In observance of the Thanksgiving holiday, Goya Contemporary Gallery will be closed Thursday, November 28 through Saturday, November 30, 2024. | |
Installation view of Timothy App: Equipoise at Goya Contemporary Gallery, Baltimore | |
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On view at Goya Contemporary Gallery through December 31, 2024
Over the past five decades, contemporary American painter Timothy App (b. 1947, Akron, OH; lives in Baltimore, MD) has developed a substantial body of work that engages in a meticulously disciplined yet nuanced exploration of hard-edge abstract painting. His work contributes meaningfully to the broader art historical discourse surrounding geometric practices. App’s distinctive style of linear abstraction, marked by both assertive visual tensions and contemplative subtleties, reflects a profound understanding of the essence of painting, affirming his status as one of the most significant and accomplished living painters in the Washington DC/ Baltimore region...
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Click here to view the exhibition
Click here to view available works by Timothy App
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Installation view of Louise Fishman, Angry Women and Angry Hillary at The Armory Show 2024, Focus Section, Booth F2 | |
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Goya Contemporary Gallery presented artworks in two sections of this year's fair.
The Focus Section, Booth F2, featured Louise Fishman's singular, multi-panel work, Angry Women, 1973 along with Angry Hillary, 2008. The Platform Section featured Joyce J. Scott's new large scale beaded sculpture Garden Ensconced, 2024.
Click here for more information on The Armory Show 2024
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The Best of the 2024 Armory Show, highlights Goya Contemporary and Joyce J. Scott.
By Eliza Jordan for Whitewall.
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Your Guide to Navigating New York City’s Fall Art Fairs, highlights Goya Contemporary and Joyce J. Scott. By Rhea Nayyar and Maya Pontone for Hyperallergic.
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Detail of Joyce J. Scott, Garden Ensconced, 2024, Plastic and glass beads, yarn, fabric, crocheted fiber, ribbon, stainless steel | |
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Joyce J. Scott: Walk a Mile in My Dreams, a 50-year career traveling retrospective is on view at the Seattle Art Museum through January 20, 2025.
Co-organized with the Baltimore Museum of Art and Seattle Art Museum, Walk a Mile in My Dreams looks at Scott’s significant impact on visual culture and culture at large, upholding Scott as one of the most potent voices of our time.
Click here for more information on the exhibition
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PRESS for Joyce J. Scott Walk a Mile in My Dreams
How an Artist Became the Queen of Baltimore - Joyce J. Scott's 50-year retrospective at the Baltimore Museum of Art draws inspiration, beauty and humor from her hometown and its people, by Aruna D'Souza for The New York Times.
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Joyce J. Scott's Beaded Sculptures Confront Racist Tropes, by Andy Battaglia for
Art in America.
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The Serious Joy of Joyce J. Scott’s Beaded Art, by Isabella Segalovish for Hyperallergic.
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The Joy of Celebrating an Artist who is Still Alive — and Thriving, by Leslie Gray Streeter for The Baltimore Banner.
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Joyce J. Scott: Walk a Mile in My Dreams, by Art in America.
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Joyce Scott, self-confessed ‘visual artist and a trickster,’ shows dark beauty at the Baltimore Museum of Art, by Susan Issacs for Artblog.
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Artist Joyce J. Scott joins the Brooklyn Rail to discuss her 50-year retrospective.
Click here to watch video
60 Must See Exhibitions to Visit This Spring, highlights Joyce J. Scott: Walk a Mile in My Dreams retrospective. By Alex Greenberger for ARTnews.
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Joyce J. Scott’s 50-year retrospective to open alongside exhibits of her mother’s quilts. Like mother, like daughter: the Scotts are ‘bum-rushing Baltimore' by Mary Carole McCauley for the Baltimore Sun.
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Power Objects: Joyce J. Scott at the Baltimore Museum of Art, By J Taran Diamond for Art Jewelry Forum.
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The Skeletons of Joyce J. Scott: A Review of Walk a Mile in My Dreams, Joyce Scott's 50-year retrospective now on view at the BMA, by Laurence Ross for BmoreArt.
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BMA to launch Baltimore artist Joyce J. Scott retrospective. By Aliza Worthington for Baltimore Fishbowl.
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'Round the way girl': Baltimore-based artist opening new exhibit by Lisa Robinson of WBALTV features Joyce J. Scott: Walk a Mile in My Dreams.
