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COLLAGE BOOKS
Margin Press, 2025. James Johnson-Perkins' practice draws from areas of: memory, nostalgia and play. It touches on important contemporary themes, such as Ethics, Religion, The Uncanny, Migration, Capitalism, Politics, and War. He creates Taxonomies of narratives, which also in themselves explore history, identity, and place. His work uses an assemblage of: digital collage, childhood materials, nostalgic objects, costume, new media, painting and drawing. MORE
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FROM THE ARTIST DIRECTORY
Norwich, Norfolk, United Kingdom. Collage enables Adam King to develop pop culture and other references in a more literal way, then twist and reconfigure them into new and alternative scenarios. King combines photos they have taken with material from magazines, old books, and databases. They enjoy the freedom and flow of utilizing computer software, layering and erasing images at the touch of a button. The process is, in some ways, disposable and contemporary, yet also liberating, providing limitless possibilities. MORE
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COLLAGE ON VIEW
Sarah Contos at Station Gallery in Surry Hills, New South Wales, Australia through 15 November 2025. Employing screen-printed textiles, tufted pieces and sculptural forms, “Vertical Hold” fractures and reanimates the cinematic picture. Drawing from 1970s and 80s film culture, Sarah Contos transforms the analogue television set, rife with visual glitches, flickers and phantom images, into both material reference and conceptual anchor. Here, visual instability becomes a metaphor for emotional slippage. MORE
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COLLAGE IN MOTION UPDATE
As a result of Kolaj Institute’s 2024 Collage on Screen Virtual Artist Residency, Lahore, Pakistan-based artist Marria Khan created the collage animation, Water Body. This film was selected for the program of the 7th Contemporary Video Art Exhibition, co-presented by Twelve Gates Arts (12G) and the Philadelphia Asian American Film Festival (PAAFF). Water Body explores the surreal narratives found in ancient creation and deluge myths. "It reflects humankind’s complex and evolving relationship with the natural world. Are we responsible for the imbalances in elemental forces that now wreak havoc upon us? Perhaps once we were not, but undeniably, we are now," wrote Khan. MORE
The Collage in Motion project explores collage and the moving image, a broad, loosely defined category that includes animations, film cut-ups, collage film, stop-motion, documentaries about collage artists, and other forms of media in which collage—as medium or genre—is present. LEARN MORE
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FROM THE ARTIST DIRECTORY
Madrid, Spain. Stefano Carbone’s visual art is closely connected with his poetic work. The themes range from introspection, solitude, and relationships with others to issues related to social advocacy, LGBTQIA+ rights, personal and collective self-determination, migration, and mental health. The materials are found on the streets (posters, pieces of walls, etc.). Carbone is passionate about recycling items that people consider unusable. He combines colors and textures to give them new meaning and infuses his reflections on paper with the vibrations of the big city, giving them new life and energy. MORE
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CALL TO ARTISTS
Early Deadline to Apply: Sunday, 30 November 2025. The Folklore & Collage Virtual Residency is a four-week program designed to support artists who want to develop a practice that includes folklore in their artmaking. In four virtual meetings over four weeks and through ongoing, online discussion, we will explore folklore as an idea, its role in culture, and influence on art. During the Residency, artists will identify stories from communities and make art which activates these stories. Artists will examine the work done previously by artists in Kolaj Institute’s Folklore Collage Society Project to develop a series of strategies for making collage that is in conversation with folklore relevant to their own community. MORE
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SUBSCRIBE TO KOLAJ MAGAZINE TODAY
Kolaj Magazine exists to show how the world of collage is rich, layered, and thick with complexity. By remixing history and culture, collage artists forge new thinking. To understand collage is to reshape one's thinking of art history and redefine the canon of visual culture that informs the present. Your support of this magazine keeps us going and makes it possible for us to investigate and document collage and to promote a deeper, more complex understanding of the medium and its role in art history and contemporary art.
DON'T MISS OUT!
