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Sure, ballet and other dancers exert massive physical effort. But when it comes to other types of artistic creation, it’s not exactly bullfighting. Orchestra members sit. Painters stand at easels. And acting? Isn’t that just a matter of learning lines and not bumping into the furniture?
Not if you ask Kim Martin-Cotten and Brian Vaughn.
Both describe their current rehearsal process at South Coast Repertory as “running a marathon” or “climbing a mountain.” Beginning Jan. 23, the two actors embark on a nearly two-month run performing in repertory, appearing in a combined 53 performances of Yasmina Reza’s “God of Carnage” and Edward Albee’s “Who’s Afraid of Virginia Woolf?” Eight of those days feature performing both shows back-to-back.
These are not supporting roles. Both plays are intense four-character dramas with darkly comic edges, and Martin-Cotten and Vaughn play married couples who are onstage nearly the entire time. The emotional and physical demands are relentless.
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