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Only the best will do for the holiday season, so we're recommending a classic: Christmas in Connecticut.
Barbara Stanwyck — who is brilliant — drives the story of Christmas in Connecticut in the role of Elizabeth Lane. According to her byline, Mrs. Lane is a food writer for Smart Housekeeping Magazine who resides on her Connecticut farm with her husband and infant, and is dubbed “America’s Best Cook”.
Except: Ms. Lane has never made a meal in her life, lives in an apartment in New York, is single, and doesn't have children.
A fun setup for hijinks.
And they do ensue, though no spoilers to follow.
Once the action kicks off in earnest, the piece unfolds a lot like a stage play adapted for film might (though it isn’t). It probably looks that way because Christmas in Connecticut is a farce — a staple comedic genre in theatre — and takes place largely on a single compound, with entrances and exits that feel very stage-like.
Publishing magnate and owner of Smart Housekeeping, Alexander Yardley, is played by the indomitable Sydney Greenstreet . Enough praise cannot be heaped upon this ample gentleman.
Prevailing wisdom is that S.Z Sakall steals every scene that he’s in, which wisdom I’ll concede. Sakall plays Stanwyck’s uncle Felix, a restaurant owner who is also the secret genius behind her recipes and the reason she was able to concoct and then maintain her professional charade.
Uncle Felix was born and raised in Budapest. I wouldn’t say the Hungarians are famous for their cuisine, but Sakall makes the unlikely believable.
When Yardley demands that Ms. Lane host and prepare Christmas dinner at her farm for both himself and a Naval war hero (confidently portrayed by Dennis Morgan), the character she’s invented for the magazine must urgently and convincingly come to life.
The resulting chaos doesn’t disappoint.
There are plenty of laughs throughout from Stanwyck, Greenstreet, and Sakall especially.
I also want to mention Una O’Connor, who turns in a hilarious and memorable performance as an Irish maid. Her moments opposite Sakall are particularly enjoyable.
I imagine the conversations between Sakall and O’Connor are about what you get when Hungarian and Irish diplomats collide at the UN. Lots of debating goulash vs stew.
Alongside the comedy, there are lovely moments oozing Christmas spirit that warmly draw you in.
Fun for the whole family.
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