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CALL TO ARTISTS
Final Deadline to Apply: Sunday, 16 November 2025. A four-week, virtual collage artist residency in November and December 2025. In the post-use life of materials, what role do collage artists play? And what happens when collage artists use trash as material? Taking the premise that Trash is not simply a material, but an idea, artists will virtually assemble to explore art made with or about Trash. Themes that have already emerged through Kolaj Institute’s inquiry into this subject have included Trash as Archeology; the role of labor; litter and other street Trash; food waste; the history of sanitation; picking and hoarding; class, race, and questions of social justice; Trash and place; planned obsolescence; e-waste; and how to develop relationships with sources of particular Trash material and then physically process Trash into art materials. In this residency, artists will hear about these themes; about how artists made art about them; and identify new themes. LEARN MORE
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CALL TO ARTISTS
Next deadline: Tuesday, 2 December 2025. The practice of collage takes on many forms and is shaped by the artist’s goals and what they want to achieve with their artwork, how they want to diffuse their artwork in the broader ecosystem of art. The Collage in Practice Workshop is designed to give artists a working understanding of artist practice and how this understanding informs approaches to professional and artistic development. Participants will explore critical concepts and collage taxonomies as a way to develop and refine the language they use to talk about their own practice and to develop a broad view of the creative landscape in which they operate. Participants will finish the workshop with a deeper understanding of their practice; a strong statement of practice that can be used to communicate with curators, editors, and art professionals; a portfolio of artwork (or a plan to make one); and tools for growing or developing their practice. MORE
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CALL TO ARTISTS
Kolaj Institute’s solo residencies in New Orleans are designed to provide artists, curators, and writers with dedicated time and space to work on a project. We are open to your ideas. We are looking for artists with an articulated goal for their time in New Orleans. That goal need not to be explicitly related to New Orleans, though priority will be given to those artists whose projects need time in New Orleans. These Solo Residencies are taking place at Kolaj Institute’s home in the New Orleans Healing Center and help further Kolaj Institute's mission to support artists, curators, and writers who seek to study, document, and disseminate ideas that deepen our understanding of collage as a medium, a genre, a community, and a 21st century movement. MORE
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CALL TO ARTISTS
At Kolaj Institute, our philosophy is that if we bring artists together, explore ideas and concepts, share knowledge, we can stretch and develop as artists. When we bring that knowledge and skill into our communities, we raise the standing of collage and contribute to the civic discourse. Kolaj Institute's Artist Development Program is a collection of three core workshops for self-motivated artists, at any stage in their career, who want to develop and expand their collage-based artist practice and work towards professional goals, particularly in the areas of exhibitions and publishing. LEARN MORE
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NEW PUBLICATION
Authoritarian Regime Survival Guide
Authoritarian Regime Survival Guide is a collage. The book combines the text of a Polish human rights activist Martin Mycielski with the artwork of seven collage artists to create a space in which we can think about the rise of authoritarianism and how to navigate the troubling, difficult times in which we find ourselves. Organized as a series of lists, the book illustrates what to expect under authoritarianism and offers rules for surviving authoritarian regimes and engaging their supporters. The introduction traces how the text came into existence and how the artists came together to make collage about it. Ric Kasini Kadour shares historical examples of artists responding to authoritarianism; John Heartfield’s anti-fascist collage and a 1979 exhibition in East Germany that was described as a “victory over false consciousness.” Authoritarian Regime Survival Guide is a testament to the role art can play in our communities.
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PRINT MAGAZINE
Since 2011, Kolaj Magazine has documented, reported on, and explored the amazing artists who make up the international collage community.
In Kolaj #42, you'll discover "Little Beasts" at the National Gallery of Art in Washington, DC; Warsaw, Poland-based collagist Marta Janik; animated collage at the Glastonbury Festival; the radiating collage of Dana Hart-Stone; anti-authoritarian political collage projects from San Diego, California and Barcelona, Spain; contemporary challenges of doing Mail Art; a daughter reflecting on her mother's collage practice; a collaborative scanograph collage poem; collage book reviews; “Selections from the Collection” and and artist portfolios.
Our goal with every issue is that Kolaj Magazine is essential reading for anyone interested in the role of contemporary collage in art, culture, and society. MORE
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JOURNAL
PoetryXCollage is a printed journal of artwork and writing that operates at the intersection of poetry and collage. We are interested in found poetry, blackout poetry, collage poems, haikus, centos, response collages, response poems, word scrambles, concrete poetry, scatter collage poems, and other poems and artwork that inhabit this world.
PoetryXCollage, Volume Seven includes artwork and writing by Pablo Cabrera Ferralis (Leipzig, Germany); Natalie W Schorr (Greenville, North Carolina, USA); Hanna Madej (Wroclaw, Poland); Dianalog (Palm Springs, Florida, USA); Christy Sheffield Sanford (Saint Augustine, Florida, USA); and a selection of Asemic Writing Collage Poems from Anthony D Kelly, Laura Tafe, Thomas Mayer, and Janice McDonald, with commentary by Ric Kasini Kadour. On the Cover is a detail of BY CHANCE/LA DÉRIVE by Pablo Cabrera Ferralis. MORE
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NEW PUBLICATION
Frankenstein
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This new version of Mary Wollstonecraft Shelley’s classic 19th century novel Frankenstein; or, the Modern Prometheus features seventy-six illustrations by International Collage Artists who delved into the novel’s rich narrative and visual potential and created thought-provoking artworks that reflect the essence of Frankenstein in a 21st century context.
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NEW PUBLICATION
Magic in the Modern World
Taking a broad view of magic and drawing from multiple histories, the book, Magic in the Modern World, proposes a way to think about magic in the 21st century, what it means to communities, and how it negotiates itself in systems of power. Generously illustrated, the book features the artwork of fifteen collage artists and dozens of historical images.
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ARTSHOP
"I Cut Therefore I Kolaj" T-shirt
Since we started Kolaj Magazine in 2011, people have been asking about t-shirts. Well, we finally made one. We are pleased to announce the "I Cut Therefore I Kolaj" T-shirt. We hope you like it and wear it with pride.
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TRADING CARDS
Kasini House Artshop works with the Kolaj Magazine Artist Directory to produce curated packs of the Collage Artist Trading Cards. Each card is a full color, 5.5” x 3.5” postcard with rounded corners. An example of an artist’s work is on the front of the card and the artist’s public contact information is on the back. Collage Artist Trading Cards come in packs of 15.
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About Kolaj Magazine
Kolaj Magazine is a quarterly, printed, art magazine reviewing and surveying contemporary collage with an international perspective. We are interested in collage as a medium, a genre, a community, and a 21st century art movement. Kolaj is published in Montreal, Quebec by Maison Kasini. Visit Kolaj Magazine online.
WEBSITE | ARTIST DIRECTORY | SHOP
About Kolaj Institute
The mission of Kolaj Institute is to support artists, curators, and writers who seek to study, document, & disseminate ideas that deepen our understanding of collage as a medium, a genre, a community, and a 21st century movement. We operate a number of initiatives meant to bring together community, investigate critical issues, and raise collage’s standing in the art world.
WEBSITE | CALLS TO ARTISTS | SUPPORT
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