderne, Munich, Germany
Over the summer, the Sammlung Moderne Kunst is dedicating an extensive exhibition to its significant photographic holdings. With a selection of around 250 works by more than 60 artists from the past hundred years up to the present day, this overview traces the developments in the photographic collections at the Bayerische Staatsgemäldesammlungen since their creation.
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