Entertain, Educate, and Elevate Through Music.
| | • • Welcome to the St. Augustine Music Festival • • | | • • 2026 St. Augustine Music Festival Dates • • | | |
Friday, June 19 Saturday, June 20 Sunday, June 21
Friday, June 26 Saturday, June 27 Sunday, June 28
at the Historic Cathedral Basilica in St. Augustine
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Sundays with SAMF - March 22
Aaron Lehrian, Jazz Piano and Composer
"Solo Piano: Music of Feeling, Place and Stars"
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March 22, 2026
3:00 PM
The Waterworks
184 San Marco Ave, St. Augustine
Tickets: $25 in advance, $30 at the door
Aaron Lehrian,
Jazz Piano and composer
"A beautiful blend of classical pianist's perfectionism and a jazzy musician's innovation".
Carrie Seidman, Herald-Tribune
This program features pianist and composer Aaron Lehrian blending original compositions with classical jazz selections. Aaron explores improvisation, lyricism, and structure—revealing how jazz language and classical forms intersect in fresh and unexpected ways. This concert celebrates collaboration, innovation, and the living evolution of American music, as we celebrate the 250th anniversary of the nation.
View the program below with program notes:
Solo Piano: Music of Feeling, Place and Stars"
The Joys of Calculus
I’ve long held a profound appreciation for calculus and the broader world of mathematics. This piece employs a pointillist technique to reflect the precision of calculation and logical reasoning, while preserving an underlying sense of beauty and delight.
Icelandic Glaciers
Inspired by a journey through Iceland, this piece conjures the image of a glacier emerging on the horizon and gradually drawing nearer until its full, monumental presence is revealed. Its form is subtly shaped by Debussy’s Prelude “The Sunken Cathedral,” echoing that work’s sense of distant grandeur and slow, inevitable arrival.
Epicycles
“Epicycles” evokes both celestial bodies and the recurring patterns of their motion, along with the wonder those motions inspire. Historically, an epicycle is a small circular orbit whose center moves along the circumference of a larger circle — a concept used in Ptolemaic (geocentric) models to explain the apparent retrograde and looping motions of planets. In modern terms, the complex paths of planets are understood through heliocentric mechanics and orbital dynamics rather than nested epicycles, but the term still beautifully captures the layered, looping rhythms of the heavens.
The Garden of Quiet Reverie
This composition offers a tranquil respite from life’s turbulence. Imagine wandering through a secluded garden—each step a brief escape from the world’s burdens, each breath a small act of restoration. The piece invites quiet reflection and gentle renewal amid outer chaos.
Time’s Knockin’ at the Door
"Time's Knockin' at the Door" is an evocative composition, featuring a persistent ostinato figure that symbolizes time's relentless march. With an urgent quality, the piece serves as a poignant reminder of time's finite nature, always slipping away.
Words Forgotten
"Words Forgotten" weaves a tapestry of ancient beauty, evoking the enchanting essence of long-forgotten folklore from a time lost in the mists of history. The music transports listeners to a realm of nostalgia and wonder, where tales of old resonate with timeless wisdom.
These works are a collection of sketches—intentionally open-ended and suggestive rather than literal. As each piece develops, its meaning often becomes more defined, inspiring more specific titles that, in turn, influence the work’s direction. What follows are the sketches in their raw, formative state.
Sketch No. 1: Passion
Sketch No. 2: Shadows
Sketch No. 3: Fireworks
Sketch No. 4: Questions
Sketch No. 5: Lullaby
Bach Violin Sonata No. 1 in G Minor: Presto
Bach ranks among the greatest and most influential composers in Western classical music, and his influence reaches into jazz as well. With remarkable economy of means, he outlines rich harmonic progressions within a single melodic line—much as a jazz improviser suggests chords through inventive melody. The Presto movement, with its brisk drive and contrapuntal clarity, exemplifies this ability to imply expansive harmony through focused, eloquent voice-leading.
