Installation view of Lynn Silverman: In A Matter of Time | | |
Baltimore Banner: 6 free, Must-See Art Exhibits This Fall,
featuring Lynn Silverman: In A Matter of Time.
Click here to read article
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Between Death and by Lynn Silverman and Catherine Borg in collaboration with Jason Sloan
The film screening and discussion took place Sunday, October 5th, 12-1 pm at Goucher College, Hyman Forum of the Athenaeum. This film screening was in collaboration with Goya Contemporary and our current exhibition Lynn Silverman: In A Matter of Time.
Click here to learn more
| | Installation view of Living With It: a solo exhibition by Liam Davis | | |
Living With It: a solo exhibition by Liam Davis was featured in the Art Dealers Association of America’s September Gallery Guide e-newsletter and on Bloomberg Connects Guide 'On View This Month Across the U.S'.
Click here to view works by Liam Davis
| | Soledad Salamé, Camouflage, 2024 | | |
Art in a Time of Catastrophe: Soledad Salamé’s “Camouflage” at Goya Contemporary by Dora Marke for BmoreArt.
Click here to read article
| | INSTITUTIONAL ACQUISITIONS | | |
Samek Art Museum at Bucknell University in Pennsylvania acquired Atacama in Red.
Numerous works exhibited in the Soledad Salamé: Camouflage exhibition were placed into private collections.
Click here to view works by Soledad Salamé
| | Goya Contemporary at The Armory Show | | Installation view of Goya Contemporary Galley, Booth 426 at The Armory Show 2025 | | |
New York Times names Goya Contemporary one of the most important exhibitors to see at The Armory Show. Daunted by the Sprawling Armory Show? Try These 13 Certified Winners, by Will Heinrich and Walker Mimms.
Click here to read article
Livingetc features Goya Contemporary as one of 9 Striking Design Installations to Catch at New York’s Biggest Art Fair, by Gilda Bruno.
Click here to read article
Rolling Out features Goya Contemporary as What not to miss at The Armory Show, by Souleo.
Click here to read article
Click here to view our booth
| | Detail of Amalie Rothschild, Red Sun, 1948 | | |
Amalie Rothschild's Modernist Eye
On view at Goya Contemporary November 23, 2025 through January 23, 2026.
Opening Reception: Sunday, November 23, 3:00 - 6:00 pm
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In June, Goya Contemporary announced the exclusive representation of the Estate of Amalie Rothschild, a pioneering Baltimore-based artist whose expansive practice played a vital role in shaping the cultural and artistic landscape of post-war art in the mid-Atlantic region. This November we will open her first solo show at the gallery.
Click here to view Press Release
Goya Contemporary Gallery named to represent the estate of noted artist Amalie Rothschild, by Ed Gunts for Baltimore Fishbowl.
Click here to read article
Click here to view works by Amalie Rothschild
| | Detail of Fanny Sanín, Acrylic No. 7, 1994, 1994, Collection of the National Museum of Women in the Arts | | |
EXHIBITIONS
Fanny Sanín featured in the online exhibition "Five Women Artists from Latin America” at National Museum of Women in the Arts.
Click here to view the online exhibition
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Americas Society to present the first institutional survey of Colombian artist Fanny Sanín in New York, by ArtDaily.
Click here to read article
The Mesmerizing, Hard-Edge Paintings of Fanny Sanín, by Jillian Steinhauer, Brian Seibert, Helen Shaw, Sheldon Pearce, Jane Bua, Richard Brody, and Rachel Syme for The New Yorker.
Click here to read article
Dazzling Gradually, by Rebecca Allan for Art and Antiques.
Click here to read article
| INSTITUTIONAL ACQUISITIONS | |
The Fanny Sanin Legacy Project is proud to announce that the Solomon R. Guggenheim Museum in New York has acquired two stunning early works; Acrylic No. 5 and Acrylic No. 2.
Museum of Modern Art, New York (MoMA) recently acquired two early works; Acrylic No. 3 and Acrylic No. 12.
Click here to view works by Fanny Sanín
| Detail of Alan Shields, Backside Good Brother, ed. of 4, 1980 | |
INSTITUTIONAL ACQUISITION
Memorial Art Gallery, University of Rochester acquires Backside Good Brother from Goya Contemporary Gallery and The Estate of Alan Shields.
Click here to view the collection
Click to view works by Alan Shields
| | Detail of Paul Daniel, Sun Tatter, 2006, installed at the Biggs Museum of American Art, Dover, DE. | | Detail of Joyce J. Scott, Japanese Silk, 2024-2025 | | |
Making Their Mark: Works from the Shah Garg Collection, Kemper Art Museum, St. Louis, MO, September 12, 2025–January 5, 2026.
Click here for more information on the exhibition
Anonymous Was a Woman: Jae Ko, Linn Meyers, Joyce J. Scott, and Renée Stout, The Kreeger Museum, Washington DC, October 16 - December 31, 2025.
Click here for more information on the exhibition
Constellations: Contemporary Jewelry, Dallas Museum of Art, Dallas TX, November 9, 2025 -
May 3, 2026.