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WJZ CBS News features Joyce J. Scott at her new Retrospective, Walk a Mile in My Dreams.
Click here to watch video
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The Shape of Power: Stories of Race and American Sculpture, Smithsonian American Art Museum, Washington, DC, through September 14, 2025.
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Making Their Mark: Works from the Shah Garg Collection, Berkeley Art Museum and Pacific Film Archive, CA, through April 20, 2025. Traveling to the Kemper Art Museum, St. Louis, MO.
Click here for more information on the exhibition
Of Salt and Spirit: Black Quilters in the American South, Mississippi Museum of Art, Jackson, MS, through April 13, 2025.
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The Culture: Hip Hop and Contemporary Art in the 21st Century, The Art Gallery of Ontario, Canada, through March 23, 2025. Co-organized by the Baltimore Museum of Art and the Saint Louis Art Museum.
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The DMV Collects the DMV, The Washington Print Club 60th Anniversary Exhibition, At Kreeger Museum, through February 1, 2025.
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Subversive, Skilled, Sublime: Fiber Art by Women, Smithsonian American Art Museum, Washington, DC, through January 5, 2025.
Click here for more information on the exhibition
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Stolen Staff Reinstalled on Statue of Harriet Tubman in Annapolis by Luke Parker for The Baltimore Sun.
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The Creative Economy Ecosystem, by Cynthia Close for Art & Object
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Joyce J. Scott and Kay Lawal-Muhammad’s music video Ya Know, directed by Rassaan Hammond and Ben Baker-Lee, and produced by Above Ground Presents in association with Greeneye Multimedia and TrueView Film.
Click here to watch video
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Joyce J. Scott: Walk A Mile in My Dreams, a fully illustrated 288-page catalog featuring introductions by curators Cecilia Wichmann and Catharina Manchanda and contributions from Dr. Leslie King-Hammond, Valerie Cassel Oliver, Lowery Stokes Sims, among others. © 2024 Baltimore Museum of Art and Seattle Art Museum. Distributed by Yale University Press.
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NOW: Collaborations between Joyce J. Scott and Tim Tate, published on the occasion of the exhibition NOW: Collaborations between Joyce J. Scott and Tim Tate © 2024 Goya Contemporary Gallery, Baltimore.
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Making Their Mark: Art by Women in the Shah Garg Collection, Edited by Mark Godfrey and Katy Siegel, this book explores the bold vision and vast range of achievements of 136 women artists drawn from the Shah Garg Collection. © 2023 Shah Garg Foundation.
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Click here to view available works by Joyce J. Scott
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Detail of Joyce J. Scott & Elizabeth T. Scott, Monsters, Dragons, and Flies, 1982, Collection of Mississippi Museum of Art | |
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Making Their Mark: Works from the Shah Garg Collection, Berkeley Art Museum and Pacific Film Archive, CA, through April 20, 2025. Traveling to the Kemper Art Museum, St. Louis, MO.
Click here for more information on the exhibition
Of Salt and Spirit: Black Quilters in the American South, Mississippi Museum of Art, Jackson, MS, through April 13, 2025.
Click here for more information on the exhibition
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Colloquium - Fiberations: The Evolution and Tradition of African American Fiber Aesthetics at the Reginald F. Lewis Museum.
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Joyce J. Scott’s 50-year retrospective to open alongside exhibits of her mother’s quilts. Like mother, like daughter: the Scotts are ‘bum-rushing Baltimore' by Mary Carole McCauley for the Baltimore Sun.
Click here to read article
Brandon Scott, Mayor of the City of Baltimore, issues a Memorial Tribute in honor of Elizabeth Talford Scott.
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The Work of Elizabeth Talford Scott in Good Company at the Reginald F. Lewis Museum by Chelsea Lemon Fetzer for BmoreArt.
Click here to read article
The Estate of Elizabeth Talford Scott at Goya Contemporary is pleased to announce the launch of a website dedicated to the study and appreciation of Elizabeth Talford Scott’s life and work.
www.elizabethtalfordscott.com
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Detail of Sonya Clark, The Bluest, Twisted, 2023-2024, ed. of 30, Published by Goya Contemporary/Goya-Girl Press | |
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Goya Contemporary / Goya-Girl Press released two new print editions in collaboration with Sonya Clark, The Huest Eye, 2023-2024, ed. of 12 and The Bluest, Twisted, 2023-2024, ed. of 30.