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Biography
Aaron Lehrian, born in 1994 in Seminole, Florida, is a highly acclaimed jazz pianist renowned for his ability to blend eclectic elements into his music. His musical journey began at the tender age of five when he started taking piano lessons from his grandmother, sparking a lifelong passion for the instrument.
Aaron’s exceptional talent and dedication to his craft led him to win the prestigious Jacksonville Jazz Piano Competition in 2014, solidifying his place as a rising star in the jazz world. This recognition propelled his career forward and opened doors to numerous exciting opportunities.
Throughout his career, Aaron Lehrian has collaborated with esteemed orchestras including the Florida Orchestra, the Jacksonville Symphony Orchestra, and the Hilton Head Symphony Orchestra, among others. Aaron has also shared the stage with renowned artists such as Randy Brecker, Christian McBride, Christian Sands, Ulysses Owens Jr., Wallace Roney, and Dick Oatts. These collaborations have not only enriched his musical experiences but have also allowed him to absorb diverse influences, further fueling his creative growth.
In 2023, Aaron released his debut album, A Joyous Opus, earning widespread praise, including a four-star review in DownBeat Magazine. Currently based in Atlanta, Georgia, Aaron remains an influential force in the jazz community. As he continues to innovate and create groundbreaking music, his artistry serves as an inspiration for musicians and listeners alike. Whether collaborating with orchestras, performing with esteemed artists, or captivating audiences with his solo performances, Aaron Lehrian’s musical prowess and dedication to his craft continue to shine bright.
You can visit the Aaron Lehrian website here: https://aaronlehrian.com/#
| | QR Code for Aaron Lehrian Tickets | | Our Friends at First Coast Opera invite you to their performance | | |
First Coast Opera presents Gilbert & Sullivan’s topsy-turvy operetta
The Mikado in St. Augustine, March 20–21. This timeless comedy
sparkles with razor-sharp satire, unforgettable melodies,
and nonstop charm. It’s witty, whimsical, and wildly entertaining!
Fully-staged with orchestra & chorus
Sung in English with surtitles
Pre-show talk with the Director
$20 student tickets
Group rates available for 10 or more
Tickets and details are available at firstcoastopera.com
or by calling the box office at 904-417-5555.
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Sundays with SAMF - April 19
Piotr Szewczyk and Alex Cooper, Composers
"Living Voices: Composers in Conversation"
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April 19, 2026
3:00 PM
The Waterworks
184 San Marco Ave, St. Augustine
Tickets: $25 in advance, $30 at the door
Piotr Szewczyk and Alex Cooper - Composers.
“Living Voices: Composers in Conversation”
The music will be performed by the San Marco Music Society Players.
This concert is sponsored by Danny Berenberg
This Audience-friendly program brings two accomplished contemporary composers, Piotr Szewczyk and Alex Cooper, directly to the stage to present, discuss, and demystify today’s musical language. Through live performance and spoken insight, audiences are guided through the creative process behind modern composition—how ideas take shape, how sound is structured, and how contemporary music reflects the world we live in now.
Pairing performance with conversation, this concert invites listeners of all backgrounds to engage actively with new music, offering both an artistic experience and a deeper understanding of the sounds of our time.
Three Summer Sketches for Violin, Clarinet and Bassoon
Three Episodes for Violin, Oboe, Cello and Bassoon
Sneaky Dances for Flute, Clarinet and Cello
Alex Cooper String Quartet "Permutations"
Triple Trouble for Oboe, Viola and Clarinet
San Marco Suite for Flute, Oboe and String Quartet
San Marco Music Society Players
Les Roettges, Flute
Eric Olson, Oboe
Gioanni Bertoni, Clarinet
Jordan Brokken, Bassoon
Piotr Szewczyk, Violin
Yuping Zhou, Violin
Ellen Olson, Viola
Brian Magnus, Cello
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Biographies
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Dr. Piotr Szweczyk
Dr. Piotr Szewcyk (pyo-ter shef-chick), Polish-American violinist and composer is a member of the Jacksonville Symphony first violin section since 2007. Previously, he was a fellow at the New World Symphony where he was a rotating concertmaster and a winner of a Concerto Competition. He is also a violinist and composer-in-residence of the Bold City Contemporary Ensemble and the creator of the Violin Futura Project. He is a winner of FSU Doctoral Concerto Competition and FSU Carnegie Hall Recital Competition. As a violinist, he performed at the Aspen Music Festival and School, Spoleto Festival USA, Colorado Music Festival in Boulder, St. Augustine Music Festival and others.