Click here for more information on the exhibition
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Anonymous Was A Woman: The First 25 Years, a beautiful 392-page volume that commemorates all recipients of the award from 1996 - 2020, including Joyce J. Scott and Sonya Clark. Featuring essays by Nancy Princenthal, Vesela Sretenović, Valerie Cassel Oliver, Jenni Sorkin, as well as a roundtable discussion with founder Susan Unterberg. © 2025 Hirmer Verlag and the Grey Art Museum at New York University.
Click here for more information
The Shape of Power: Stories of Race and American Sculpture, the 300-page volume of this major survey of American sculpture reflects and redefines concepts of race and identity, including Joyce J Scott. Essays by curators Karen Lemmey, Tobias Wofford, Grace Yasumura. Contributions by Renée Ater, Elizabeth Hutchinson, Claudia Zapata, James Smalls, Jacqueline Francis, Tess Korobkin, and Jami Powell. © 2024 Smithsonian American Art Museum, Washington, DC.
Click here for more information
Joyce J. Scott: Walk A Mile in My Dreams, a fully illustrated 288-page catalog featuring introductions by curators Cecilia Wichmann and Catharina Manchanda and contributions from Dr. Leslie King-Hammond, Valerie Cassel Oliver, Lowery Stokes Sims, among others. © 2024 Baltimore Museum of Art and Seattle Art Museum. Distributed by Yale University Press.
Click here for more information
| | INSTITUTIONAL ACQUISITIONS | | |
National Museum of African American History and Culture, Washington, DC acquires five Scott Family Heiloom quilts including one by Joyce J. Scott & Elizabeth Talford Scott.
Virginia Museum of Fine Arts, Richmond, VA acquires Of Africa.
Seattle Art Museum, Seattle, WA in Washington acquires Coppers and Blue Baby Book Redux, Gift of Merrill Wright, Seattle.
Block Museum of Art, Northwestern University, Cook County, IL acquires Jumped Overboard.
Click here to view works by Joyce J. Scott
| | Detail of Joyce J. Scott & Elizabeth T. Scott, Monsters, Dragons, and Flies, 1982, Collection of Mississippi Museum of Art | | INSTITUTIONAL ACQUISITION | | |
National Museum of African American History and Culture, Washington, DC acquires five Scott Family Heiloom quilts including one by Elizabeth Talford Scott and a second collaboration between Joyce J. Scott and Elizabeth Talford Scott.
The Houseman Foundation, St. Louis, MO acquires Flower Garden.
The National Gallery of Art in Washington, DC acquires Untitled Tie Quilt, Gift of Keith Timmons, Baltimore, MD.
Click here to view works by Elizabeth Talford Scott
| | Detail of Sonya Clark, Confederate, Surrender, 2022 | | |
[Upcoming] Every Artist Must Take Sides, Akademie der Künste, Paul Robeson Archives, Berlin, Germany, November 14, 2025 - January 25, 2026.
Rug Life, Weisman Museum of Art, Minneapolis, Minnesota, October 11 - December 28, 2025.
Click here for more information on the exhibition
Truths Be Told, Museum of International Folk Art, Santa Fe, New Mexico, December 5, 2025 - January 20, 2027.
Click here for more information on the exhibition
Eye to Eye, The Schingoethe Center, Aurora, Illinois, September 2, 2025 - December 11, 2025.
Click here for more information on the exhibition
American Art Since 1960, Delaware Art Museum, Wilmington, Delaware, ongoing.
Click here for more information on the exhibition
A Century in the Making, Smithsonian Museum, African American History + Culture, Washington, DC, ongoing.
Click here for more information on the exhibition
Remix: The Collection, National Museum of Women in Arts, Washington, DC, ongoing.
Click here for more information on the exhibition
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We the People: A History of the Constiution, written by Jill Lepore is a landmark, lavishly illustrated book, Harvard professor of history and law Jill Lepore argues that the philosophy of amendment is foundational to American constitutionalism. Published by Liveright.
Click here for more information
Anonymous Was A Woman: The First 25 Years, a beautiful 392-page volume that commemorates all recipients of the award from 1996 - 2020, including Joyce J. Scott and Sonya Clark. Featuring essays by Nancy Princenthal, Vesela Sretenović, Valerie Cassel Oliver, Jenni Sorkin, as well as a roundtable discussion with founder Susan Unterberg. © 2025 Hirmer Verlag and the Grey Art Museum at New York University.
Click here for more information
The Shape of Power: Stories of Race and American Sculpture, the 300-page volume of this major survey of American sculpture reflects and redefines concepts of race and identity. Essays by curators Karen Lemmey, Tobias Wofford, Grace Yasumura. Contributions by Renée Ater, Elizabeth Hutchinson, Claudia Zapata, James Smalls, Jacqueline Francis, Tess Korobkin, and Jami Powell. © 2024 Smithsonian American Art Museum, Washington, DC.
Click here for more information
| | INSTITUTIONAL ACQUISITIONS | | |
National Museum of African American History and Culture, Washington, DC.
California Polytechnic State University Museum, Arcata, CA.
Bryn Mawr College Museum, Bryn Mawr, PA.
Gibbes Museum, Charleston, SC.
Click here to view works by Sonya Clark
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Hours
Tues / Fri: 10:00 am - 6:00 pm
Sat: 12:00 pm - 4:00 pm
Closed for holidays
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