I'm writing this introduction a couple of days before Election Day, knowing that I'm not going to send out this newsletter until two days afterwards.
Wherever we are by the time you're reading this, one thing I know is true for many of us is that we're already trying to figure out what to do about this year's holiday season. All those traditions so beloved and so enjoyed in past years — how do we keep those going under our current conditions?
For many families, there's a particular tradition — attending a production of The Nutcracker — that's unlikely to happen exactly as it has before. But ballet companies have gone into problem-solving mode as they try different approaches, including virtual and drive-in performances. There's even a crowdsourced Nutcracker that the public is being invited to make creative contributions to.
All of that is in keeping with the story I tell in my nonfiction picture book The Nutcracker Comes to America: How Three Ballet-Loving Brothers Created a Holiday Tradition, which was illustrated by Cathy Gendron and published in 2015 by Millbrook Press.
The resourcefulness on display in the first-ever U.S. production of The Nutcracker — put on in San Francisco by the Utah-born Christensen brothers during the trying circumstances of World War II — is both amusing and inspiring, and I figure both qualities are welcome right now.