As a composer, Dr. Szewczyk has received awards from The Progressive Classical Music Award in Germany, The American Prize, Project Trio Competition, Flute New Music Consortium Competition, Shuffle Concert Competition, American Modern Ensemble, Rapido! Composition Contest, Third Millennium Ensemble, American Composers Forum, Society of Composers, Jacksonville Symphony Fresh Ink Competition, and others. He has received commissions from the Jacksonville Symphony, St. Augustine Music Festival, University of North Florida, San Marco Chamber Music Society, University of Cincinnati Philharmonia Orchestra under Mark Gibson, Buffet Crampon, Atlanta Chamber Players, Prof. Rick VanMatre at University of Cincinnati and many others. His music was released on Ablaze, Navona, Mark, JB Records and others and is available on Amazon, Spotify and other streaming services.
Dr. Szewczyk holds the degrees of D.M. from Florida State University, B.M. and double M.M. in violin and composition from University of Cincinnati College-Conservatory of Music. He studied violin with Piotr Milewski, Kurt Sassmannshaus and Corinne Stillwell, and composition with Michael Fiday, Joel Hoffman, Henry Gwiazda and Darrell Handel.
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Alex Cooper
Born in 1994, L. Alexander Cooper grew up in Rochester, Minnesota where he studied classical piano from the age of five. Alex attended the University of Iowa as a piano performance major under the tutelage of Dr. Ksenia Nosikova and graduated with a bachelor’s degree in music in 2018.
He developed a personal interest in composing music around the same time by studying counterpoint on his own time in addition to taking formal classes in music theory and orchestration and has also taken private composition lessons with Emmy award winning composer Stephen Cohn for the past few years. Since then he has written works for various ensembles ranging from solo works to full orchestral pieces.
His music has been performed in multiple venues by the St. Augustine Music Festival, the San Marco Chamber Music Society and has recently been commissioned by them as well as by the Florida Chamber Music Society.
His style combines traditional tonal harmonies and structural arrangements with a distinct sound that has been described as following a thematic storyline, with approachable yet provocative ideas and emotional language.
| | QR Code for the April 19 Concert | | |
Sundays with SAMF - May 31
Robert Sims, Baritone
"From Broadway to Opera to Spirituals"
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May 31, 2026
3:00 PM
The Waterworks
184 San Marco Ave, St. Augustine
Tickets: $25 in advance, $30 at the door
Robert Sims, Baritone
Robert Sims returns as one of SAMF’s audience favorites.
“Sims powerful baritone filled the Waterworks with the appropriate emotion of the music, whether the Underground Railroad Spirituals or the Hayes arrangement of the Life Cycle of Christ”.
Whether limping like Porgy when singing Porgy's Entrance Aria or acting pompous as he portrayed the count in the Barber of Seville, Robert Sims fully embraced the respective roles he portrayed.
Program To Be Announced
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Biography
Robert Sims, Gold Medal winner of the American Traditions Competition, has been praised for his rich tone, energetic performances, and commanding stage presence. A distinguished interpreter of spirituals and American art song, Sims has appeared with major orchestras and opera companies across the country and abroad, including the Oakland Symphony, Milwaukee Symphony, and Chicago Opera Theater.
He has performed at New York’s Lincoln Center, Carnegie Hall, and in collaborations with artists such as Jessye Norman, Simon Estes, and Jubilant Sykes. His artistry has been featured in PBS specials, international festivals, and broadcasts on NPR and the BBC.
