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October 22, 2025 - February 15, 2026
Palais de Tokyo, Paris, France
The group exhibition “ECHO DELAY REVERB: American Art, Francophone Thought” explores the history of the transatlantic circulation of forms and ideas through the works of some sixty artists, bringing together a wide variety of mediums and a number of new commissions. It presents how art in the USA catalysed the revolutionary energies of thinkers, activists and poets who transcended genres and profoundly reshaped perspectives on the world.
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October 23, 6:00 - 7:30 p.m.
SME 149, Structural & Materials Engineering, UC San Diego
Nolan Oswald Dennis is an artist based in Johannesburg, South Africa. Their practice explores the material and metaphysical conditions of decolonization, questioning histories of space and time through system-specific interventions. Presented by INSITE, Nolan Oswald Dennis: Demonstrations(i) opens at The Athenaeum Music & Arts Library on October 25, 2025.
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October 24, 2025
Hôtel Drouot, Paris, France
The conference will bring together leading experts from around the world. Journalist Harry Bellet (Le Monde) will chair the first three panels, while seventeen French and international specialists will explore the methodological, legal, and forward-looking aspects of catalogues raisonnés, sharing insights, best practices, and experiences with authors and professionals involved in art authentication.
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October 24 - October 25, 2025
USC Ronald Tutor Campus Center, Los Angeles, CA
Ph.D. candidate Jae Hwan Lim presents his paper, "Unilateral Altruism: Post-Korean War Children and Their Oppressive Relationships with Harry L. Ettinger, Syngman Rhee, and Sou Kim," at the University of Southern California (USC) Graduate Conference in Korean Studies. This research was supported by a research grant from the Overseas Korean Studies Heritage Foundation (OKSHF) and USC's Korean Heritage Library.
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Reception: October 28, 5:00 - 7:00 p.m.
October 28 - October 30, 2025
Adam D. Kamil Gallery, UC San Diego
Blake Riesenfeld is a photographer and artist-filmmaker whose practice reconciles with his family’s history of the Holocaust in Germany. Riesenfeld is inspired by his great-grandparents' narrowly escaping Würzburg, Germany, in 1938, after being held at the Buchenwald concentration camp.
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October 30, 6:30 - 8:20 p.m.
Franklin Antonio Hall #1301, UC San Diego
iris yirei hu is a multidisciplinary journey-based artist from Los Angeles who works across paintings, installations, intercultural collaborations, writing, and public art. She roots her art practice in processes of material and spiritual transformation, as evidenced in labor intensive pieces and installations that explore the subterranean realms of grief and loss, cycles of life and death, the earthly and the otherworldly, and the infinitely evolving self.
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Reception: November 1, 2:00 - 5:00 p.m.
November 1, 2025–February 21, 2026
Luckman Gallery, Cal State University, Los Angeles, CA
The title of the exhibition borrows a description of Arlene Mejorado’s practice as “an act of care, via a tender excavation of objects, anecdotes, and memories simultaneously.” A Tender Excavation centers identities that have been systematically excluded from mainstream narratives and representations of not only American art but of representing an “American” identity.
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This has been an unusually challenging issue to finalize, due to the ongoing political and cultural crises that have been imposed on us by the Trump administration. We began developing our plans for a special series of FIELD essays on questions of censorship and dissent last winter, but we didn’t expect this topic to become so glaringly relevant quite so quickly.
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October 17 - November 21, 2025
San Diego City College, V Building, San Diego CA
TEŌ City brings together critical work from a group of current and former SDCCD students. TEŌ City opening reception will be at the San Diego City College Luxe Gallery, 5th Floor of the V-Building, on October 17th from 4PM-7PM. This is a FREE all-ages exhibition that welcomes everyone and all art will be on display until November 21st.
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Bomb Magazine
"Her debut, The Longest Way to Eat a Melon (Sarabande Books, 2025), made me forget where I was while I read it. That is because Jacquie has written a singularly clever, inventive, and varied collection of short fictions that refuses to be defined. In it, she loops and arches over words, loosening her grip as she oxygenates each text with breath, chaos, and revelations about what it means to be an artist in this world."
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October 1 - December 6, 2025
Mandeville Art Gallery, UC San Diego
Omni Intelligent is a group exhibition that explores the intertwined and interdependent relationships between non-human and human entities as artificial intelligence becomes an integrated part of contemporary life. Spanning a wide range of mediums the exhibition offers the visitor a full sensory experience that speaks to the profound shifts unfolding during this pivotal moment.
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August 28 - December 1, 2025
Arts & Humanities Bldg. 1st floor, UC San Diego
Inspired by Eduardo Galleano’s poetry, this year's PATH Art Exhibit is inspired by his poem The World that describes: “The world is that—he revealed—A cluster of people, a sea of little fires. Each person shines with their own light among all others. No two fires are alike.” A Sea of Little Fires is the theme for this year’s exhibit. Join us for an exhibit that celebrates the different ways in which people shine in this world and bring light to the world.
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September 19, 2025 – December 14, 2025
The Nest, UC San Diego Library
Here, Now 여기, 지금 highlights publications on the Korean War from historical and artistic perspectives, as well as unique materials related to the Korean War and the Korean Demilitarized Zone (DMZ). The exhibition features special collections from the University of Southern California (USC)’s Korean Heritage Library, the University of Michigan (U-M)’s Asia Library, and the Storefront for Art and Architecture in New York.
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October 4, 2024 - Ongoing
Birch Aquarium at Scripps Institution of Oceanography
Embodied Pacific: Ocean Unseen invites you to explore Scripps Institution of Oceanography and Indigenous science through the eyes of contemporary artists. Collectively, the exhibition asks us to consider how ocean science technology is not just about “high-tech” but also very much about the tools we use to shape our understanding of the ocean’s unseen mysteries.
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September 30 - October 24, 2025
Tulane University, New Orleans, LA
In this exhibition, Jennings situates visibility as it pertains to identity in dialogue with supernatural phenomena, amplifying processes of art-making that occupy multidimensional states of being, denoting formations of possibility and perspectives pertaining to spirit(s) and being.
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September 20 - October 25, 2025
Locally Grown TV, Online Broadcast
The exhibition includes an expansive list of artists and artworks that map a web of relations that extend offsite. Thus the exhibition itself functions as the temporary nucleus of a network, the nodes of which emit multi-frequency transmissions on a spectrum between legibility, hiding in plain sight, and complete concealment. Locally Grown TV is one of those nodes (in addition to a radio broadcast and a zine).
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October 4 – October 25, 2025
120710 Gallery, Berkeley, CA
Mythology has acted as an ancient technology weaving itself into the cultural imagination, allowing humans to create meaning and social cohesion through stories; these stories, however, all journey towards obsolescence. Today, we are witnessing such an obsolescence that has historically led to a crumbling of institutions and ideologies. As society moves through this process, we encounter the potential to evolve.
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October 4 - November 1, 2025
Quint Gallery, La Jolla, CA
The paintings in TILT-A-WHIRL were made on unstretched California King bedsheets, representing a shift from a primarily pattern language to the pictorial, wherein singular images and color fields work in unison to define the composition. Several gouache studies, also on view, reveal how the artist tested these arrangements before scaling up their proportions.
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