Click here for more information
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The Shape of Power: Stories of Race and American Sculpture Smithsonian American Art Museum, Washington, DC, through September 14, 2025.
Click here for more information on the exhibition
Rug Life, Museum of Craft and Design, San Francisco, CA, December 14, 2024 - April 25, 2025.
Click here for more information on the exhibition
Permanent Collection: Scrolls from Reconstruction Exercise, Contemporary Galleries, Virginia Museum of Fine Arts, Richmond, VA, through January 31, 2025.
Click here for more information on the exhibition
Becoming the Sea, Gantt Center, Charlotte, North Carolina, through January 20, 2025.
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Celebrating the 1858 Prize for Contemporary Southern Art, Gibbes Museum of Art, Charleston, SC, through January 12, 2025.
Click here for more information on the exhibition
EXTENDED Descendants of Monticello, Declaration House, Monument Lab, Independence National Historical Park, Philadelphia, PA, through December 2024.
Click here to watch a video from Monument Lab
Click here to listen to NPR interview
Sacred Space, Fairfield University Art Museum, Fairfield, CT, through December 21, 2024.
Click here for more information on the exhibition
The Wake, Dak’Art Biennale, United States Pavilion, National Museum of African Civilizations, Dakar, Senegal, through December 7, 2024.
Click here for more information on the exhibition
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The Stanley Museum of Art at the University of Iowa acquires two Sonya Clark prints from The Hair Craft Project Series.
Other recent acquisitions include University of Maryland, MD; Delaware Art Museum, DE; Harvard University Art Collection, Houghton Library, MA; High Museum of Art, GA; Mead Art Museum, Amherst College, MA; Middlebury College Museum of Art, CT; Smithsonian National Museum of African American History and Culture, Washington, DC; Virginia Museum of Fine Art, VA; Wadsworth Atheneum, CT; Yale University, The Beinecke Rare Book and Manuscript Library, CT
Click here to view available works by Sonya Clark
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Jo Smail, Make It Yourself, 2017, Digital prints and acrylic on paper mounted on board, 5 x 8 inches | |
Detail of Soledad Salamé, Fast Fashion with Embroidery, 2024 | |
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[Upcoming] Soledad Salamé: Camouflage, Blaffer Art Museum, Houston, TX, Summer 2025.
Click here for more information on the exhibition
The DMV Collects the DMV, The Washington Print Club 60th Anniversary Exhibition, At Kreeger Museum, through February 1, 2025.
Click here for more information on the exhibition
Contested Landscapes, Museum of Fine Arts Houston, TX, Ongoing 2024.
Click here to learn more about the exhibition
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Detail of Lillian Bayley Hoover, no ruined stones, 2020, Oil on Dibond panel, 9.75 x 22 inches | |
Howie Lee Weiss, Quest #1, Vine charcoal on paper, 55 x 53 inches and Quest #2, Vine charcoal on paper, 55 x 54 inches | |
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2024 Faculty and Sabbatical Exhibition II, Decker Gallery, Maryland Institute College of Art, Baltimore, through December 10, 2024.
The exhibition features the work of MICA’s world-renowned faculty, highlighting their diversity in content, medium, and style. Featured faculty include Regina DeLuise (Sabbatical), Mark Karnes, Michelle LaPerriere, Hugh Pocock, Stephen Rueff, Whitney Sherman, Eglute Trinkauskaite (Sabbatical), Howie Lee Weiss, Michael Weiss.
Click here for more information on the exhibition
Click here for available works by Howie Lee Weiss
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Detail of Paul Daniel, Bad Apple, 2015, Steel, aluminum, stainless, rubber, 94 x 84 x 84 inches | |
Detail of Liliana Porter, Red with Them, 2005, Duraflex 35 x 28 inches | |
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Congratulations Liliana Porter for being named a 2024 Anonymous Was a Woman (AWAW) award grantee.
Anonymous Was A Woman is an unrestricted grant awarded each year to 15 woman artists over the age of 40 and at a critical junction in their career. The name of the grant program refers to a line in Virginia Woolf’s "A Room of One’s Own." The award was begun in 1996 in response to the decision of the National Endowment of the Arts to cease support of individual artists. To date, Anonymous was a Woman has awarded over $6.5 million to more than 300 artists.
Click here for more information
Click here for available work by Liliana Porter
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Sat: 12:00 pm - 5:00 pm
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