Sims has worked closely with legendary composers and arrangers such as Lena McLin, Moses Hogan, Roland Carter, and Jacqueline Hairston, and continues to be a champion of preserving and elevating the spiritual as a vital American art form.
In addition to his performance career, he is an educator and mentor, fostering the next generation of vocal artists through performance, teaching, and his work with vocal competitions and scholarship programs.
| | QR Code for the Robert Sims Concert | | • • St. Augustine Music Festival Guild • • | | |
Dear Music Fan,
Please consider joining the St. Augustine Music Festival Guild!
The St. Augustine Music Festival Guild is a new group of friends and music lovers dedicated to supporting the St. Augustine Music Festival — one of our city’s most cherished cultural treasures.
We’re searching for volunteers who want to help promote and support world-class classical chamber music in St. Augustine!
As a Guild member, you can:
- Help fundraise for festival performances and musicians
- Volunteer at concerts and special events
- Assist with hospitality for our guest artists
- Spread the word about the festival and our mission
- Whether you have a few hours or a lot of time, your involvement will make a real difference.
Interested in joining us? email Maria Senese: maria.samf@yahoo.com
Be sure to include your contact information and your area of interest:
Let us know how you would like to participate and we’ll be back in touch!
Together, we can ensure that beautiful music continues to fill St. Augustine — not only today, but for generations to come.
With gratitude and warm regards,
Maria Senese
Board Member and Guild Organizer
St. Augustine Music Festival
| | • • Celebrate 20 Years of Music Magic! • • | | |
Join us for our landmark 20th season!
The St. Augustine Music Festival (SAMF) celebrates two decades of free-to-the-public performances. With six concerts over two weekends—June 19-21 and June 26-28—audiences will gather in the historic Cathedral Basilica of St. Augustine renowned for its beauty, accessibility, and acoustics.
A tradition of excellence
Founded in 2007 to educate, entertain and elevate, SAMF has become one of the nation’s largest free chamber music festivals. Each summer, SAMF musicians and guest artists fill the cathedral with world class music that brings together both beloved classics and innovative new music.
Be part of the celebration
This milestone year will feature favorites from previous seasons as well as a celebration of the 250th birthday of the United States. Returning guest artists will include violinist Nigel Armstrong, pianist Chelsea Wang, and other acclaimed performers soon to be announced.
The St. Augustine Music Festival is excited as we continue our celebration of 20 years offering Classical Chamber Music to a discerning public and as the United States commemorates 250 years as a country!
| | • • Why Your Contribution Matters • • | | |
Your gift makes the music possible!
For 20 years, the St. Augustine Music Festival has filled the 800-seat Cathedral Basilica, welcoming nearly 5,000 music lovers annually. Breathtaking acoustics, exceptional artistry, and world class performances create an unforgettable experience—free and open to all.
Community supported!
SAMF, a 501.c3 nonprofit, operates on an annual budget of about $125,000, with 85% devoted to festival production. The largest expense—roughly 50% —goes to bringing in outstanding professional musicians from North Florida and across the
nation. Historically, state and local grants have covered approximately 35%, while the remainder depends upon community donations and sponsors. As governmental support becomes less certain, community generosity is more important than ever.
Why your contribution matters!
Your generosity sustains this remarkable tradition, and every gift—large or small—helps SAMF present free concerts, attract superb musicians, collaborate with composers to exciting, relevant new music, and inspire the next generation through the universal language of music. Together, we can ensure that this 20th Anniversary
Season—and the years ahead—continue to resonate with the beauty, passion, and community spirit that define the St, Augustine Music Festival.
| | • • Sponsor and Patron Opportunities • • | | |
Community support keeps extraordinary music in our historic city.
Please consider becoming a sponsor or patron.
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Festival Sponsor —- $20,000
Experience the Festival at the highest level of recognition and access
・Recognition: Exclusive naming rights to the Festival
・Experience: Prime seating for 8 for entire season
・Access: Invitation to a private rehearsal (when available); Festival reception with musicians
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Concert Sponsor —- $5,000-$7,500
Support an individual concert and share in its success
・Recognition: Festival program and concert introduction
・Experience: Prime seating for 6 for the entire 2026 season
・Access: Festival reception with musicians
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Program Sponsor —- $2,500
Show your support through recognition on all Festival materials
・Recognition: Program cover credit
・Experience: Prime seating for 4 for the entire 2026 season
・Access: Festival reception with musicians
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Patrons
Support our chamber music traditions and receive seating and entrance benefits
・$1500 — Prime seating for 2, early entry, and Festival reception
・$500 ($350 before January 15, 2026) Preferred seating for 2 and early entry
・$250 — Early entry and general admission seating for 2
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Reserved Seating for our June Concerts
Our St. Augustine Music Festival concerts in the Cathedral Basilica are general seating. If you wish to have reserved seating for the concert, we request a minimum annual donation of $500 ($350 for donations before January 15, 2026).
An annual donation of $1,500 or more will provide you and another with Prime Reserved Seating in the front rows.
Please note: The reserved seats are not available to general admission public.
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As the June concerts are free to the public, financial contributions can be mailed to St. Augustine Music Festival, PO Box 833, St. Augustine, FL 32085-833. Donations can also be made on www.samfestival.org.
Reserved seating is available for annual donations of $500 and prime seating donations of $1,500 or more.
For more information, visit www.samfestival.org or call 904-484-4960.
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Personal and business checks can be made payable to the
St. Augustine Music Festival and mailed to:
Saint Augustine Music Festival
PO Box 833
St. Augustine, FL 32085-0833
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The St. Augustine Music Festival is a non-for-profit corporation exempt from federal income tax under section 501©(3) of the Internal Revenue Code. We are qualified to receive tax deductible bequests, devises, transfers, or gifts under section 2055, 2106 or 2522 of the Code and can provide you with a copy of our tax exempt status upon request. We greatly appreciate all donations and acknowledge our donors in the festival program and on our website.
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Each and every level of donation is important.
Please consider the level you wish to contribute.
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Visit the following websites for information about
upcoming Cultural and Musical Events in Northeast Florida
| | • • We Appreciate Your Contribution • • | | |
Jorge Peña and Jin Kim-Peña
Artistic Directors and Co-Founders
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Bill Boxer
Advisor to the Board
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On behalf of the SAMF Board of Directors, we thank you!
Bill Boxer, Advisor to the Board
Nell Seymour Toensmann, Board Chair
Jorge Peña & Jin Kim-Peña, Artistic Directors
St. Augustine Music Festival (SAMF)
billboxer@SAMFestival.org
Mobile: 904 982-0146
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St. Augustine Music Festival
P.O. Box 833
St. Augustine, FL 32085-0833
904-484-4960
www.SAMFestival.org
| | Members of the SAMF Board | | |
Nell Seymour Toensmann, Chair
Gordon Russell, Vice Chair
Katie Hayes, Interim Secretary
Gray Mason, Treasurer
Ellen G. Blaise
Michele Bova
Jonathan Dotson
Kerry Fradley
Svetlana Gerkerov
Katheryn Hancock
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Jorge Peña, Artistic Director
Jin Kim-Peña, Artistic Director
Bill Boxer, Advisor to the Board
Jonathan Lindsay, Operations
Jody Harmon
Patricia Konover
Jorge Rivera
Maria Senese
Jane Weizmann
Sammy Andress, Intern
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The St. Augustine Music Festival is very grateful for the hospitality
of the Historic and Beautiful Cathedral Basilica
for our Classical Chamber Music Concerts
offered to the public during the last two weekends in June.
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The St. Augustine Music Festival is a not-for-profit corporation exempt from federal income tax under section 501 (c)(3) of the Internal Revenue Code. We are qualified to receive tax deductible bequests, devises, transfers, or gifts under section 2055, 2106, or 2522 of the Code and can provide you with a copy of our tax-exempt status upon request. We greatly appreciate all donations and acknowledge our donors in the festival program and on our website.
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